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# Eye Catcher
## Sitemaps
- [XML Sitemap](https://www.eyecatcherhk.com/sitemap.xml): Contains all public & indexable URLs for this website.
## Posts
- [Sample Page](https://www.eyecatcherhk.com/sample-page/) - This is an example page. It's different from a blog post because it will stay in one place and will show up in your site navigation (in most themes). Most people start with an About page that introduces them to potential site visitors. It might say something like this: Hi there! I'm a bike messenger
- [Zhang Yunchang 張雲暢](https://www.eyecatcherhk.com/zhang-yunchang/) - Zhang Yunchang is a non-fiction filmmaker from Hangzhou, China, based in New York. She holds an MFA in Photo, Video and Related Media from the School of Visual Arts and a background in public administration and arts management. Her work explores identity, resilience, and cultural dislocation through a hybrid lens, offering an interdisciplinary view of
- [Zhang Riwen, Ria 張日雯](https://www.eyecatcherhk.com/zhang-riwen-ria/) - A Hong Kong-based artist and animator focusing on moving images and abstract animation. Ria’s work explores the experimental interactions between sound and visuals, as well as live visual performances. Through a straightforward yet poetic approach, she examines the abstract nature of reality, transforming concrete subjects into abstract visual language. 張日雯現居於香港，專注於以動態影像和抽象動畫作為主要創作媒介，探索實驗不同媒體間的互動關係，如聲音與影像的交融、現場視覺表演等。她以直白而富有詩意的方式探討現實世界的抽象性，將具象事物轉化為抽象的圖像語言。
- [Yu Ziping 于孜平](https://www.eyecatcherhk.com/yu-ziping/) - Yu Ziping Director comes from a Chinese AI film and television company (Beijing Top Zhongzhi Culture Media Co., Ltd., Zhongxin AI Research Center). He has more than ten years of experience in film and television work and directing. He is good at creating AI short films, and many AI-produced films have been released in the
- [Yorki Lee 李若綨](https://www.eyecatcherhk.com/yorki-lee/) - A Hong Kong-based animation director and visual artist who explores themes of memory, dreams, love, loneliness, and reality in her work. By blending hand drawn style with animation, she crafts emotionally evocative pieces. 香港動畫導演與視覺藝術家，李氏的作品常探討記憶、夢境、愛、孤獨與現實等主題。她融合手繪風格與動畫，創作出富有情感共鳴的作品。
- [WHY Amos 黃浩然](https://www.eyecatcherhk.com/why-amos/) - Directorial works include Everyphone Everywhere (2023), Far Far Away (2022), Napping Kid (2018), Dot 2 Dot (2014). 導演作品包括：《全個世界都有電話》(2023)、《緣路山旮旯》(2022)、《逆向誘拐》(2018)、《點對點》 (2014)。
- [Ven Yang 楊志遠](https://www.eyecatcherhk.com/ven-yang/) - Yang started as a photographer, learning shooting and editing to develop a unique approach to visual storytelling and creative direction, and gradually became a director. He specialises in music videos (MVs) and commercials, blending visuals with narrative to create emotionally resonant works.His primary focus is collaborating with independent musicians, including Kowloon K, Lowa, Luna Is
- [Teo Wey Yinn 張蔚韻](https://www.eyecatcherhk.com/teo-wey-yinn/) - Wey Yinn Teo is a Kuala Lumpur based filmmaker/artist. Her works often drift away from realms of reality and truth, exploring grief, liminality and the spectrum of the human experience. Yinn’s debut short Enflightenment (2023) world premiered at the RAW Competition in the Short Waves Festival in Poland, and won the Audience Award, and has
- [Song Seakleng](https://www.eyecatcherhk.com/song-seakleng/) - A Cambodian filmmaker whose work explores identity, resilience, and societal change. He contributed to the feature film White Building. The Orange is his debut short (premiered at Singapore International Film Festival, selected in Best Southeast Asian Short Film, International Competition at Oberhausen Short Film Festival, XPOSED Queer Film Festival Berlin). His short film Late Blossom
- [Seun Yee 李世恩](https://www.eyecatcherhk.com/seun-yee/) - An independent animation filmmaker who works primarily with hand-crafted traditional techniques. After graduating with a Bachelor’s and a Master’s degree from art school in Prague, now she lives and works in South Korea. 獨立動畫電影製作人，主要使用手工製作的傳統技法。從布拉格的一所藝術學校獲得學士和碩士學位後，她現居南韓生活及工作。
- [Noa Keren](https://www.eyecatcherhk.com/noa-keren/) - A filmmaker, cinematographer and editor based in Jerusalem. Noa studied film at Tel Aviv University and since then she has been creating music videos with a love for surreal visuals, cardboard props, and strange little stories about feelings. She likes mixing real emotion with slightly twisted worlds — somewhere between romance and a gentle hallucination.
- [LEUNG Kam Fai 梁錦輝](https://www.eyecatcherhk.com/leung-kam-fai/) - Leung Kam Fai studied economics, but filmmaking is his true calling. He is keen on exploring the possibilities of short film with recent works produced by renowned Hong Kong director Fruit Chan and Nepalese director Min Bahadur Bham. His short, Save My Soul (2024) was selected for Vancouver International Film Festival, New York Asian Film
- [Kwai Bun 桂濱](https://www.eyecatcherhk.com/kwai-bun/) - Founder and Director of ManyMany Creations Ltd. ManyMany Creations Ltd. 創辦人及總監。
- [Kukan Son](https://www.eyecatcherhk.com/kukan-son/)
- [Kiarash Dadgar](https://www.eyecatcherhk.com/kiarash-dadgar/) - Kiarash Dadgar has contributed to various Iranian short films, series, and theatre productions. His producer debut, Jouissance (2022), premiered at BUSAN International Film Festival. His first film, The Steak (2023), screened at prestigious festivals like Slamdance, Tirana, and RiverRun, winning global accolades, including the AGBO Award (Slamdance) and Best Film (Elche IFF). Currently pursuing an
- [Huang Sheng Chun 黃聖鈞](https://www.eyecatcherhk.com/huang-sheng-chun/) - Huang Sheng-Chun, based in Taipei, is a filmmaker navigating between fiction and non-fiction storytelling. His works have centered on themes related to Taiwan’s history and human rights, with a commitment to uncovering subtle emotions and forgotten memories. He creates one to two short films annually, exploring hybrid storytelling that blends fiction, documentary, and experimental techniques.
- [Cyrus Leung 梁釋尹](https://www.eyecatcherhk.com/cyrus-leung/) - Cyrus Leung is an animation and audio graduate from the SCM, CityUHK. Greatly influenced by science and folk culture, her work ranges from animation, illustration, graphic design, circuit bending and installation. Apart from visual arts, she is also a multi-instrumentalist, composer and sound designer, actively bringing world music, analog sounds, experimental sonic art and fusion
- [Christine Seow 蕭韻心](https://www.eyecatcherhk.com/christine-seow/) - Christine Seow is a Singaporean filmmaker based in London. Her documentaries include the series While You Sleep which won Best Documentary at the Asia Web Awards 2018, and Beyond These Walls which has been nominated for Best Student Documentary at the Grierson Awards 2024 and longlisted for the British Short Film Awards. Her other shorts
- [Chang Yu Hsuan 張又瑄](https://www.eyecatcherhk.com/chang-yu-hsuan/) - A Taiwanese dance artist and interdisciplinary creator based in Paris. She studied dance at Taipei National University of the Arts and currently researches dance films at the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP). Her work explores body, memory, and cultural identity through cooking, language, and movement.Her dance films, including Who
- [Chang Ming Yu 張明右](https://www.eyecatcherhk.com/chang-ming-yu/) - Graduated from the filmmaking graduate school of NTUA, he focuses on social events, using documentaries to record people behind them through delicate observation, presenting the uniqueness and preciousness of every little thing. Under the Same Boat was selected for the 2023 Golden Horse Film Project Promotion. Haven't Stopped Lamenting was nominated for Best Documentary at
- [Chan Chon Sin 陳俊先](https://www.eyecatcherhk.com/chan-chon-sin/) - Johnson Chan Chon Sin, currently pursuing an M.F.A. in Filmmaking at Taipei National University of the Arts, and is currently a visual artist and filmmaker, his work explores the intersection of personal perception and social phenomena, blending poetic imagery and sound design to depict the relationship between individuals and the world. In 2022, his debut
- [Amin Fallah](https://www.eyecatcherhk.com/amin-fallah/) - Amin Fallah was born in Iran in 1996. He is a graduate of the Iranian Youth Cinema Association and began filmmaking at the age of 15 with experimental films. He has several experimental documentaries and short narrative films to his credit, including In My City, Human Desire, Die Hard, Vent and Shirin’s Bitter Tears. Amin
- [Anson Sham 岑軍諺](https://www.eyecatcherhk.com/anson-sham/) - Anson Sham toured internationally as a physical theatre actor since young age, which inspired his short film debut, The Kingdom of Men (2019). It was featured at several festivals, including Jumping Frames International Dance Video Festival 2019 and Cinedans FEST 2020. Anson’s interested in experimenting various artistic expression in different genres. His latest work is
- [Amirreza Jalalian](https://www.eyecatcherhk.com/amirreza-jalalian/) - Born 1986 IranGraduated from IYCS (Iranian Youth Cinema Society) Filmography:- The Well (Chah) (Short, Fiction, 2016)- The Roosters (Khoroos ha) (Short, Fiction, 2018)- The People Smuggler (Adamparan) (Short, Fiction, 2020)- The Wolves (Gorg ha) (Short, Fiction, 2022)- The Tortoise (Sangposht) (Short, Fiction, 2025) 1986 年生於伊朗畢業於伊朗青年電影協會 (IYCS)作品年表：《The Well》(Chah)【短片｜劇情｜2016】《The Roosters》(Khoroos ha) 【短片｜劇情｜2018】《The People Smuggler》 (Adamparan) 【短片｜劇情｜2020】《The Wolves》(Gorg
- [Claudia Ng 秋彤](https://www.eyecatcherhk.com/claudia-ng/) - Born in 1998 in Shantou, Guangdong Province, Lu Xiaohao graduated from Hubei College of Commerce and Trade, majoring in film and television photography and production. His first feature film, The Week After, was selected for the 16th FIRST Film Festival in 2022, and won the special mention of First Frame. 1998 年出生於廣東汕頭，畢業於湖北商貿學院影視攝影與製作專業。 長片首作《之後的一周》入圍2022年第16屆FIRST青年電影展，獲得「first frame第一幀」特別提及。
- [Tam Yee Lok, Enoch 譚以諾](https://www.eyecatcherhk.com/tam-yee-lok-enoch/)
- [LAW Suk Yi, Doris 羅淑儀](https://www.eyecatcherhk.com/law-suk-yi-doris/)
- [Timmy Chen 陳智廷](https://www.eyecatcherhk.com/timmy-chen/)
- [Yuen Chi-chung 袁智聰](https://www.eyecatcherhk.com/yuen-chi-chung/)
- [Vicky Fung 馮穎琪](https://www.eyecatcherhk.com/vicky-fung/)
- [Cheung Kit Bong 張傑邦](https://www.eyecatcherhk.com/cheung-kit-bong/)
- [Didi Wu 胡芷晴](https://www.eyecatcherhk.com/didi-wu/)
- [Wong Sau Ping, Adam 黃修平](https://www.eyecatcherhk.com/wong-sau-ping-adam/)
- [Trương Minh Quý 張明貴](https://www.eyecatcherhk.com/truong-minh-quy/)
- [YANG Ruby 楊紫燁](https://www.eyecatcherhk.com/yang-ruby-楊紫燁/)
- [Robin Lee](https://www.eyecatcherhk.com/robin-lee/)
- [Choi Toi Ling, Dora 徐岱靈](https://www.eyecatcherhk.com/choi-toi-ling/)
- [Dick Wong 黃大徽](https://www.eyecatcherhk.com/dick-wong/)
- [LEE Wai Shing 李偉盛](https://www.eyecatcherhk.com/lee-wai-shing/) - A Hong Kong independent filmmaker, LEE graduated from Hong Kong Design Institute. His first film was selected for the South Taiwan Film Festival, 2014. His documentary film Family Family Day, won the Gold Award (Open Category), 24th ifva Awards. 獨立電影⼈，專注紀錄片、實驗片創作。他的短片先後三度入圍台灣南⽅影展，以ifva獨立短⽚及影像媒體比賽。2019年，他憑著《團團圓》，獲得第24屆ifva獨立短⽚及影像媒體比賽金獎(公開組)。
- [Blue Ka Wing 藍嘉穎](https://www.eyecatcherhk.com/blue-ka-wing/)
- [Yu Ka Ho, Albert 余家豪](https://www.eyecatcherhk.com/yu-ka-ho/)
- [Isaac Shek 石家俊](https://www.eyecatcherhk.com/isaac-shek/)
- [Lau Hochi 劉浩之](https://www.eyecatcherhk.com/lau-hochi/)
- [Lam Miu Ling 林妙玲](https://www.eyecatcherhk.com/lam-miu-ling/)
- [Chan Chi Fat, Steve 陳志發](https://www.eyecatcherhk.com/chan-chi-fat-steve/)
- [Jing Wang 王靖](https://www.eyecatcherhk.com/jing-wang/)
- [Shan Zuolong 單佐龍](https://www.eyecatcherhk.com/shan-zuolong/)
- [Lu Hang 呂航](https://www.eyecatcherhk.com/lu-hang/)
- [Lu Xiaohao 陸曉浩](https://www.eyecatcherhk.com/lu-xiaohao/) - Born in 1998 in Shantou, Guangdong Province, Lu Xiaohao graduated from Hubei College of Commerce and Trade, majoring in film and television photography and production. His first feature film, The Week After, was selected for the 16th FIRST Film Festival in 2022, and won the special mention of First Frame. 1998 年出生於廣東汕頭，畢業於湖北商貿學院影視攝影與製作專業。 長片首作《之後的一周》入圍2022年第16屆FIRST青年電影展，獲得「first frame第一幀」特別提及。
- [Nao Yoshigai 吉開菜央](https://www.eyecatcherhk.com/nao-yoshigai/) - Nao Yoshigai was born in Yamaguchi, Japan in 1987. She graduated from the Department of Dance at Japan Women’s College of Physical Education and earned her Master’s at Tokyo University of the Arts. She explores changes in mind and body when understanding the world through the five senses in activities like dance, making films based
- [Zhang Xin 張歆](https://www.eyecatcherhk.com/zhang-xin/) - M.A., China Film Archive.Ph.D. in Directing, Beijing Film AcademyScreenwriter: Letter to Mom (Jinli Advertisement, 2016)Script Consultant: One Night in Beijing (2019)Director/Screenwriter/Lead Actress: Gold Life (2024)Art Supervisor / Casting Director: Hollowed Out (2024) 中國電影藝術研究中心碩士北京電影學院導演系博士金立廣告《給媽媽的信》編劇 (2016)《北京一夜》劇本顧問 (2019)《七分熟》導演/編劇/主演 (2024)《一個新的情緒》藝術指導/表演指導 (2024)
- [Qian Yini 錢藝妮](https://www.eyecatcherhk.com/qian-yini/)
- [Wu Weifeng 吳蔚峰](https://www.eyecatcherhk.com/wu-weifeng/) - He wrote and directed his debut Drop Your Cat, which won the Hainan Choice Award (first prize) at the Hainan Island International Film Festival’s H!Action section. It was also selected for the Pingyao International Film Festival WIP Lab, 2022 Hong Kong-Asia Film Financing Forum HAF WIP Lab, and 2023 Zhejiang Youth Film Festival WIP Lab.
