Animation 動畫｜2025 | 3’43” | No Dialogues & No Subtitles 沒有對白，沒有字幕
Synopsis 故事大綱
Amidst an ordinary, tranquil journey, thoughts drift between scenery and fragmented memories, caught in a dream. Everyday silhouettes transform into the surreal, plunging into a poetic stream of consciousness. Through light and shadow interplay, the film reflects on how humans confront the void of fading memories and time’s relentless flow.
如果風景終究會褪色，記憶將駛向何處？透過皮影技術，日常物品的剪影變化為生命中的瞬間，列車穿越往日的悲傷與美好。當意義被祛除，僅隨光影起伏，是否更能抵達時間深處最透明的閃光？
Director’s Statement 導演闡述
Fly Train explores shadow play and experimental visuals to present a visual journey about time and memory. By transforming the silhouettes of everyday objects into surreal imagery, the film plunges into a poetic stream of consciousness. The interplay of light and shadow shifts from tangible scenes to philosophical reflections on confronting fading memories and the relentless passage of time.
As the wheels turn, the film’s wandering imagery invites viewers not to seek a destination or memory’s meaning, but to immerse themselves in the flickering ambiance – finding solace in the flow of frames, where personal resonance glimmers.
《褪色的透明列車》以皮影戲技術及實驗影像為核心，呈現一趟關於時間與記憶的視覺旅程。透過將日常物品的剪影轉化為超現實的意象，進入意識流般的詩意影像。利用光與影的交織，隨著車輪轉動，遊魂式的影像試圖邀請觀眾不去追尋記憶的目的地或意義，而是直接感受光影的氛圍，並在流動的畫面中找到屬於自己的情感共鳴。
Director 導演
Zhang Riwen, Ria 張日雯
A Hong Kong-based artist and animator focusing on moving images and abstract animation. Ria’s work explores the experimental interactions between sound and visuals, as well as live visual performances. Through a straightforward yet poetic approach, she examines the abstract nature of reality, transforming concrete subjects into abstract visual language.
張日雯現居於香港，專注於以動態影像和抽象動畫作為主要創作媒介，探索實驗不同媒體間的互動關係，如聲音與影像的交融、現場視覺表演等。她以直白而富有詩意的方式探討現實世界的抽象性，將具象事物轉化為抽象的圖像語言。