- [WONG Ka-ki 黃嘉祺](https://www.eyecatcherhk.com/wong-ka-ki/) - Born in Hong Kong, Ka Ki moved to the UK in 2014 and graduated from the London Film School (MA Filmmaking) in 2018, working since as an independent filmmaker in London. Her works have been showcased at Locarno, Underwire, Taipei Golden Horse, and on Nowness. She has been commissioned by Channel 4 Random Acts, Pulse
- [ECG2025
「亞洲新導演獎」徵案詳情](https://www.eyecatcherhk.com/ecg2025-asiannewdirectorawards-chin/) - Eye Catcher Global 2025 (ECG2025) 即將以全新形象和內容回歸，Ignite the Spark: Authentic Voices, Worldwide Impact! 新一年的「亞洲新導演獎」還望繼續助力泛亞地區的影像故事、想像空間和美學，現正徵集具潛力的劇情及非劇情影像項目的初剪版本（未曾首映）。此競賽特別為來自亞洲地區的新導演而設，入圍名額將至少保留一半予華語電影項目，機不可失，期待再次在電影的光影中，與大家相聚！ 參與國際大型電影節的策劃人／導演將受邀擔任兩項獎項的評審團！入圍作品將獲邀參與頒獎禮及相關活動，與創作者及產業人士交流，角逐獎項及獎金，進一步拉近與產業的連結，為後續參展發行尋找合作機會。 重要日子 延長截止報名及提交作品：2025 年 6 月 30 日 (一) 晚上 11 時 59 分（太平洋時間）入圍結果通知：2025 年 7 月頒獎禮及相關活動：2025 年 8 月 2025入圍作品 (按組別及項目英文名序) 扔你的貓導演：吳蔚峰七分熟導演：張歆傷心公園導演：黃嘉褀正夢導演：吉開菜央夏日終曲導演：陸曉浩 評審成員 蔡紹勇 (新加坡國際電影節總經理及多部得獎電影監製) 苗華川 (《小雁與吳愛麗》、《美國女孩》監製 單佐龍【初選評審】 (《狂野時代》及《植物學家》等電影製片) 曾慶宏【初選評審】(《過時•過節》導演、香港浸會大學環球螢幕演技藝術學士(榮譽)課程主任、奪目影像藝術總監) 王婧 (《負負得正》、《熱帶往事》等電影製片) 獎項 每部入圍作品將獲頒入圍證書 1 張。 所有入圍作品將角逐 亞洲新導演大獎（1 名）：港幣 10,000 元（約美金
- [ECG2025
Open Call for Films Projects: Asian New Director Awards](https://www.eyecatcherhk.com/ecg2025-asiannewdirectorawards-eng/) - Eye Catcher Global 2025 (ECG2025) is returning with a brand-new look and content. Ignite the Spark: Authentic Voices, Worldwide Impact! The Asian New Director Awards this year continues to support filmic expression, imagination, and aesthetics from the Pan-Asian films. Now recruiting first cuts of promising fiction and non-fiction film projects (before premiere)! It is specifically
- [ECG2025
Open Call for Films: Eye Catcher Short Awards](https://www.eyecatcherhk.com/ecg2025-eyecatchershortawards-eng/) - Eye Catcher Global 2025 (ECG2025) is coming back with the brand-new image and content. Ignite the Spark: Authentic Voices, Worldwide Impact! Introducing our debut edition of Eye Catcher Short Awards, designed for filmmakers from Hong Kong and across Asia! In collaboration with local universities and cultural institutions, the Awards features 7 categories: AI-Generated, Animation, Dance
- [ECG2025](https://www.eyecatcherhk.com/ecg2025/) - ECG 2025 E-Booklet 電子場刊 ECG 2025 Winners 得獎名單 Eye Catcher Short Awards The Short Awards features 7 categories: AI-Generated, Animation, Dance Video, Documentary, Drama, Music Video and Student. Shortlisted applicants will be invited to Workshops/Talks, Screenings and the Awards Ceremony. 「奪目短片獎」設AI生成組、動畫組、舞蹈影像組、紀錄片組、劇情片組、音樂影像組及學生組 7 大組別。入圍作品將獲邀參與相關工作坊、放映活動及頒獎禮。 2025 Open Call Details & Shortlist 2025 徵案詳情及入圍項目 Asian New Director Awards
- [CHUA Jeremy 蔡紹勇](https://www.eyecatcherhk.com/chua-jeremy/)
- [ECG2025
「奪目短片獎」徵案詳情](https://www.eyecatcherhk.com/ecg2025-eyecatchershortawards-chin/) - Eye Catcher Global 2025 (ECG 2025) 會以全新形象、全新內容與大家見面！Ignite the Spark: Authentic Voices, Worldwide Impact！ 2025新設「奪目短片獎」，面向香港及亞洲地區的影像創作者。夥拍本地各大學及文化機構，特設AI生成組、動畫組、舞蹈影像組、紀錄片組、劇情片組、音樂影像組及學生組 7 大組別，現正公開招募短片，所有於 2023 年 6 月 20 日或之後完成的短片作品均可參加！ 參與國際大型電影節的策劃人／導演將受邀擔任兩項獎項的評審團！入圍作品將獲邀參與相關工作坊、放映活動及頒獎禮，競逐獎金、三大獎項及四大特別獎項；以及觀摩其他電影節的機會，與創作者及產業人士交流。忌猶豫、宜報名從速！ 重要日子 延長截止報名及提交作品：2025 年 6 月 30 日 (一) 晚上 11 時 59 分（太平洋時間）入圍結果通知：2025 年 7 月頒獎禮及相關活動：2025 年 8 月開始 2025入圍作品 (按組別及項目英文名序) AI 生成 ．九宵．重置．未來與我們 動畫．邊界感．褪色的透明列車．遙途 舞蹈影像．慢煮人生．那年冬天，我們在邊境牆前讀書跳舞．膠林密語 紀錄片．同一條船上．無政府主義者與冰箱．廿二．一路有你 劇情片．我是貓．一位女導演的苦淚．橘子的滋味．背負石化龜 音樂影像．活得太認真了吧．Energy．紙板戀愛事件簿 學生．昏飛．新生重建．一塊燒焦的牛扒 評審成員 評審團：主要獎項 蔡紹勇(新加坡國際電影節總經理及多部得獎電影監製)
- [The Orange | 橘子的滋味](https://www.eyecatcherhk.com/the-orange/) - Drama 劇情片 | 2024 | 14’50” | In Khmer with English Subtitles 高棉語對白，英文字幕 Synopsis 故事大綱 Two childhood best friends reconnect after years of separation. Chay, a Phnom Penh resident, helps Lyer, who comes from the countryside, get a job as a projectionist in the city. A film screening prompts them to wonder about their future
- [The Steak | 一塊燒焦的牛扒](https://www.eyecatcherhk.com/the-steak/) - Student 學生 | 2023 | 8’12” | No Dialogues, No Subtitles 沒有對白及字幕 Synopsis 故事大綱 As the mother prepares a cake for her daughter’s birthday, the enemy’s Army suddenly launches a surprise attack on their town. There is no time to escape, but to protect her daughter, the mother hides the kid in a closet. The
- [Reconstruction of New Life | 新生重建](https://www.eyecatcherhk.com/reconstruction-of-new-life/) - Student 學生 | 2024 | 14’58” | In Mandarin with Chinese & English Subtitles 國語對白，中英文字幕 Synopsis 故事大綱 In 2024, two actors reenact the scenario from Taiwan’s 1950s “White Terror period” at a Tainan film studio reconstructing the New Life Correction Center.In 2020, the political victim Tsai Kun Lin recounted his imprisonment and the pain of
- [Nuptial Flight | 昏飛](https://www.eyecatcherhk.com/nuptial-flight/) - Student 學生 | 2024 | 12’55” | In Tagalog in Chinese & English Subtitles 他加祿語，中英文字幕 Synopsis 故事大綱 A mesmerising dancer’s eyes were consumed by relentless flashes that haunted his graceful movements. Seeking remedy, he dutifully ate pineapple, hoping to expel these unwelcome guests. Yet, time wore on, trapping him in a hazy, aimless drift -
- [Great Suffering | 紙板戀愛事件簿](https://www.eyecatcherhk.com/great-suffering/) - Music Video 音樂影像 | 2025 | 4’51” | In Hebrew with English Subtitles 希伯來語對白，英文字幕 Synopsis 故事大綱 An indifferent man notices a mysterious cardboard woman who unexpectedly captures his attention and pulls him out of his bubble. In a handmade universe where cardboard cars cruise real streets and people wear cardboard heads, Great Suffering playfully blends
- [Energy](https://www.eyecatcherhk.com/energy/) - Music Video 音樂影像 | 2024 | 3’43” | In English with English Subtitles 英語對白，英文字幕 Synopsis 故事大綱 Energy is a film about self healing and the coping of losing a loved one. Told in a non-linear narrative, the main charater walks through a world within the vortex caused by the trauma of a loved one’s suicide.
- [Do We Live Too Seriously | 活得太認真了吧](https://www.eyecatcherhk.com/do-we-live-too-seriously/) - Music Video 音樂影像 | 2023 | 4’47” | In Cantonese with English Subtitles 粵語演唱，英文字幕 Synopsis 故事大綱 In the world of this short film, people cannot live too seriously. If they are discovered, they must be captured and undergo a transformation, where the “serious” part of their being is extracted. During one such process, the people
- [The Tortoise | 背負石化龜](https://www.eyecatcherhk.com/the-tortoise/) - Drama 劇情片 | 2025 | 13’28” | In Persian with English Subtitles 波斯語對白，英文字幕 Synopsis 故事大綱 An old man with a stone face, living in a land of rigid stones, has had enough of his situation and decides to get rid of himself by destroying himself with a piece of stone. His son, who serves in
- [Shirin’s Bitter Tears | 一位女導演的苦淚](https://www.eyecatcherhk.com/shirins-bitter-tears/) - Drama 劇情片 | 2023 | 7’00” | In Persian with English Subtitles 波斯語對白，英文字幕 Synopsis 故事大綱 Shirin, a female filmmaker under a travel ban due to restrictions on artistic activities, has turned to street vending and in order to reclaim her confiscated items, she enters the cold and harsh environment of the municipal office. 一位女導演 Shirin
- [Save My Soul | 我是貓](https://www.eyecatcherhk.com/save-my-soul-2/) - Drama 劇情片 | 2023 | 14’16” | In Cantonese with Chinese & English Subtitles 廣東話對白，中英文字幕 Synopsis 故事大綱 A mute wanderer, homeless and alone, meets a blind man smitten with cats. The man feeds every stray in the valley, offering the mute a chance for home. 無家可歸的啞巴在荒野流浪，遇上一個愛貓成癡的盲人。盲人樂此不疲餵飼村落裡每一隻流浪貓，啞巴從中看到被收養回家的契機…… Director’s Statement 導演闡述 “If I didn't need to be
- [Two Travelling Aunties | 一路有你](https://www.eyecatcherhk.com/two-travelling-aunties/) - Documentary 紀錄片 | 2025 | 21’48” | In English with English Subtitles 英語對白，英文字幕 Synopsis 故事大綱 Known as the Two Travelling Aunties, Singaporeans Norah and Susie, in their late fifties, document their overlanding journeys, sharing laughter, challenges, and the beauty of life on the road. Behind their carefree spirit, however, lies a history of resilience, as
- [Twenty Two | 廿二](https://www.eyecatcherhk.com/twenty-two/) - Documentary 紀錄片 | 2023 | 30’00” | In Cantonese with Chinese & English Subtitles 粵語對白，中英文字幕 Synopsis 故事大綱 In August 2016, one year after his graduation, Albert returned to New Asia College and decided to end his life. Because of the death of Albert, Ching Yee and Raymond met and, along with other friends, held his
- [The Anarchist and The Fridge | 無政府主義者與冰箱](https://www.eyecatcherhk.com/the-anarchist-and-the-fridge/) - Documentary 紀錄片 | 2024 | 14’03” | In English with English Subtitles 英語對白，英文字幕 Synopsis 故事大綱 The Anarchist and The Fridge tells the story of an anarchist who inspired by his involvement with the anarchist organisation “Food Not Bombs”, moved from Boston to New York over 20 years ago to pursue his ideals. After surviving cancer
- [In the Same Boat | 同一條船上](https://www.eyecatcherhk.com/in-the-same-boat/) - Documentary 紀錄片 | 2023 | 39’58” | In Mandarin & Taiwanese Hokkien with Chinese & English Subtitles 國語及台語，中英文字幕 Synopsis 故事大綱 A single act of kindness, involving three DVD players, plunged a father and son into a fate they could never reverse. Like a sinking ship, they desperately tried to slow their descent, but ultimately could
- [Latex Labyrinth | 膠林密語](https://www.eyecatcherhk.com/latex-labyrinth/) - Dance Video 舞蹈影像 | 2025 | 12’38” | In Hakka Chinese with Chinese & English Subtitles 客家語對白，中英文字幕 Synopsis 故事大綱 An old man awakens in a deforested rubber estate and finds himself in the colonial past. A distant old folk song ripples as he falls into the eternal loop of rubber tapping. 一位老人在被砍伐的橡膠園中醒來，卻發現自己身處殖民時代的過去。遠處傳來一首古老的民謠，他隨之陷入永無止境的割膠循環之中。 Director’s Statement 導演闡述
- [In That Winter, We Read and Danced in Front of The Border Wall | 那年冬天，我們在邊境牆前讀書跳舞](https://www.eyecatcherhk.com/in-that-winter-we-read-and-danced-in-front-of-the-border-wall/) - Dance Video 舞蹈影像 | 2025 | 15’00” | In Cantonese with Chinese & English Subtitles 粵語對白，中英文字幕 Synopsis 故事大綱 Four local artists collaborate in front of the border wall, using their unique mediums to cast their sentiments onto the indifferent wall. That Winter, they danced, read, sang, and played with the residents, subtly orchestrating the ironic,
- [À feu doux - Slow simmering | 慢煮人生](https://www.eyecatcherhk.com/a-feu-doux-slow-simmering/) - Dance Video 舞蹈影像 | 2025 | 11’32” | In English, French & Mandarin with English Subtitles 英語、法語及國語對白，英文字幕 Synopsis 故事大綱 The unknown process.Cooking, a path from A to B.Dancing, another way through. My position.My state of mind.Rituals of living—cooking,showering,getting close to myself. Weight. Shape.Where am I?Who I will be?Cooking, for me, is a way of staying
- [Silent Tides | 遙途](https://www.eyecatcherhk.com/silent-tides/) - Animation 動畫｜2025 | 9’36” | In Cantonese with Chinese & English Subtitles 粵語對白，中文及英文字幕 Synopsis 故事大綱 Time pushes everyone forward, like silent tides carrying each person toward an unknown destination. On the journey called “life,” we drift along distant currents toward an “end” that may or may not exist. We can only keep moving forward or
- [Fly Train | 褪色的透明列車](https://www.eyecatcherhk.com/fly-train/) - Animation 動畫｜2025 | 3’43” | No Dialogues & No Subtitles 沒有對白，沒有字幕 Synopsis 故事大綱 Amidst an ordinary, tranquil journey, thoughts drift between scenery and fragmented memories, caught in a dream. Everyday silhouettes transform into the surreal, plunging into a poetic stream of consciousness. Through light and shadow interplay, the film reflects on how humans confront the
- [Boundaries | 邊界感](https://www.eyecatcherhk.com/boundaries/) - Animation 動畫｜2025 | 11’33” | No Dialogues & No Subtitles 沒有對白，沒有字幕 Synopsis 故事大綱 When a bus seat is overly reclined by a passenger, the journey of the passenger behind takes an unexpected path, eventually exploring the interpersonal and societal space. 一名乘客在旅遊巴上把座椅過度倒放，後方乘客的旅程走上了一條意想不到的道路，逐漸探索著人際關係與社會空間。 Director’s Statement 導演闡述 The spaces that we inhabit serve as a foundation for our
- [The Future with Us | 未來與我們](https://www.eyecatcherhk.com/the-future-with-us/) - AI-Generated AI生成｜2025 | 1’37” | No Dialogues & No Subtitles 沒有對白，沒有字幕 Synopsis 故事大綱 The film explores the challenges of preserving traditional Chinese intangible cultural heritage—Peking Opera, Tai Chi, calligraphy, and embroidery—amid modern societal and technological shifts. It asks: can tradition and technology coexist in balance?Opening with a candle symbolising civilisation, the film contrasts figures in
- [Reset | 重置](https://www.eyecatcherhk.com/reset/) - AI-Generated AI生成｜2025 | 3’51” | In Korean with English subtitles 韓語對白，英文字幕 Synopsis 故事大綱 A man undergoing psychological counseling finds himself thrust into a strange hallucinatory world. There, he encounters mysterious entities that block his path, forcing him to confront his fears. However, what seems like a personal breakthrough is soon revealed to be part of
- [Nine Awaken | 九宵](https://www.eyecatcherhk.com/nine-awaken/) - AI-Generated AI生成｜2025 | 15’00” | In Cantonese with Chinese & English subtitles 粵語對白，中英文字幕 Synopsis 故事大綱 Fully AI-generated drama sci-fi short film. This is Part 1 of a longer story of 9 days. The story depicts a character living in a retro-Hong Kong space station. In repeating daily routines in hope of seeing his brother at
- [Teoswa Sonata | 夏日終曲](https://www.eyecatcherhk.com/teoswa-sonata/) - 113’ | In Teoswa dialect & Putonghua with English Subtitles 潮汕話及普通話對白，英文字幕 Synopsis 故事大綱 College students Weitao and his girlfriend Yanna return from their universities to their hometown of Shantou to spend their last summer holiday together. Bored with life in the small town of Teoswa and under pressure from their families, they decide to earn
- [Masayume | 正夢](https://www.eyecatcherhk.com/masayume/) - 110’ | In Japanese with English Subtitles 日語對白，英文字幕 Synopsis 故事大綱 Nao Yoshigai, who lost her mental and physical balance at 34, starts training at a Zen temple. Through Zen, she reexamines “eating,” “sleeping” and “breathing,” viewing her body and mind as a “bag of flesh.” Inspired by Michizo Noguchi’s words, she sees the body as
- [I Heard That They Are Not Going To See Each Other Anymore | 傷心公園](https://www.eyecatcherhk.com/i-heard-that-they-are-not-going-to-see-each-other-anymore/) - 87’ | In English, Mandarin, Turkish and Cantonese with English Subtitles 英語、國語、土耳其語及粵語，英文字幕 Synopsis 故事大綱 In present-day Taipei, Tao develops unexplainable affectionate feelings for Shin, an indifferent guy. Desperate to create lasting memories, she sends people to beat him up, using pain as a twisted form of connection. Meanwhile, Melih, who owns a noodle shop in
- [Gold Life | 七分熟](https://www.eyecatcherhk.com/gold-life/) - 94’ | In Putonghua with Chinese & English Subtitles 普通話對白，中英文字幕 Synopsis 故事大綱 Before her PhD, Zhang Xin was ambitious. Now, nearing graduation, she grapples with family pressures: her child’s alternative education prevents her from taking a university teaching post in the city, her husband’s demands, and her own unmet aspirations. Without spousal support, she bears
- [Drop Your Cat | 扔你的貓](https://www.eyecatcherhk.com/drop-your-cat/) - 89’ | In Putonghua with Chinese & English Subtitles 普通話對白，中英文字幕 Synopsis 故事大綱 Lin Lihua, in her fifties, took in Wu Ming, a wandering young man, out of sympathy. As these two lonely souls grew close, new impulses drove them away. Using the excuse of going to Beijing to throw away her daughter-in-law’s cat, Lin fled
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ECG2025回顧：產業論壇 - 從短片到長片：當代新導演的創作生態](https://www.eyecatcherhk.com/ecg2025-emerging-directors-today/) - ECG2025 Date: 17 August 2025 (Sun)Guest Speakers: Roan Feng-I, Fiona (Director of American Girl); Jing Wang (Producer of Land of Broken Hearts, Are You Lonesome Tonight? and more); Qian Yini (Producer of Drop Your Cat); Zhang Xin (Director of Gold Life); Wong Ka Ki (Director of I Heard That They Are Not Going To See
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ECG2025回顧：產業論壇 - 連結亞洲與世界：獨立監製與跨國合作](https://www.eyecatcherhk.com/ecg2025-asia-meets-the-world/) - ECG2025 Date: 17 August 2025 (Sun)Guest Speakers: Jeremy Chua (General Manager, Singapore International Film Festival & Producer of Award Winning Films), Clifford Miu (Producer of Yen and Ai-Lee & American Girl), Shan Zuolong (Producer of Resurrection, The Botanist and more)Moderator: Dr. Sonia WongLanguage: In Mandarin & English Producers play a critical role in filmmaking, overseeing
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ECG2025回顧：產業論壇 - 少壯多努力：香港導演如何迎難而上？](https://www.eyecatcherhk.com/ecg2025-the-young-strive/) - ECG2025 Date: 16 August 2025 (Sat)Guest Speakers: Chan Chi Fat, Steve (Director of Weeds on Fire); Wong Sau Ping, Adam (Director of The Way We Talk), Isaac Shek (Director of Father Figure), Amos Wong (Director of Nine Awaken, Yeh Ka Lun (Director of Twenty Two)Moderator: Dr. Sonia WongLanguage: In Cantonese During the golden age of
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ECG2025 奪目短片獎：得獎作品巡禮](https://www.eyecatcherhk.com/ecg2025-winners-highlights-hkaff22-screening/) - ECG2025 Date: 29 October, 2025 (Wed) ; 3 November, 2025 (Mon)Filmmakers in Attendance:Ven Yang (Director of Do We Live Too Seriously), WHY Amos (Director of Nine Awaken), Frankie Fan (Art Director of Nine Awaken), Seun Yee (Director of Boundaries), Leung Kam Fai (Director of Save My Soul) The Hong Kong Asian Film Festival collaborates with
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ECG2025回顧：產業論壇 - 我來自亞洲：自主製作如何講述未被看見的故事？](https://www.eyecatcherhk.com/ecg2025-voices-from-asia/) - ECG2025 Date: 16 August 2025 (Sat)Guest Speakers: Timmy Chen (Assistant Professor of Cultural Studies, HKMU), Didi Wu (Director of Broadway Cinematheque & HKAFF), Anson Sham (Director of In That Winter, We Read and Danced in Front of The Border Wall), Leung Kam Fai (Director of Save my soul)Moderator: Dr. Sonia WongLanguage: In Cantonese with Mandarin
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- [Short Speech for ECG2025 Awards Ceremony – Samuel Chai ECG2025 頒獎典禮致辭 – 柴子文](https://www.eyecatcherhk.com/speech-ecg2025-awards-ceremony/) - Finding New Meanings: Sharing Feelings Through Film in the Age of AI Short speech for Eye Catcher Global 2025 Awards Ceremony on August 17, 2025 Recently, I read a book called What Art Does: An Unfinished Theory, co‑written by the British musician Brian Eno. It’s a slim, accessible, and inspiring read. I’d like to share
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- [Eye Catcher Global 2024
「亞洲之光新導演競賽單元」徵案詳情](https://www.eyecatcherhk.com/eye-catcher-global-2024-asian-new-director-competition-chin/) - ＊黃色部分為2024年3月25日更新之最新消息。 「產業放映」為今年新增的環節，分為競賽及非競賽單元，主力推介亞洲地區不同類型的獨立先鋒影像項目（初剪或尚未首映的成片），提供面向業界的放映及產業交流，助其獲得產業資源及支持以完成全部製作，並為後續參展發行尋找合作機會。當中特設「亞洲之光新導演大獎」，現正同步徵集亞洲地區已有初剪但尚未首映的劇情片影像項目。透過初剪放映，入圍影像項目可競逐此獎項，得獎者（一名）可獲現金獎港幣10萬元。「產業放映」僅邀業界嘉賓出席，包括國際大型影展亞洲區選片人；不屬於首映或公映。 Eye Catcher Global 2024 有突發神秘加持！ 新環節「產業放映」競賽單元將新增「評審團特別獎」，並同步延伸開放徵集亞洲地區已有初剪但尚未首映的非劇情片影像項目。截止報名及提交項目初剪日期將延至4月26日（五）中午12時（GMT+8:00 香港時間），召集亞洲地區更多利用破格影像語言說故事的項目！ 英文版 English Version 重要日子 延長截止報名日期：2024年4月26日（五）中午12時（GMT+8:00 香港時間）提交項目初剪截止日期（可接受供網上瀏覽的樣片）：2024年4月26日（五）中午12時（GMT+8:00 香港時間）入圍結果通知：2024年5月上旬產業放映：2024年6月20至22日（四至日） 2024 入圍項目 《給女兒的信》類型：非劇情導演：鄭藹如監製：楊紫燁 入圍項目介紹 《熱室》類型：非劇情導演：陳巧真監製：任硯聰聯合導演：徐智彥 入圍項目介紹 《蛙》類型：劇情導演：王鵬為 入圍項目介紹 《大西洋底來的人》類型：劇情導演：鍾凱峰 入圍項目介紹 《擁啊擁 ong6 a7 ong6》類型：劇情導演：陳堅杭監製：林梓陽 入圍項目介紹 《一匹白馬的熱夢》類型：劇情導演：姜曉萱監製：莫珠琳執行監製：陳翠梅 入圍項目介紹 評審團 （按英文姓氏排序） 主席 朱利安·雷傑 (法國)朱利安·雷傑於2022年6月獲任名為康城導演雙週的藝術總監。2010至2020年期間他負責法國電影公司Capricci的發行、採購和國際銷售業務，並曾與多位知名電影創作人合作，包括阿伯·費拉拿、洪尚秀、阿爾拔·塞拉、王兵、蔡明亮、菲臘·加維爾、蒙特·赫爾曼、康尼流·波蘭布爾，及尚·查爾斯休等。同時，他發行了多位導演的首部作品，及策劃了多部經典電影的修復版公映場，包括尚盧高達、溝口健二、史特勞普和雨葉、英瑪褒曼、莫里斯·皮亞勒、大衛連治，及大衛哥連堡等多位名導的作品。2015至2019年，雷傑為法國電影雜誌Sofilm旗下的影評人，同時為該雜誌主辦的電影節擔任節目策展及藝術總監。 珍妮特·巴勒什博士 (土耳其)現居伊斯坦堡的珍妮特巴勒什是一名影評人，亦是阿爾特巴什大學美術及設計學院的廣播、電視及電影系副教授。她於 2013 年獲得博士學位，論文題目為《Contemporary Turkish Cinema and Melancholy》。她熱衷於研究當代土耳其和世界電影，著有《Class Aspects in New Turkish Cinema》一書，出版於2021年。她的電影文章和影評也廣泛地發表在各種平台上。自 2008 年以來，她一直是土耳其影評人協會（SİYAD）的成員；自 2010 年起，她亦成為國際影評人聯盟（FIPRESCI）的成員。她曾在眾多國際電影節上代表國際影評人聯盟擔任評委，經驗豐富。2021
- [The River that Holds Our Hands | 擁啊擁 ong6 a7 ong6](https://www.eyecatcherhk.com/the-river-that-holds-our-hands/) - Genre 類型Drama 劇情 Length 預計片長87' Production Stage 製作進度Complete First Cut 完整初剪 Total Budget 總預算US$ 63,747 Logline 故事摘要A documentary director, with Aunt Po Wah's 70-year-old photo, searches Saigon but finds only memories. Her stories of family and longing shared in Teochew, China, intertwine with Vietnam's present, casting him adrift in a dreamlike reality. 一位紀錄片導演帶著阿姨寶華70年前的舊照，在越南西貢找尋到的卻只有回憶。那些她在中國潮州時分享的家族故事和憧憬，與越南的現狀交織在一起，使導演迷失在如夢似幻的現實之中。 Synopsis 故事大綱In
- [ECG 2024 Review Industry Forum - Sharing by Dir. Derek Tsang: Out in the world, and coming back
ECG2024回顧 - 曾國祥導演分享：如何走出去，有怎樣回過來？](https://www.eyecatcherhk.com/ecg-2024-sharing-by-dir-derek-tsang/) - ECG2024 Date: 22 June, 2024 (Sat)Guest Speaker:Derek Tsang | Co-Director of 3 Body Problem SeriesModerator:Eric Tsang | Creative Director of Eye Catcher We were very honoured to invite our ECG2024 Ambassador Dir. Derek Tsang as the guest speaker for today's 1st industry forum. Moderated by the Creative Director of Eye Catcher Eric Tsang, the forum
- [ECG 2024 Review Industry Forum - Global Independent Film Forum: Australia, Singapore, Turkey, Hong Kong
ECG2024回顧 - 環球獨立電影論壇：澳洲、新加坡、土耳其、香港](https://www.eyecatcherhk.com/ecg-2024-global-independent-film-forum/) - ECG2024 Date: 22 June, 2024 (Sat)Panellists:Dr. Janet Barış | Turkish Film Critic & ScholarJeremy Chua | General Manager, Singapore International Film Festival & Producer of Award Winning FilmsBobby Romia | Head of Development, Screen Australia Moderator:Jacqueline Liu | Producer of Warriors of Future & Keep Rolling etc. For the 2nd Industry Forum this year, it's
- [ECG2024 Review Industry Forum - In-Depth Talk with Julien Rejl: Why Do We Need to be Future-Oriented?
ECG2024回顧：產業論壇 - 與朱利安·雷傑深度對談：為何我們要追求電影的未來性？](https://www.eyecatcherhk.com/ecg-2024-in-depth-talk-with-julien-rejl/) - ECG2024 Date: 23 June, 2024 (Sun)Guest Speaker:Julien Rejl | Artistic Director, Directors' FortnightModerator:Kiki Fung | Film Critic & Programmer Following the first showcase of the Cannes Directors’ Fortnight selection, we were excited to have an in-depth talk with Julien Rejl, the Artistic Director of the Directors’ Fortnight, moderated by Hong Kong film critic and programmer
- [Incubation Programme 23/24- Pitching Workshop: Audience Design & Pitching Skills
孵化計劃23/24- 提案工作坊：觀眾設計及提案策略經驗談](https://www.eyecatcherhk.com/pitching-workshop-audience-design-pitching-skills-review/) - 奪目影像孵化計劃2023/24 Date: 3 February, 2024 (Sat)Guests: Catherine Chan | Independent ProducerKa-ki Wong | Director & Producer Coming to the last workshop on pitching in the Incubation Programme 2023/24, we invited Catherine Chan, an independent producer on documentary and audience designer, and Ka-ki Wong, an independent director who won the Eye Catcher Grand Award in the
- [Supporting HK Young Filmmakers to Platform BUSAN during BIFF 2023
奪目影像伙拍Platform BUSAN資助香港青年導演前往釜山交流](https://www.eyecatcherhk.com/platform-busan-support/) - Supporting HK Young Filmmakers to Platform BUSAN during BIFF 2023 ＊Thumbnail photo reposted from and credit belongs to Asian Contents & Film Market. Date: 7 – 10 October 2023 Eye Catcher was glad to partner with Platform BUSAN in 2023 and support 2 Eye Catcher alumni to Busan for networking and exchange! Organised by Busan
- [Short Film Conference Membership](https://www.eyecatcherhk.com/short-film-conference-membership/) - Eye Catcher is proud to become the first Hong Kong member of the Short Film Conference (SFC)! The Short Film Conference is a world-wide organisation that came into being in 1970, and has the task of promoting the distribution and screening of short films, calling attention to and improving the position of short films at
- [Incubation Programme 23/24- Case Study: Creation and Production on Short Film Al Niente
孵化計劃23/24- 案例剖析：與金馬60入圍劇情短片《裊裊》團隊拆解短片製作回顧](https://www.eyecatcherhk.com/case-study-short-film-al-niente-review/) - Eye Catcher Incubation Programme 2023/24 Date: 16 December, 2023 (Sat)Guests: Lo Lam | Screenwriter & DirectorRachel Leung | Lead ActressEric Tsang | Producer For the 2nd Session on Case Study, we had the creative team behind the shortlisted project Al Niente from the 1st Eye Catcher Incubation Programme, Lo Lam (Screenwriter & Director), Rachel Leung
- [Incubation Programme 23/24- Why Indie? The Role of an Independent Producer
孵化計劃23/24- Why Indie? 獨立監製的為與不為回顧](https://www.eyecatcherhk.com/the-role-of-an-independent-producer-review/) - Eye Catcher Incubation Programme 2023/24 Date: 6 January, 2024 (Sat)Guests: Hillian Siu | Line ProducerDora Choi | Director & Producer Unknowingly, we hit the halfway mark of Eye Catcher Incubation Programme 2023/24. For the 1st workshop in 2024, we had 2 local independent filmmakers and producers Dora Choi and Hillian Siu, to share their experiences
- [Incubation Programme 23/24- In Search of Asian Talents
孵化計劃23/24- 尋找「亞洲之光」回顧](https://www.eyecatcherhk.com/in-search-of-the-asian-talents-review/) - Eye Catcher Incubation Programme 2023/24 Date: 6 January, 2024 (Sat)Guest: Shan Zuo Long | Producer Looking back at the book Tales of Honey: A Collection of Interviews with Post–80s Directors from the Greater China published in 2015 and written by Eric Tsang. Zuo Long, being one of the interviewees in the book, talked about the
- [Trip to Minikino Film Week 9: Bali International Short Film Festival
第九屆峇里島國際短片節交流](https://www.eyecatcherhk.com/trip-to-minikino-film-week-9/) - Minikino Film Week 9 (MFW9) Date: 15 - 23 September 2023 Venues: Pool Cinema @The Rooms, Mash Denpasar, Living Room (Festival Lounge), Irama Indah Minihall, UMA Seminyak, Cush Cush Gallery - Main Gallery, Café Teduh and more It’s been a fruitful and remarkable week! Thank you Minikino Film Week 9: Bali International Short Film Festival
- [Review on International Pitching Forum 2023 回顧：國際提案大會2023](https://www.eyecatcherhk.com/international-pitching-forum-2023-review/) - Date: 15th - 16th June, 2023 The 16 shortlisted projects for the second year's International Pitching Forum had been grouped into 2 categories: 6 in the Work-in-Progress Projects (WIP) and 10 in the In-Development Projects (IDP).The 6 shortlisted WIP film projects ranged from personal journeys of the minorities, the undercurrent about our city and self,
- [Filmmakers@HK in Focus](https://www.eyecatcherhk.com/filmmakers-hk-in-focus-eng-version/) - Filmmakers@HK in focus Date: 18/6 (Sun) 17:00 - 19:00Venue: Kino, 1/F EATON HKFilmmakers: Fredie CHAN Ho Lun, Wanqiu ZENG, Lawrence KAN, Emilie CHOI Sin Yi, Elysa WENDIModerator: Sonia WONG While it’s common for filmmakers to introduce their projects in development at different funding platforms, they seldom get to share their visions and styles as creators
- [奪目有請：香港焦點影人分享](https://www.eyecatcherhk.com/filmmakers-hk-in-focus/) - 奪目有請：香港焦點影人分享 日期：6月18日（日）17:00 - 19:00地點：Kino, 1/F 香港逸東酒店焦點影人：陳浩倫、曾婉遒、簡君晉、蔡倩怡、葉奕蕾主持：黃鈺螢 電影工作者常於不同創投平台介紹開發中的影像項目，但卻很少機會深入闡述自己的創作歷程。奪目影像請來以下本地影像單位：紀錄片導演陳浩倫、視覺藝術家曾婉遒，電影及電視劇導演簡君晉，及電影策展人蔡倩怡與葉奕蕾，從各自的身份及觀點出發，分享他們的影像世界。 陳浩倫 陳氏擁有16年紀錄片拍攝及教學經驗，並常聚焦世界各地的民間社會運動議題，例如與美國社區藝術組織Story Centre合作發展「參與式紀錄片」創作。其最新作品紀錄了一場由蘇格蘭居民因著當地房屋政策不公義而發起的抗爭。 曾婉遒 曾氏有著視覺藝術家、電影導演及藝術療癒師的多重身份。她的創作融合傳統東方美學及西方技藝，作品關注自我認同、文化記憶及歸屬感等主題。 簡君晉 畢業於溫哥華電影學院電影製作系後，創辦Marc. Two 製作公司。第一部電影《當C遇上G7》以成長為主題，講述香港年青人在成長步伐中面對的故事，入圍2013年香港亞洲電影節「香港首作」單元。2021年執導及創作Viu TV電視劇《IT狗》，並成為首次納入香港亞洲電影節的香港電視劇。演員凌文龍及岑珈其亦分別憑該劇角色提名釜山電影節－亞洲內容大獎最佳新演員及最佳男配角，凌文龍最終獲獎。2022年，簡氏執導第二部劇情長片《白日之下》，由爾冬陞導演監製。 蔡倩怡及葉奕蕾 蔡氏現為香港城市大學創意媒體學院博士候選人，她為影像研究者與獨立策展人，曾策劃不同類型的獨立影像項目。她亦同時為錄映太奇的董事之一。 葉氏是一位電影工作者與獨立策展人，其聯合創辦的Cinemovement是一個推廣跨界流動影像創作的藝術發展平台，同時她亦為不同國際機構與影展策劃文化項目。 二人將分享各自對香港當下的獨立影像創作的觀察，並透過四位本地創作人為引子：郭臻、陳巧真、 卓翔及忻慧姸，以他們涵蓋紀錄片、敘事虛構和實驗電影類型的作品探討獨立影像的流動性。 查詢： 電郵：eyecatcher@rfhk.org.hk / 電話：28118766 / Instagram @eyecatcher.images 主辦單位： Eye Catcher Global｜文藝復興基金會 English Version
- [Eye Catcher International Pitching Forum 2022: Words from Team and Jury Members
奪目影像國際提案大會2022：評審及團隊寄語](https://www.eyecatcherhk.com/eye-catcher-international-pitching-forum-2022-words-from-team-and-jury-members/) - " I think the 1st year of the Eye Catcher International Pitching Forum was a great success. The Forum provided a new platform for young filmmakers in Hong Kong to present their projects to a jury which consisted of film industry professionals, such as directors, producers, critics, festival curators, and distributors. " Winnie TSANGFounder &
- [Storytelling Workshop 1
故事發展工作坊 1](https://www.eyecatcherhk.com/storytelling-workshop-1/) - Date: 5th August, 2022 Mentor: Cheuk Cheung, Eylsa Wendi @Incubation 2022 In the storytelling workshop of the first phase of the Incubation Program, we invited Cheuk Cheung (director) and Elysa Wendi (founder of Jumping Frames) to share their own works, have one-on-one consultations on shortlisted documentaries and experimental works, and discuss the difficulties in our
- [Storytelling Workshop 2
故事發展工作坊 2](https://www.eyecatcherhk.com/storytelling-workshop-2/) - Date: 13th November, 2022 Mentor: Ashley Cheung Yin Kei @Incubation 2022 Ashley Cheung Yin Kei, the director of the Fresh Wave short film Life on the Line and the screenwriter of One Second Champion, gave the second storytelling workshop and discussed various genres and scripts with the audience: a story in a story, fiction in
- [Storytelling Workshop 3
故事發展工作坊 3](https://www.eyecatcherhk.com/storytelling-workshop-3-4/) - Date: 19th - 20th November, 2022 Mentor (in alphabetical order): David Chan, Rex Ren, Tsang Siu Wang Eric, Mary Shuk Han Wong , Joyce Yang @Incubation 2022 The guest speakers of the last two storytelling workshops included a director, a film critic, a writer, a lecturer, and a movie-goer, who analysed how directors link their
- [Self-Producing Workshop 1
出品與發行工作坊 1](https://www.eyecatcherhk.com/self-producing-workshop-1/) - Date: 26th November, 2022 Mentor: Winnie Tsang @Incubation 2022 Winnie Tsang, managing director of the Golden Scene Company Ltd., answered the audience’s questions about the difficulties in finding producers and distributors on the first day of the self-production workshop. With the examples of Golden Scene’s four gems: My Prince Edward, Suk Suk, Beyond the Dream,
- [Self-Producing Workshop 2
出品與發行工作坊 2](https://www.eyecatcherhk.com/self-producing-workshop-2/) - Date: 27th November, 2022 Mentor (in alphabetical order): Ellen Pau, Eric Tsang, Peter Yam @Incubation 2022 In the second self-production workshop, Eric Tsang Hing Weng, the director of Hong Kong Family and Eye Catcher’s creative director, shared with us his first feature film initiative and the dilemma of creative ideas and the practicality in the
- [Pitching Workshop 1
提案工作坊 1 - 提案技巧與觀眾設計](https://www.eyecatcherhk.com/pitching-workshop-1/) - Date: 3rd December, 2022 Mentor: Catherine Chan @Incubation 2022 In the third stage of the Incubation Program, the first pitching workshop focused on the techniques of pitching and audience design. Independent producer and audience designer Catherine Chan spoke on the importance of audience design through her past and ongoing visual projects. People’s care for and
- [Pitching Workshop 2
提案工作坊 2 - 講座:提案技巧與國際融資平台——由HAF談起](https://www.eyecatcherhk.com/pitching-workshop-2/) - Date: 11th December, 2022 Mentor: Matthew Poon @Incubation 2022 HKIFF Industry project manager Matthew Poon led the second also last workshop of the Incubation Program, “Techniques of Pitching and International Financing Platforms – Starting from HAF.” In addition to sharing HKIFF’s office and projects such as HAF, Film Lab, HKIFF Collections, etc., Poon also delineated
- [Review on Creativity Camp 2022
2022 創作營回顧](https://www.eyecatcherhk.com/review-on-creativity-camp-2022/) - To celebrate the tenth anniversary of the Renaissance Foundation, we reimagined the way of storytelling through visual images in five days and four nights of gestures, sounds, and words. The four lectures reshape the use of storytelling media through different levels of body movement, the infinite universe of animation production, the treatment of original and
- [21/22 Review on International Pitching Forum 國際提案大會回顧](https://www.eyecatcherhk.com/review-on-international-pitching-forum-21-22-21-22-國際提案大會回顧/) - The 16 groups of shortlisted participants, whose projects themes vary from wet market to rural area, from old-fashioned Cha Chaan Teng to virtual world, from reality to imagination. The journey and wishes from Vietnamese refugee, hawkers under the changing era, how would our lives be in the post-pandemic period? All are trying to capture humans’
- [21/22 Review on Eye Catcher Incubation 廠牌計劃回顧](https://www.eyecatcherhk.com/review-on-eye-catcher-incubation-21-22-21-22-廠牌計劃回顧/) - The second phase Eye Catcher Incubation 21/22 was divided into 2 parts as Mentorship Programme and Pitching Workshops. The 12 shortlisted projects were matched with 9 mentors. Throughout 3 mentorship meetings, mentees would gradually learn to uphold the spirit of self-producing, to run their own diversified movie business. Besides one-on-one guidance, a series of workshops
- [Review on Creativity Camp
創作營回顧2021](https://www.eyecatcherhk.com/review-on-creativity-camp-21/) - In the Exploration of Filmmaking Nights, we watched the 57th Golden Horse Awards Best Documentary Lost Course, talked with Director Stanley Kwan and his classic Lan Yu, thus explored the possibility of video making in Virtual Reality with A Mind Apart. For Talks on Creative Journeys, we invited animators, renowned producer and cinematographer etc. to
- [Project Development
影像項目拓展](https://www.eyecatcherhk.com/project-development/) - Project Development Date: 26th - 28th November 2021 Advisors (in no particular order): Ellen PAU, Elysa WENDI, MA Chi Hang, Teresa KWONG, Didi WU, Gipsy CHANG, Peter YAM, Jill LI, CHAN Tsz Woon, CHEUK Cheung, etc. Moderators: TSANG Hing Weng, Eric (Director, Eye Catcher Creative Director), Samuel CHAI Ziwen (Producer, Eye Catcher Director General) @
- [參加國際影展，是否遙不可及？](https://www.eyecatcherhk.com/參加國際影展是否遙不可及/) - 創作大講堂：廖婉虹 x 黃肇邦 日期：2021年9月19日 @創作營 2021 資深監製廖婉虹、紀錄片導演黃肇邦，兩位多年行走於國際影展，對香港創作人如何參展、搵錢與影像創作之間的關係、影展對新導演的幫助等方面都有寶貴經驗。 我應該submit哪一個影展？ 廖婉虹分享經驗：「可以上網找國際影展，看下他們的歷史有多久，以前有什麼作品。如果是新的話都沒關係，看program team有什麼人，google他們，如果同你作品風格好近似，或者你覺得他們的作品都很有趣的人，你就知道大概影展的方向。」 「當你沒什麼錢的時候，因為submit有些影展是要錢的，首先我會先在search menu找free submission的影展。有的影展不是很大，而希望培養新導演，和導演一起成長。」 國際上不同地方的影展有什麼不同嗎？我該如何準備？ 黃肇邦總結近年參展經驗，說道「近年我認識到有影展的策展人經常轉會，是轉地域，（譬如）歐洲去亞洲。策展人的品味和性格很影響整個節那年的主題。」 面對不同地域的投資人，阿邦仔細分析，「（面對華人投資者）你的presentation要很精彩，（讓他們）短時間內吸收、理解你的potential。非華人的話，比如日本、歐洲，很多人要坐下來，聊清楚你講的故事，要很了解你的核心是什麼，才說其他外部的事，因為那些不重要，可能是錢、手法可以解決的。美國是很美式的 story-telling，要資訊性很高，因為全世界很多地方的（影片在那裡）流通，所以故事裡有關文化的資訊要很充足，能說服他。」 我是否會贏？如果未被選中，是否浪費時間？ 黃肇邦去過許多影展，並不是次次都如願以償，「我每次去那些（pitching）forum都當自己會輸，真的會被其他project比下去，不要期望太高，而盡量在過程中多學一點東西，因為你是在計劃你的project下一年怎樣走，或再之後怎樣走，是一個long-term的事。」
- [Screening & Sharing: Lost Course, The 57th Golden Horse Awards Best Documentary
放映暨分享會：金馬獎最佳紀錄片《迷航》](https://www.eyecatcherhk.com/screening-sharing-lost-course/) - 放映暨分享會：金馬獎最佳紀錄片《迷航》 日期：2021年9月17-18日 指導陣容：李哲昕（導演） @創作營 2021 迷航 | 2019 | 普通話 | 179分鐘 村民因土地被貪官非法變賣，挺身集體抗爭，投票選出抗爭領袖執掌村委會⋯⋯導演以八年時間，聚焦多位核心人物，見證他們的迷茫與變化，與記錄這場失速急墜的文明迷航。人性在困境中該作怎樣的選擇？要經年跟進拍攝及處理海量素材，製作難度甚高。影片難得描繪出常民視角下抗爭領袖與抗爭民眾的生活世界，緊張、緊湊卻不乏溫情與敬意。 李哲昕導演歷時8年拍攝製作的個人首部紀錄長片《迷航》，奪得57屆金馬獎最佳紀錄片等多個獎項。回看創作過程，她分享了自己的創作觀念：「本身這套片已經很跌宕起伏，導演要做的事是簡化，在這樣跌宕起伏和複雜的故事中再加入人為的戲劇，就會沖淡現實的荒謬。 第二階段剪接更加偏向我去真正思考自己的創作觀念階段。在這一階段我學到的最大的功課就是克制。克制爆點、金句，克制那種想證明自己識得戲劇的慾望。」 關於《迷航》製作背後的思考，包括在拍攝上的取捨和焦點轉變、如何與拍攝對象建立及保持信任等。導演談到比起事件，她拍紀錄片更關注事件中的人，《迷航》貫徹了她這一點理念，該片聚焦土地維權事件的數名領袖，在抗爭發生後遭遇的困境與變化。所以在剪接上，她推翻了最初英雄化敘事版本，將抗爭的戲劇性化繁為簡，「去填每一個人的真實色彩」。 現場營友問及會否擔心拍攝紀錄片的過程中，有捕捉不到的畫面。導演的回應是：「你不需要太緊張拍不到的東西，因為那件事如果是核心，它會再次發生的。或者以新的方式發生，所以你就記得這個元素，等它出現。」
- [The Night of Filmmaking: Sharing with Director Chan Hau Chun
影像之夜：導演陳巧真紀錄片放映及映後分享](https://www.eyecatcherhk.com/the-night-of-filmmaking-sharing-with-director-chan-hau-chun/) - The Night of Filmmaking: Chan Hau Chun Date: 5th August, 2022 Venue: Jao Tsung-I Academy Theatre @Camp 2022 Mentor: Chan Hau Chun (Director) Moderator: Jill Li (Documentary Director) Chan Hau Chun is a videographer and independent filmmaker who graduated from the School of Creative Media of the City University of Hong Kong. Her 32+4 was
- [Incubation Programme 23/24- Case Study: Adaptation and Production on "Left on Read" Review
孵化計劃23/24- 案例剖析：與《那年盛夏我們綻放如花》團隊細談創作與製作回顧](https://www.eyecatcherhk.com/case-study-adaptation-and-production-review/) - Eye Catcher Incubation Programme 2023/24 Date: 2 December, 2023 (Sat)Venue: Hong Kong Institute of Contemporary Culture Lee Shau Kee School of Creativity (HKSC), Room 501 - 502 (135 Junction Road)Guests:Chan Kin-long | DirectorDebbie Lam Suk-Yin | ProducerHo Siu Hong【Ho Hei yin】| Original Author & Script Editor, Online ParticipationShin Cheung | ActorModerator:Dr. Li Mei Ting |
- [Incubation Programme 23/24- Case Study: Adaptation and Production on "Left on Read"
孵化計劃23/24- 案例剖析：與《那年盛夏我們綻放如花》團隊細談創作與製作](https://www.eyecatcherhk.com/incubation-programme-23-24-case-study-adaptation-and-production/) - Case Study: Adaptation and Production with the "Left on Read" Team Date: 2 December, 2023 (Sat)Time: 15:30 - 17:30Venue: Hong Kong Institute of Contemporary Culture Lee Shau Kee School of Creativity (HKSC), Room 501 - 502 (135 Junction Road)Guests:CHAN Kin-long (Director)Debbie LAM Suk-Yin (Producer)HO Siu Hong【HO Hei yin】 (Original Author and Script Editor, Online Participation)Shin
- [ECG2024 - Industry Forums 產業論壇](https://www.eyecatcherhk.com/ecg2024-industry-forum/) - Introduction 介紹 Industry Forum ❶ 產業論壇 ❶ Sharing by Dir. Derek Tsang: Out in the world, and coming back曾國祥導演分享：如何走出去，又怎樣回過來？ DATE & TIME 日期及時間22.6 | 15:00 - 16:30 VENUE 地點3/F, Soho House Guest SpeakerDerek Tsang Kwok Cheung (Film Director & Producer) 嘉賓講者曾國祥 ModeratorEric Tsang Hing Weng (Film Director & Creative Director of Eye Catcher) 主持曾慶宏 From Lover's
- [ECG2024 Showcase: Cannes Directors' Fortnight](https://www.eyecatcherhk.com/eye-catcher-showcase-2024-eng-version/) - Digital Leaflet Innovative minds think alike – they value more about meeting people who share the same beliefs, rather than fixing on getting proper protegee. To discover new directors and traverse the narrow path of exploring new film languages, the Cannes Directors' Fortnight began their journey over 50 years ahead of Eye Catcher, and they
- [ECG2024](https://www.eyecatcherhk.com/ecg2024/) - ECG Ambassador 奪目大使 Dir. Derek Tsang曾國祥 導演 ECG Ambassador 奪目大使 A film director, screenwriter, and actor originating from Hong Kong. Better Days, Derek’s sophomore film, was nominated for Best International Feature Film at the 93rd Academy Awards, after winning eight awards at the 39th Hong Kong Film Awards; including Best Film and Best Director. Tsang’s
- [ECG2023](https://www.eyecatcherhk.com/ecg2023/) - International Pitching Forum Groups of participants shortlisted in the Eye Catcher International Pitching Forum had 15 minutes each to pitch their projects regardless of the format for awards and funding. The Pitching Forum also invites international guests from the film industry as jury members, and a one-on-one meeting is arranged between participants and guests. 入圍奪目影像國際提案大會的影像單位，將以15分鐘不限形式的自由提案，角逐獎項及獎金。提案大會邀請國際產業代表進行評選，並為影像單位安排與國際及本地嘉賓進行一對一面談。
- [Eye Catcher Global 2024 Call for Film Projects: International Pitching Forum & Industry Screening - Asian New Director Competition](https://www.eyecatcherhk.com/eye-catcher-global-2024-call-for-film-projects-eng/) - Eye Catcher Global 2024 (ECG2024) will be held in June, featuring 2 main programmes, the International Pitching Forum and Industry Screening - Asian New Director Competition. The Industry Screening - Asian New Director Competition is now open for applications! The International Pitching Forum aims to introduce film projects with great potential and Hong Kong elements,
- [Eye Catcher Global 2024 「國際提案大會」及「產業放映－亞洲之光新導演競賽單元」公開徵集影像項目](https://www.eyecatcherhk.com/eye-catcher-global-2024-call-for-film-projects-chin/) - Eye Catcher Global 2024 (ECG 2024) 將於6月舉行，包括兩大環節 「國際提案大會」及「產業放映 - 亞洲之光新導演競賽單元」。其中「產業放映 - 亞洲之光新導演競賽單元」現正公開徵集影像項目！ 「國際提案大會」旨在展示並力促具備潛力、與香港相關的影像項目，與國際影人及平台之交流與合作。新一屆「國際提案大會」將革新成四大組別徵集：發展中項目（短片）、製作中項目（短片）、發展中項目（長片）、製作中項目（長片）。受邀的國際及本地評審，將評選出每個組別各一個大獎；透過現場提案，入圍影像項目可角逐四大獎項及獎金；更設與產業代表一對一交流環節，令香港影像項目有機會邁向國際。 「產業放映」為今年新增的環節，分為競賽及非競賽單元，主力推介亞洲地區不同類型的獨立先鋒影像項目（初剪或尚未首映的成片），提供面向業界的放映及產業交流，助其獲得產業資源及支持以完成全部製作，並為後續參展發行尋找合作機會。當中特設「亞洲之光新導演大獎」，現正同步徵集亞洲地區已有初剪但尚未首映的劇情片影像項目。透過初剪放映，入圍影像項目可競逐此獎項，得獎者（一名）可獲現金獎港幣10萬元。「產業放映」僅邀業界嘉賓出席，包括國際大型影展亞洲區選片人；不屬於首映或公映。 把握機會，立即報名，與國際影人連結，「一拍即合」！ 2024年3月25日最新消息！Eye Catcher Global 2024 有突發神秘加持！！新環節「產業放映—亞洲之光新導演競賽單元」將新增「評審團特別獎」，並同步延伸開放徵集亞洲地區已有初剪但尚未首映的非劇情片影像項目。截止報名及提交項目初剪日期將延至4月26日（五）香港時間中午12時，召集亞洲地區更多利用破格影像語言說故事的項目！ 「國際提案大會」徵案詳情 【已截止】（截止報名日期：2024年3月3日） 「產業放映 - 亞洲之光新導演競賽單元」徵案詳情 （延長截止報名日期：2024年4月26日） 英文版 English Version
- [ECG2024 展映：康城影展「導演雙週」精選](https://www.eyecatcherhk.com/eye-catcher-showcase-2024/) - 電子單張 革新者重視的從來不是嫡系承繼人，而是找到抱持相同信念的同路人。在挖掘新銳導演、探索新的影像語言這條窄路上，康城導演雙週比奪目影像早開始了50多年，一直貫徹執行其初衷，孕育了許多劃時代的創作者。今年奪目奪到寶了，成功邀請到康城導演雙週的藝術總監朱利安·雷傑參與ECG，這更是他首次來香港。 這位前年才上場的話事人將與我們分享為甚麼「未來」那麼重要？對他來說如何體現作品的未來性？亞洲地區的創作人又有什麼值得留意的地方？朱利安除了出席座談會和擔任亞洲新導演獎的評審團主席外，同時特選四部入圍2023年康城導演雙週的短片，集結包括重構死亡的北非公路短片《趁火取暖》、借少年煩惱重訪千年蟲恐慌的《生日派對》、聚焦法國近郊青少年生活的《心之風暴》，以及少女因發現自己同性戀傾向而找神父驅魔的《神啊求你拗直我》，保證部部驚心。 關於朱利安·雷傑 朱利安·雷傑於2022年6月獲任名為康城導演雙週的藝術總監。2010至2020年期間他負責法國電影公司Capricci的發行、採購和國際銷售業務，並曾與多位知名電影創作人合作，包括阿伯·費拉拿、洪尚秀、阿爾拔·塞拉、王兵、蔡明亮、菲臘·加維爾、蒙特·赫爾曼、康尼流·波蘭布爾，及尚·查爾斯休等。同時，他發行了多位導演的首部作品， 及策劃了多部經典電影的修復版公映場，包括尚盧高達、溝口健二、史特勞普和雨葉、英瑪褒曼、莫里斯·皮亞勒、大衛連治，及大衛哥連堡等多位名導的作品。 2015至2019年，雷傑為法國電影雜誌Sofilm旗下的影評人，同時為該雜誌主辦的電影節擔任節目策展及藝術總監。 奪目展映2023回顧 放映節目 節目一 * 設映後座談會 103 分鐘 日期及時間23.6（日）| 15:00 地點香港藝術中心古天樂電影院 《趁火取暖》 導演：穆魯德·艾特·利奧特納2023 | 43' | 法國 卡拜爾語對白，英文字幕克萊蒙費朗國際短片節葡萄牙國際獨立製片電影節 北非卡拜爾青年 Yanis 決心離開家鄉，前往法國巴黎謀求發展。在出發的前一天，得知好友因意外猝逝，全副身家更慘遭偷去，近在眼前的美好新生活與殘酷現實短兵相接。蜿蜒的山路好比人生波折，引導 Yanis 重新啟程，尋找出路。哲學系及電影系出身的導演在老家阿爾及利亞拍攝其首部短片，以公路電影的格局，從死亡與貧窮論及審判，思索突如其來的不幸在生命中的真正意義。 座談會 【與朱利安·雷傑深度對談：為何我們要追求電影的未來性？】 英語主講 嘉賓講者： 朱利安·雷傑 （康城導演雙週藝術總監） 主持： 馮嘉琪 （影評人及電影節目策劃） 節目二 77 分鐘 日期及時間23.6（日）| 17:45 地點香港藝術中心古天樂電影院 《心之風暴》 導演：克萊門特·佩羅2023 | 24' | 法國法語對白，英文字幕 DMZ韓國國際紀錄片電影節克萊蒙費朗國際短片節 在法國北部邊沿的城市加萊，一群無所事事的孩童和青少年在漫無目的地渡過夏天，在無人的街角和長滿雜草的空地上遊蕩，有時嬉戲，有時聊天；早熟的少女們在討論情愛、命運，和生兒育女。本應是天真爛漫、無憂無慮的年紀，稚嫩的臉上卻總是透露出一股焦鬱。旱天雷聲大作，映襯著他們內心的風暴。到底他們在想些甚麼？導演首部紀錄片作品，以鏡頭對準寫滿迷惘的少年臉孔，訴說青春期的掙扎與惶恐。 《神啊求你拗直我》 導演：茱莉亞·科瓦斯基2023 | 36'
- [Eye Catcher Global 2024
「國際提案大會」徵案詳情及入圍項目](https://www.eyecatcherhk.com/eye-catcher-global-2024-international-pitching-forum-chin/) - 「國際提案大會」旨在展示並力促具備潛力、與香港相關的影像項目，與國際影人及平台之交流與合作。新一屆「國際提案大會」將革新成四大組別徵集：發展中項目（短片）、製作中項目（短片）、發展中項目（長片）、製作中項目（長片）。受邀的國際及本地評審，將評選出每個組別各一個大獎；透過現場提案，入圍影像項目可角逐四大獎項及獎金；更設與產業代表一對一交流環節，令香港影像項目有機會邁向國際。 English Version 英文版 重要日子 截止報名日期：2024年3月3日（日）11:59 p.m.（GMT+8:00 香港時間）入圍結果通知：2024年4月上旬國際提案大會：2024年6月20至21日（四至五） 2024 入圍項目 發展中項目（短片） 《荒原樓上一支舞》類型：劇情導演：王樂行監製：梁錦輝編劇：王樂行、王樂堯 入圍項目介紹 《浮光》類型：劇情導演及編劇：朱凱濙製片：莫惠雯製片：沈俞樺 入圍項目介紹 《大雪，老虎，萬里圓》類型：劇情、沉浸式虛擬現實導演及編劇：趙婧聯合監製：曾珮怡編劇：王馨儀 入圍項目介紹 《對不起，你的申訴將不獲受理》類型：劇情導演及編劇：譚鉦樺 入圍項目介紹 《鏡裡的景象從沒變改》類型：紀實導演：黃勺嫚監製：郭靄儀 入圍項目介紹 製作中項目（短片） 《Hold That Pose For Me》類型：紀實導演：胡文釗監製：許雅舒 入圍項目介紹 《Landing On Ice》類型：劇情導演及編劇：梁子瞳監製：蔡廉明 入圍項目介紹 《試下喺水上天后廟搞神功戲》類型：實驗導演及創意總監：A聯合導演及攝影導演：蔡少郎錄音及混音工程師：陳岳公共關係經理：莫生 入圍項目介紹 《城鬼》類型：劇情導演：曾建煌編劇：嚴瑋擇攝影：雷靖 入圍項目介紹 發展中項目（長片） 《什麼都沒有發生》類型：劇情導演及編劇：陳梓桓 入圍項目介紹 《冬天的一個晚夜的一個擁抱》類型：劇情導演及編劇：吳家偉監製：曾慶宏攝影：何旭輝 入圍項目介紹 《她方》類型：劇情導演及編劇：郭頌儀攝影指導：馮嘉卓 入圍項目介紹 《嘜COW歡迎您！》類型：實驗導演：劉景愉監製：蔡倩怡、李漢廷、Jay SUN 入圍項目介紹 製作中項目（長片） 《淨灘瘋人院》類型：紀實導演：曾錦山聲音設計：陳思遠 入圍項目介紹 《初戰》類型：紀實導演：Francis CATEDRAL聯合製片人：Sringatin、Lydia CATEDRAL、黃鈺螢、Joyous PRIM 入圍項目介紹 《怪風十日談》類型：實驗導演：曾旭熙
- [Eye Catcher Global 2024
International Pitching Forum Regulation & Shortlist](https://www.eyecatcherhk.com/eye-catcher-global-2024-international-pitching-forum-eng/) - The International Pitching Forum aims to introduce film projects with great potential and Hong Kong elements, and to facilitate the exchange and collaboration with industry delegates worldwide and international film platforms. The new edition of the International Pitching Forum is recruiting film projects from 4 categories: In-Development Projects (Short Film), Work-in-Progress Projects (Short Film), In-Development Projects (Feature-Length Film) and Work-in-Progress Projects (Feature-Length
- [A Story from Elsewhere | 她方](https://www.eyecatcherhk.com/a-story-from-elsewhere/) - Genre 類型Drama 劇情 Length 預計片長90' Production Stage 製作進度In-Development 發展中 Total Budget 總預算US$ 258,869 Goal 參與目標Script Refining, Funds, (Co-)producer完善劇本、籌集資金、（聯合）監製 Logline 故事摘要Teenage girl, Moon, wanders from Hong Kong to Berlin, and stays with Anna, who is also from Hong Kong. She tries to explore her sexuality, ideals, and life in the big city.少女阿夢從香港到德國柏林流浪，寄居在同樣為香港人的安娜家中。她在大城市中試圖探索自己的性向、理想與生活。 Synopsis 故事大綱Moon is a
- [Eye Catcher Asian New Director Competition 2024: Awards and Winners 奪目影像亞洲之光新導演競賽單元2024：獎項及得獎名單](https://www.eyecatcherhk.com/asian-new-director-competition-2024-awards-and-winners/) - Asian New Director Special Jury Award亞洲之光新導演評審團特別獎 Opens to Shortlisted Fiction and Non-Fiction Film Projects入圍影像項目（劇情片及非劇情片）均可競逐 Cash prize of HKD 20,000 (approx. USD 2,600)獎金 HKD 20,000（約 USD 2,600） Asian New Director Grand Award亞洲之光新導演大獎 Opens to Shortlisted Fiction Film Projects to Compete Only僅限入圍劇情長片競逐 Cash prize of HKD 100,000 (approx. USD 12,800)獎金 HKD 100,000（約 USD 12,800） Eye Catcher Grand
- [Words from Founder - Eric Tsang
創辦人的話](https://www.eyecatcherhk.com/words-eric-2023/) - "Capture your Dream, Inspire the Realm." I have set the question to myself as the slogan of the first Eye Catcher International Pitching Forum. In the past two years, despite boundless creativity, the rampant pandemic was truly an obstacle to media production. During my first feature film production being set aside, we decided to launch
- [眾生相 | I Might Write About Us](https://www.eyecatcherhk.com/眾生相-i-might-write-about-us/) - 資料更新：Information Update: 任硯聰先生已於2023年停止擔任本企劃監製崗位，由2024年起已改由黃悅處理一切監製事務。英文片目亦更新為Queerpanorama。 Mr. YAM Yin Cheung, Peter ceased serving as the producer for this project in 2023. Starting from 2024, all production-related matters have been handled by Ms. HUANG Yue. The English title has also been updated to Queerpanorama. 類型 Genre 劇情 Drama 預計片長 Length 110 mins 製作進度 Production Stage 前期製作 Pre-production 故事摘要
- [To Kill A Mongolian Horse | 一匹白馬的熱夢](https://www.eyecatcherhk.com/to-kill-a-mongolian-horse/) - Genre 類型Drama 劇情 Length 預計片長100' Production Stage 製作進度Complete First Cut 完整初剪 Total Budget 總預算US$ 337,000 Logline 故事摘要On the wintry steppes, a Mongolian horseback performer's dual life unfolds as he grapples with the disintegration of the traditional way of life. 故事發生在冬季的草原上，揭示著一位蒙古馬術特技表演者雙面生活的掙扎——他的傳統生活方式正在瓦解。 Synopsis 故事大綱Amid the wintry steppes, Saina, a Mongolian horseman turned cultural performer, tends his ranch
- [Eye Catcher International Pitching Forum 2024: Awards and Winners 奪目影像國際提案大會2024：獎項及得獎名單](https://www.eyecatcherhk.com/international-pitching-forum-2024-awards-and-winners/) - Eye Catcher Grand Award奪目大獎 In-Development Project (Short Film) 發展中項目（短片） Cash prize of HKD 20,000 (approx. USD 2,600)獎金 HKD 20,000（約 USD 2,600） Eye Catcher Grand Award奪目大獎 Work-in-Progress Project (Short Film)製作中項目（短片） Cash prize of HKD 30,000 (approx. USD 3,800)獎金 HKD 30,000（約 USD 3,800） Eye Catcher Grand Award奪目大獎 In-Development Project (Feature-Length Film) 發展中項目（長片） Cash prize of HKD 50,000
- [CraSEAy CleanUppers | 淨灘瘋人院](https://www.eyecatcherhk.com/craseay-cleanuppers/) - Genre 類型Documentary 紀實 Length 預計片長90' Production Stage 製作進度Work-in-Progress 製作中 Total Budget 總預算US$ 155,128 Goal 參與目標Funds, (Co-)producer籌集資金、（聯合）監製 Logline 故事摘要Finding joy in sorting trash and finding healing in the impossible work until the day when cleaning the sea is no longer needed.在髒亂的廢物中撿拾樂趣，從勞苦的體驗裡療癒自己，直到，不用淨灘那天。 Synopsis 故事大綱CraSEAy CleanUppers is a group of strangers that came together for a singular goal,
- [Dear Daughter | 給女兒的信](https://www.eyecatcherhk.com/dear-daughter/) - Genre 類型Documentary 紀實 Length 預計片長128' Production Stage 製作進度Complete First Cut 完整初剪 Total Budget 總預算US$ 268,885 Logline 故事摘要Letters from prison by Vietnamese refugee Tran The Manh to his daughter in Sweden and the filmmaker, tells the struggles of a man haunted by his diasporic past and locked in the cycles of poverty. 獄中傳來越南船民世文寫給他遠在瑞典的女兒和導演的信，訴說著像自己這樣一個男人，如何被困在過去的離散生活及貧窮的惡性循環裡掙扎。 Synopsis 故事大綱Dear Daughter
- [Reverb | 大西洋底來的人](https://www.eyecatcherhk.com/reverb/) - Genre 類型Drama 劇情 Length 預計片長100' Production Stage 製作進度Complete First Cut 完整初剪 Total Budget 總預算US$ 1,000,000 Logline 故事摘要Ding Mao, a tally clerk who works at a supermarket, once accidentally boiled a shark in an aquarium. From then on, he began to experience auditory hallucinations and he embarked on a journey to find his father. 丁茂是超級市場的理貨員，有一次他不小心把水族箱裡的一條鯊魚煮熟了。從那時起，他開始經歷聽覺、幻覺，並踏上尋找父親的旅途。 Synopsis
- [Heat Room | 熱室](https://www.eyecatcherhk.com/heat-room/) - Genre 類型Documentary 紀實 Length 預計片長70' Production Stage 製作進度Complete First Cut 完整初剪 Total Budget 總預算US$ 57,480 Logline 故事摘要This documentary tells the story of a group of residents of subdivided flats over several years. They struggle under the oppression of the times, yet live their daily lives with dignity. 紀錄片呈現了過去幾年間一群板房住客的故事。他們在時間的擠壓中掙扎，卻仍在日常裡保有自主性地生活。 Synopsis 故事大綱In a building in Hong Kong,
- [POCO A POCO | 蛙](https://www.eyecatcherhk.com/poco-a-poco/) - Genre 類型Drama 劇情 Length 預計片長120' Production Stage 製作進度Complete First Cut 完整初剪 Total Budget 總預算US$ 400,000 Logline 故事摘要The true hero is the man who endures the slings and arrows of everyday life and shows compassion to another person in need. 所謂真正的英雄，就是那些忍耐著日常生活中的批判和攻擊，仍能對他人的需求表現憐憫。 Synopsis 故事大綱The story happens in an alien landscape. Beau escapes from an asylum on the
- [What I See in the Mirror Stays the Same | 鏡裡的景象從沒變改](https://www.eyecatcherhk.com/what-i-see-in-the-mirror-stays-the-same/) - Genre 類型Documentary 紀實 Length 預計片長25' - 30' Production Stage 製作進度In-Development 發展中 Total Budget 總預算US$ 43,400 Goal 參與目標Script Refining, Funds, Distribution Partner完善劇本、籌集資金、發行夥伴 Logline 故事摘要This film is about the echo between my mother’s life and mine. At 28, my Thai mother left her country to live in HK. Similarly, I've been planning to relocate to Thailand since
- [奪目影像新推國際產業平台 ——ECG 2023
國際提案大會公開徵集獨立影像項目](https://www.eyecatcherhk.com/international-pitching-forum-call-for-entries-chin-ver/) - English Version 2023新年伊始，「奪目影像」整合推出新策劃Eye Catcher Global (ECG)，將於2023年6月舉行，其中的國際提案大會率先公開徵集香港本地的獨立影像項目。 ECG以香港為出發點，旨在連結亞洲及國際獨立影像的製作及產業社群，透過國際提案大會、放映交流等活動，擁抱多元、鼓勵破格。「奪目影像」提倡自主製作意識及初創廠牌精神，致力催生更多作者風格突出的影像作品；ECG是「奪目影像」連結國際的平台，將重點聯乘對接亞洲的獨立影像資助、製作和放映平台。 「國際提案大會」是ECG 2023推介新影像項目的重頭戲，現正公開徵集香港影像項目。 提案大會將展示及獎勵具備潛力之本地影像項目，並力促與國際影像人、影像平台之交流與合作。 今年6月，受邀參與ECG國際提案大會的國際及本地業界代表，將評出5大獎項；透過現場提案，入圍影像單位可角逐總額港幣22萬元的獎金，並獲得與國際嘉賓一對一交流機會，令獨立影像項目有機會邁向國際。立即報名，捉緊獨立廠牌和自主製作的脈搏及律動！ 奪目影像國際提案大會報名資訊 【 報名已截止 】 重要日子 入圍結果通知：2023年4月上旬 國際提案大會：2023年6月15日（四） - 16日（五） 報名費用：全免 截止報名日期：2023年3月3日（五）中午12時（GMT+8:00 香港時間） 報名條件 以影像單位（個人或團隊）名義報名，所有成員須年滿18歲。 影像單位成員之一須為影像項目導演，導演須為香港居民。 導演如曾製作長片（80分鐘或以上），同一類型不多於三部。 影像項目不設主題、類型或長度限制，鼓勵多元、破格、獨立製作之影像項目。 接受以下兩個階段之影像項目報名，惟項目須備有財政預算： 發展中項目：較前期的影像計劃，正在尋找聯合監製、製作公司、投資方等。製作中項目：即將完成拍攝或處於中期製作的影像計劃，正在尋找後期製作資金、發行商及電影節等合作機會。 6. 入選國際提案大會之影像項目，須於影片成片後，於片尾名單放置「奪目影像」官方logo。 報名方法及所需資料 （所有資料請於網上報名表格填寫及上傳） 必需資料： 故事摘要（不多於英文35字、中文60字） 故事大綱（不多於英文180字、中文300字） 導演闡述（不多於英文180字、中文300字） 處理手法（無字數限制） 製作計劃（無字數限制） 預算表（以PDF形式上傳中英雙語資料） 不多於3條影像項目之影片或片段，每條不超過10分鐘（觀看連結及密碼） 導演簡介（不多於英文60字、中文100字） 導演作品年表（包括觀看連結及密碼） 導演香港身份證副本 非必需資料： 監製或其他主創成員簡介（每人不多於英文60字、中文100字） 監製或其他主創成員作品年表（包括觀看連結及密碼） 影像單位或製作公司簡介（不多於英文60字、中文100字） 劇本或分場大綱（以PDF形式上傳中英雙語資料） 其他補充資料（以PDF形式上傳中英雙語資料） 入圍名單 發展中項目 關於晴的11件事 類型導演監製編劇
- [Snow, Tiger, Reunion | 大雪，老虎，萬里圓](https://www.eyecatcherhk.com/snow-tiger-reunion/) - Genre 類型Drama, Immersive/VR劇情、沉浸式虛擬現實 Length 預計片長15' Production Stage 製作進度In-Development 發展中 Total Budget 總預算US$ 31,864 Goal 參與目標Script Refining, Funds, (Co-)producer, Distribution Partner完善劇本、籌集資金、（聯合）監製、發行夥伴 Logline 故事摘要While rehearsing for her semi-autobiographical play, a British-born Chinese director battles writer's block and a looming deadline, all while unravelling the decade-long trauma of abandonment by her mother. Soon, the lines between reality and
- [When Strange Wind Blows: A Family Portrait | 怪風十日談](https://www.eyecatcherhk.com/when-strange-wind-blows-a-family-portrait/) - Genre 類型Experimental 實驗 Length 預計片長90' Production Stage 製作進度Work-In-Progress 製作中 Total Budget 總預算US$ 63,299 Goal 參與目標Script Refining, Technical Support, Funds, (Co-)producer, Production Team完善劇本、技術支援、籌集資金、（聯合）監製、製作團隊 Logline 故事摘要A family is falling apart: Dad in debt, affair, stroke, and dementia. Sister emigrates, but Mom can't let go. Director confronts the family through intimate cell phone lenses, questioning: why do we
- [First Fight | 初戰](https://www.eyecatcherhk.com/first-fight/) - Genre 類型Documentary 紀實 Length 預計片長60' - 90' Production Stage 製作進度Work-in-Progress 製作中 Total Budget 總預算US$ 43,000 Goal 參與目標Funds, Distribution Partner, Festival Screening籌集資金、發行夥伴、電影節放映 Logline 故事摘要A tiny shelter for migrant domestic workers in crisis empowers leaders in a global migrant movement.一個為陷入危機的外傭提供庇護的小屋，激勵了全球移工運動中的領袖們。 Synopsis 故事大綱A tiny 1,000 square foot shelter operating in crowded Hong Kong cares for its residents –
- [Welcome, My Cow! | 嘜COW歡迎您！](https://www.eyecatcherhk.com/welcome-my-cow/) - Genre 類型Experimental 實驗 Length 預計片長70' Production Stage 製作進度In-Development 發展中 Total Budget 總預算US$ 135,781 Goal 參與目標Script Refining, Funds, Distribution Partner, Festival Screening完善劇本、籌集資金、發行夥伴、電影節放映 Logline 故事摘要A teenage runaway who is mistaken for a cow becomes an unexpected celebrity in the city of Macau.一名逃家的青少年被全澳門誤認為成一隻牛，意外成為城中名人 。 Synopsis 故事大綱A teenage runaway accidentally becomes the centre of attention in Macau when being
- [Sorry, Your Complaint is Declined | 對不起，你的申訴將不獲受理](https://www.eyecatcherhk.com/sorry-your-complaint-is-declined/) - Genre 類型Drama 劇情 Length 預計片長22' Production Stage 製作進度In-Development 發展中 Total Budget 總預算US$ 26,000 Goal 參與目標Script Refining, Funds, Distribution Partner, Festival Screening 完善劇本、籌集資金、發行夥伴、電影節放映 Logline 故事摘要Huashing Energy complaint officer, K, wakes up losing part of his memory, only remembering a pair of young lady's eyes. In a twisting venture beyond dreams and reality, he searches for the
- [On a winter night you hugged me tightly | 冬天的一個晚夜的一個擁抱](https://www.eyecatcherhk.com/on-a-winter-night-you-hugged-me-tightly/) - Genre 類型Drama 劇情 Length 預計片長120' Production Stage 製作進度In-Development 發展中 Total Budget 總預算US$ 61,367 Goal 參與目標Script Refining, Technical Support, Funds完善劇本、技術支援、籌集資金 Logline 故事摘要Mike is planning a wedding for himself when he learns that his mother has filed for a divorce and left. The experience and his encounter with different people force him to revalue his coming marriage
- [NOTHING HAPPENED | 什麼都沒有發生](https://www.eyecatcherhk.com/nothing-happened/) - Genre 類型Drama 劇情 Length 預計片長150' Production Stage 製作進度In-Development 發展中 Total Budget 總預算US$ 1,857,700 Goal 參與目標Script Refining, Funds, (Co-)producer, Production Team完善劇本、籌集資金、（聯合）監製、製作團隊 Logline 故事摘要In the twilight of British Hong Kong, Cheung Tak Chi, a master intermediary shaped by the city's relentless pulse, seeks closure with a past love amidst his final, lethal entanglement.資本代理人張得志中槍垂死，在生命的最後時刻，他追憶起舊愛沈英潔，以及他與英殖香港交錯變幻的一生。 Synopsis 故事大綱As a bullet
- [Nothing Happens | 城鬼](https://www.eyecatcherhk.com/nothing-happens/) - Genre 類型Drama 劇情 Length 預計片長30' Production Stage 製作進度Work-in-Progress 製作中 Total Budget 總預算US$ 15,742 Goal 參與目標Script Refining, Funds, Production Team, Distribution Partner, Festival Screening完善劇本、籌集資金、製作團隊、發行夥伴、電影節放映 Logline 故事摘要Wandering through a city once familiar , the long-separated lovers revisit old places. Both carry unspeakable melancholy, as memories haunt them.多年未見的情侶重遊舊地,在本應熟悉的城市中遊蕩。二人都有著說不出口的惆悵。記憶如鬼魂纏繞。 Synopsis 故事大綱Years after leaving, Vivian returns to her old haunt
- [Let's Do A Canto Opera on A Boat Temple for Our Beloved Goddess Tin Hau | 試下喺水上天后廟搞神功戲](https://www.eyecatcherhk.com/lets-do-a-canto-opera-on-a-boat-temple-for-our-beloved-goddess-tin-hau/) - Genre 類型Experimental 實驗 Length 預計片長45' Production Stage 製作進度Work-in-Progress 製作中 Total Budget 總預算US$ 90,844 Goal 參與目標Technical Support, Funds, Production Team, Distribution Partner, Festival Screening技術支援、籌集資金、製作團隊、發行夥伴、電影節放映 Logline 故事摘要A single-take performance, showcasing Cantonese opera and Chinese calligraphy at the historical Tin Hau Temple Boat. A project aiming to keep documenting, experimenting in different local temples by connecting cultures.粵劇家、書法家，在天后船廟上唱做唸打、揮翰臨池，只演一次。全片乃半紀實半實驗製作，開拓粵劇觀賞形式，紀錄廟船最後的風采。 Synopsis
- [Landing On Ice](https://www.eyecatcherhk.com/landing-on-ice/) - Genre 類型Drama 劇情 Length 預計片長23' Production Stage 製作進度Work-in-Progress 製作中 Total Budget 總預算US$ 40,000 Goal 參與目標Funds, Festival Screening籌集資金、電影節放映 Logline 故事摘要A young Hong Kong figure skater went to Toronto to pursue her skating dream, she got lost between her imaginations and reality while she fell in love with her best friend. 年輕香港花式溜冰女選手到多倫多發展，在迷惘和無力感中發現自己渺小，更愛上了她的同學⋯⋯ Synopsis 故事大綱Hong Kong figure skater Wing
- [Hold That Pose For Me](https://www.eyecatcherhk.com/hold-that-pose-for-me/) - Genre 類型Documentary 紀實 Length 預計片長50' Production Stage 製作進度Work-in-Progress 製作中 Total Budget 總預算US$ 10,400 Goal 參與目標Technical Support, Funds, (Co-)producer, Distribution Partner, Festival Screening技術支援、籌集資金、（聯合）監製、發行夥伴、電影節放映 Logline 故事摘要Ken Ken Elle promotes voguing and ballroom in Hong Kong, providing an outlet for self-expression for the LGBTQ+ community. This is a story about self-exploration and confidence.Ken Ken Elle 在香港推廣 voguing 和
- [A Revisit | 浮光](https://www.eyecatcherhk.com/a-revisit/) - Genre 類型Drama 劇情 Length 預計片長20' Production Stage 製作進度In-Development 發展中 Total Budget 總預算US$ 51,000 Goal 參與目標Script Refining, Funds完善劇本、籌集資金 Logline 故事摘要In her pursuit of her grandmother's approval, a university student debates reporting her cousin's bullying to the police. As they unearth old resentments amidst new grievances, delicate bonds of family ties are being tested.一位曾在兒時遭受侵犯的 23 歲女學生試圖協助在校遭受欺凌的表弟報案，卻遭到外婆的反對，親情之間的新仇舊恨湧上各自心頭。 Synopsis
- [Dance Atop the Wasteland | 荒原樓上一支舞](https://www.eyecatcherhk.com/dance-atop-the-wasteland/) - Genre 類型Drama 劇情 Length 預計片長15' Production Stage 製作進度In-Development 發展中 Total Budget 總預算US$ 19,154 Goal 參與目標Funds, Distribution Partner, Festival Screening籌集資金、發行夥伴、電影節放映 Logline 故事摘要Three loving friends escaped a party to witness New Year's fireworks, venturing into the wasteland and each other's boundary, imagining one day to make a home on this declining land.三個互有好感又珍重彼此的朋友為一睹除夕煙花，逃離派對到荒原裡探索彼此的距離，幻想終有一天在這沒落中的土地建立家園。 Synopsis 故事大綱How may one shine
- [11 Things about Her | 關於晴的11件事](https://www.eyecatcherhk.com/11-things-about-her/) - Genre 類型Drama 劇情 Length 預計片長15'-20' Production Stage 製作進度In-Development 發展中 Total Budget 總預算US$ 34,616 Goal 參與目標Script Refining, Funds, Co-producer, Distribution Partner, Festival Screening 完善劇本、籌集資金、聯合監製、發行夥伴、電影節放映 Logline 故事摘要Ching seems to have it all: caring and understanding parents, kindred classmates, and even a pet tortoise. But beneath the surface of her seemingly perfect life, deep down she is on
- [Eye Catcher Incubation Programme 2023/24 Winners
奪目影像孵化計劃2023/24得獎名單](https://www.eyecatcherhk.com/incubation-programme-2023-24-winners/) - Project Sparks (Short Film Fund) Selected Film Project 「點子計劃」短片資助入選項目 Selected film projects will be awarded with a production budget of HKD100,000 each.每部短片將獲得港幣10萬元的製作資金。 Winner 入選項目：The Mist of Nowhere 《淺水灣》Category 組別：Literary Adaptation 文學改編Director 導演：Christina WANG 王韻青 Winner 入選項目：Farming in My Heart 《澄》Category 組別：Environmental Documentary 生態紀實Director 導演：TSANG Fuk Ching 曾福澄Producer 監製：HO Kam Ting 何錦婷Sound Design 聲音設計：TAM Wing Yi
- [奪目展映 2023](https://www.eyecatcherhk.com/eye-catcher-showcase/) - 本年度奪目首辦展映，以擁抱獨立創新、先鋒多元的國際影像作品為宗旨。尤記得數年前首次在辛丹斯電影節觀摩，幾乎看光了所有短片節目，發現每個片單都由截然不同的作品組成，每一場都不禁令我讚嘆無遠弗屆的影像創意，於是便很想把這種跨越類型、在世界不同文化中穿梭的策展精神帶來香港。希望你能在此發現奪目的創意搭配，也注視到作者對不同議題的關懷。 曾慶宏 導演 | 奪目展映策展人 奪目展映2023回顧 22/23 Review on Eye Catcher Global Eye Catcher Global Self Production Sharing Eye Catcher Showcase 2023 Red Dragonflies: A Fiery Passion of Youth奪目展映2023 紅蜻蜓的青春火花 Read More 22/23 Review on Eye Catcher Global Eye Catcher Global Self Production Sharing Eye Catcher Showcase 2023 Sundance Filmmaker Focus: Bridey Elliott奪目展映2023 焦點辛丹斯影人：布萊迪・艾略特 Read
- [Eye Catcher Showcase 2023](https://www.eyecatcherhk.com/eye-catcher-showcase-eng-version/) - This year's inaugural Eye Catcher Showcase centres around embracing independent innovation and pioneering diversity in international films. I recall my first time attending the Sundance Film Festival several years ago, where I immersed myself in almost every short film on the programme. What struck me was the diversity of works in each list; each one
- [Incubation Programme 23/24- Orientation Day Review
孵化計劃23/24- 迎新日回顧](https://www.eyecatcherhk.com/incubation-programme-23-24-orientation-day/) - Eye Catcher Incubation Programme 2023/24 Date: 18 November, 2023 (Sat)Location: Hong Kong Institute of Contemporary Culture Lee Shau Kee School of Creativity (HKSC)Moderator: Sharon Yeung The 3rd edition of the Eye Catcher Incubation Programme has officially begun! Eye Catcher made a new attempt in this year’s Orientation Day! In the style of an Elevator Pitch,
- [Incubation Programme 23/24: Public Talk ② Environmental Documentary
孵化計劃23/24：公開講座 ② 生態紀實](https://www.eyecatcherhk.com/nature-through-a-native-lens/) - Our Mountains and Our Rivers: Nature Through a Native Lens Date: 21 September 2023 (Thur)Time: 20:00 – 21:30Venue: H6 CONET (Large Multi-Function Room BEF)Moderator:Fredie Chan Ho Lun (Director, Rhymes of Shui Hau and The FIsherman’s Discourse)Guests:Ma Chi Hang (Director, Ballad on the Shore, Online Participation)Daphne Wong (Director, Breathing Room) The 3rd edition of the Eye Catcher Incubation
- [Incubation Programme 23/24: Public Talk ① Literary Adaptation
孵化計劃23/24：公開講座 ① 文學改編](https://www.eyecatcherhk.com/the-past-and-the-future-of-film-adaptation/) - Transcending Text: The Past and The Future of Film Adaptation Date: 20 September 2023 (Wed)Time: 20:00 - 21:30Venue: H6 CONET (Large Multi-Function Room ACD)Moderator:Joyce Yang (Film Critic, Member of Hong Kong Film Critics Society)Guests:Hong Heng Fai (Director, Kissing the Ground You Walked On)Dr. Li Mei Ting (Lecturer, Department of Cultural and Religious Studies, CUHK) The
- [BARIŞ Janet 珍妮特巴勒什](https://www.eyecatcherhk.com/janet-baris/)
- [REJL Julien 朱利安雷傑](https://www.eyecatcherhk.com/julien-rejl/)
- [HOYLE Ash 阿什・霍伊爾](https://www.eyecatcherhk.com/ash-hoyle/)
- [Eye Catcher 2023/24 Open Call for Entries](https://www.eyecatcherhk.com/eye-catcher-2023-24-open-call-for-entries-eng/) - Lights, Camera, Action! Having garnered valuable experience from the previous years, we are setting new goals and bringing in exciting changes to our upcoming Eye Catcher Incubation Programme and Eye Catcher Global 2024. Eye Catcher strives to continue our support to independent filmmakers in Hong Kong and be a catalyst to innovative and original moving
- [WONG Norris 黃綺琳](https://www.eyecatcherhk.com/norris-wong/)
- [LAM Sum 林森](https://www.eyecatcherhk.com/lam-sum/)
- [KAN Lawrence 簡君晉](https://www.eyecatcherhk.com/kan-lawrence/)
- [YEUNG Sharon 楊曉芙](https://www.eyecatcherhk.com/sharon-yeung/) - A Canadian-Hong Kong director-producer. Her recent immersive work MADE: meet me at the end of the assembly line, is a VR doc that follows an iPhone factory worker in China. Her current feature doc has been funded by Chicken & Egg, and pitched at CPH:DOX, IDFA, Sheffield and Sundance. 香港導演和監製。近期作品《MADE: meet me at the end
- [CHAN Ho Lun Fredie 陳浩倫](https://www.eyecatcherhk.com/chan-ho-lun-fredie/)
- [CHAN Ka Kit 陳嘉杰](https://www.eyecatcherhk.com/chan-ka-kit/) - Lee，於香港浸會大學修讀傳理系畢業。曾任職記者及攝影師數年，現役自由身的導演、編劇及攝影，亦有參與電影製作，擔任副導演。
- [CHU Hoi Ying 朱凱濙](https://www.eyecatcherhk.com/chu-hoi-ying/) - 香港浸會大學電影學院藝術碩士學位畢業。短片作品《紅棗薏米花生》獲得 2019 鮮浪潮國際短片節最佳導演與鮮浪潮大獎、第 56 屆金馬獎最佳劇情短片、2019台灣南方影展最佳劇情短片等獎項。
- [TSANG Yuk Hei 曾旭熙](https://www.eyecatcherhk.com/tsang-yuk-hei/) - 畢業於香港城市大學創意媒體學院及香港中文大學哲學系。曾入圍日本Image Forum Festival及台灣南⽅影展，作品有鮮浪潮短片《無念》、香港電台劇集《浮城之後》、實驗錄像計劃《何逸君》及《念》。
- [SIU Chi Yan 邵知恩](https://www.eyecatcherhk.com/siu-chi-yan/) - 香港演藝學院畢業後從事影片製作。作品《呼～》獲鮮浪潮國際電影節鮮浪潮大獎及最佳編劇，入選台北金馬影展觀摩影展、新加坡華語電影節等。其後於香港中文大學藝術系碩士班畢業。畢業作品獲WMA大專生獎。
- [CHAN Ho Ting 陳浩庭](https://www.eyecatcherhk.com/chan-ho-ting/) - 畢業於香港演藝學院電影製作藝術碩士 及 嶺南大學視覺研究系學士; 曾以自由身參與影片及舞台製作(編劇、美術、副導演)；現從事宣傳影片製作及品牌形象設計工作；個人創作方面正製作個人第一部人物紀錄片《不流也不留》。
- [TAM Wing Yi 譚詠怡](https://www.eyecatcherhk.com/tam-wing-yi/)
- [HO Kam Ting 何錦婷](https://www.eyecatcherhk.com/ho-kam-ting/) - 曾於英國蘭卡斯特大學取得電影，媒體與文化研究文學學士學位，及後在香港演藝學院電影電視學院修讀碩士課程。目前專注於製片工作。
- [TSANG Fuk Ching 曾福澄](https://www.eyecatcherhk.com/tsang-fuk-ching/) - 曾福澄，畢業於香港演藝學院電影電視學院剪接系，常擔任美術及剪接。 導演紀錄片作品《 (1÷6×6)＝1 》。 剪接作品《遊》獲得香港同志2023 Short film Audience Award。
- [TSANG Kam Shan 曾錦山](https://www.eyecatcherhk.com/tsang-kam-shan/) - 電影專業培訓計劃畢業。2013年起投身於入紀錄片工作，獨立製作紀錄短片有《郵差》、《寶光》、《一罩難求》。
- [Cheung Shiu Ting 張紹廷](https://www.eyecatcherhk.com/cheung-shiu-ting/) - 張紹廷畢業於香港浸會大學電影學院主修導演，多次參與不同類型製作。他希望可以將不同類型作品的技巧融會貫通。
- [CHENG chuen yan 鄭傳恩](https://www.eyecatcherhk.com/cheng-chuen-yan/) - 香港聾人家庭出身的Peter對森林懷有深厚興趣。在香港大學深化。畢業後，他專注於森林學研究，參與城市造林計畫。Peter結合傳統樹藝與現代科技，運用遙感科技研究城市森林，主張在城市規劃中加入綠色空間。
- [SIT Hok Shing 薛學誠](https://www.eyecatcherhk.com/sit-hok-shing/) - 薛學誠畢業於香港浸會大學電影學院，主修導演，並取得高級文憑課程的學位。目前他正在香港理工大學攻讀數碼媒體學士學位。他的願望是在每一部作品中展現出他對香港的觀察和詮釋。
- [WANG Yunqing Christina 王韻青](https://www.eyecatcherhk.com/wang-yunqing/)
- [YIM Wai Chaak 嚴瑋擇](https://www.eyecatcherhk.com/yim-wai-chaak/) - 畢業於中文大學中文系。憑劇本《小紅帽》奪得賽馬會聯合國教科文組織協會「世界公民教育」計劃大專組冠軍。受麥欣恩教授指導創作電影劇本《尋土》，負責《微微語：扭轉田坤》的劇本編寫。
- [TSANG Kin Wong 曾建煌](https://www.eyecatcherhk.com/tsang-kin-wong/) - 畢業於浸大學電影系，兼任不同拍攝職位並多次獲提名獎⾦，經驗遍及電影，廣告，MV及節目等領域。短⽚作品「討厭的⼈」獲埋位發夢⾹港⻘年短⽚創作⽐賽冠軍，以副導演或導演助理⾝份協助⿈進、⿆婉茵等導演。
- [YEH Ka Lun 葉嘉麟](https://www.eyecatcherhk.com/yeh-ka-lun/) - 畢業於香港中文大學新聞與傳播學院，編導劇情短片包括《斷了線》、《艷陽天》、《搞X肥佬黎》。最近作品為紀錄短片《廿二》，憶述一個七年前回到大學自殺的友人。
- [CHAN Tze Woon 陳梓桓](https://www.eyecatcherhk.com/chan-tze-woon/) - 陳梓桓作品一直以香港為題材，挑戰紀錄劇情的界線，曾參與多個國際影展。
- [Eye Catcher 2023/24 Incubation Projects
奪目影像2023/24 孵化計劃入圍項目](https://www.eyecatcherhk.com/eye-catcher-2023-24-incubation-projects/) - 01 Bodybuilding: The Centauride 01 Monday Category 組別 Genre 類型 Length 預計片長 Production Stage 製作進度 Director 導演 Literary Adaptation 文學改編 Drama 劇情 15 mins Development 發展階段 YEH Ka Lun 葉嘉麟 Logline 故事摘要 A typhoon is approaching, 17-year-old Monday "ghosts" the boy, with whom she has been in an ambiguous relationship for months. A student went
- [Music x Visual Workshop
音樂 x 影像工作坊](https://www.eyecatcherhk.com/music-visual-workshop/) - Music x Visual Workshop Date: 18th September, 2021 Mentors: Maggie LEUNG (MV Director), Sheng WONG (MV Director) In Music x Visual Workshop, mentors firstly shared the ways songs could express stories and even imply further symbolic meanings. Participants were divided into groups to select songs and discuss their ideas for the creation of the music
- [Sound Design Workshop
音效設計工作坊 ](https://www.eyecatcherhk.com/音效設計工作坊-sound-design-workshop/) - 音效設計工作坊 日期：2021年9月19日 創意導師：莫美華（資深音效設計師） 「聲音佔visual arts 50%觀看體驗。」莫美華（May）從介紹聲音基本知識，到設計音效的實操手法，全面展示音效師這一電影製作幕後功臣的工作。她表示，音效製作並非只是電影後期製作的一部分，而是在故事籌備之初就已啟動，並貫穿電影攝製始終，需要音效師投入豐富的感受力和創造力。 May 通過經典電影片段，講解音效如何賦予電影質感，令故事引人入勝。其中引用包括其曾參與的多部香港電影，如《龍虎榜》、《黑社會》，分享當年音效製作軼事。 在技術層面上，她介紹了現場收音、音效模擬、後期混音等方面的基本設備需求和特別手法，並現場展示低成本情況下增加聲音質素的「土炮」方法。
- [Cinematography Workshop
電影攝影工作坊](https://www.eyecatcherhk.com/cinematography-workshop/) - 電影攝影工作坊 日期：2021年9月20日 創意導師：劉子健（《手捲煙》攝影師） 起初因認為「揸機簡單」、「攝影機有電就拍到嘢」而選擇做攝影的劉子健，在片場歷練中，看著導演及整個攝製團隊如何精心設計一個個場景，逐漸意識到攝影對講述影像故事的重要性，始投入專研。 他從個人經驗出發，詳解攝影如何與導演、剪接、編劇、美術等不同部門溝通合作，相互因拍攝想法產生碰撞後又如何協調解決。 他更特別以其擔綱攝影的電影《手捲煙》為例，分享了其中多個經典場景的拍攝細節，包括場地選擇、設備考量、機位擺放、燈光佈局、分鏡設計、如何與導演陳健朗共同創作等，令人了解該作品何以形成其獨特風格。
- [Eye Catcher 2022 Incubation Award Winners
奪目影像2022 廠牌計劃得獎名單](https://www.eyecatcherhk.com/eye-catcher-2022-incubation-award-winners-奪目影像2022-廠牌計劃得獎名單/) - Eye Catcher Creativity Award 奪目創意大獎 獎勵主題、內容、表現手法具獨特創意，具有一定可行性之影像項目，項目將入選「奪目影像國際提案大會2023」。 Winner: Drowning Director: Lancelot CHAN Cinematographer: Heyson TANG Director, Editor: Ian LUI 得獎者：《水底故事》 導演：陳子雲 攝影：鄧卓儒 導演、剪接：呂以彬 Eye Catcher Incubation Award 奪目廠牌獎 獎勵擁有自主製作精神，具備完整發展計劃之影像項目的廠牌，項目將入選「奪目影像國際提案大會2023」。 Winner: Save My Soul Director: LEUNG Kam Fai Producer: LAU Chi Fan Sound Design: CHOI Chun Hei Jacky 得獎者：《我是貓》 導演：梁錦輝 監製：劉芝藩 聲音設計：蔡俊希 Eye Catcher Pitching Award 奪目提案獎
- [Eye Catcher Global 2023 –
A Brand New International Filmmaking Platform
CALL FOR ENTRIES:
Independent Film Projects for International Pitching Forum](https://www.eyecatcherhk.com/international-pitching-forum-call-for-entries-english-version/) - Chinese Version In the beginning of 2023, Eye Catcher launched our new programme: the Eye Catcher Global (ECG). The first edition will be held in June 2023. One of the main events, the International Pitching Forum, is currently recruiting Hong Kong independent film projects. Originated from Hong Kong, ECG aims to bring together the creative
- [Eye Catcher Showcase 2023 Beauty That Emerges from Tragedy
奪目展映2023 劫後的無限風光](https://www.eyecatcherhk.com/showcase-beauty-that-emerges-from-tragedy/) - Beauty That Emerges from Tragedy Date: 17 June 2023 (Sat) Venue: Broadway Cinematheque @Eye Catcher Global 2023 Post-Screening Talk Guest: Aditya ASSARAT Moderator: Jun LI We were very honoured to have a screening of Aditya ASSARAT’s debut feature Wonderful Town during the Eye Catcher Showcase, and to have Director Aditya and moderator Jun LI during
- [Eye Catcher International Pitching Forum 2022: Awards and Winners
奪目影像國際提案大會2022：獎項及得獎名單](https://www.eyecatcherhk.com/奪目影像國際提案大會2022得獎名單/) - Eye Catcher Grand Award奪目大獎 The Grand Award goes to the most original project of self-producing spirit. A new perspective is a must. It also has to show a sophisticated execution plan leading to project completion. 奪目大獎授予最具獨立製作精神的原創影像項目，題材先鋒，同時需具有完備的執行計劃。 Grant Amount 獎金金額: 150,000 HKD (approx. 19,300 USD) Eye Catcher Next Award未來視野獎 The Next Award is recognising the most
- [奪目影像2023/24年度招募](https://www.eyecatcherhk.com/eye-catcher-2023-24-open-call-for-entries/) - 不拍不合！ 總結首兩屆經驗，今屆「奪目影像孵化計劃」及「Eye Catcher Global 2024」將有新改變、新搞作！奪目影像願作小小槓桿，繼續催生更多香港影像項目，助力本地獨立影像創作人走向國際。 第一階段，通過為期4個月的「奪目影像孵化計劃」，為入選影像單位及其影像項目，提供從創作、製作至提案的培訓及指導工作坊。本年度之孵化計劃分為文學改編、生態紀實、無限創意3個組別，公開招募12組影像單位。入選項目可競逐「點子計劃」短片資助共4個名額（每部最高港幣10萬元），及「Eye Catcher Global 2024」之國際提案大會入圍名額。 第二階段，來年夏季舉行之「Eye Catcher Global 2024」將繼續立足香港、連結國際。透過公開徵集，入選影像項目將參與國際提案大會，與國際及本地業界代表交流，角逐獎金資助。同時亦會舉行一系列產業活動，為影像創作人打造專屬交流平台，助其走得更遠。敬請期待！ 奪目影像孵化計劃2023/24計劃內容 2023年11月 - 2024年2月（活動時間以週末為主） 創作工作坊 製作工作坊 提案工作坊 導師計劃 孵化計劃提案日 「點子計劃」（短片資助） 計劃組別 ① 文學改編 導師：孔慶輝 文學與電影，各有其獨特的語言，又互相影響、互為啟發，不拍不合。由文學作品改編為電影，通行國際為何卻在本地語境相對少見？奪目致力跨界合作，催生文學改編的影像創作。 本屆孵化計劃向香港作家陳冠中先生致敬，影像單位可從已獲陳冠中授權作品《香港三部曲》(2013年增訂版) 中選取文本，通過改編創作短片。改編形式可包括但不限於情節變奏、提取人物或主題原型加入個人風格等，以電影語言為文學作品賦予新的解讀。現正公開徵集影像項目，等待你用影像詮釋、轉化、再演繹，為香港的文學作品重賦全新意義！ 改編文本 - 陳冠中《香港三部曲》(2013年增訂版) ：1. 《夜宴驚歲記》2. 《淺水灣（太陽膏的夢）》3. 《什麼都沒有發生》4. 《金都茶餐廳》5. 《被書掟中頭部的一天》 ② 生態紀實 導師：陳浩倫 香港的山水島嶼、人文方物、乃至動物植物，獨特而無可取代，同時亦印證着歷史和當下的變遷。香港的生態太少被鏡頭拍下，背後的故事也未曾被好好述說；香港的生態及人文故事在歷經轉變的當下，更值得我們認真觀察、好好紀錄。 本屆奪目計劃將目光投向生態紀實。影像單位可循生態環境、氣候變遷、土地關懷或更多其他待發掘之生態議題為主題，用影像激發同理心，重扣人文生態，推動改變。 ③ 無限創意 導師：（將根據入選影像項目進行配對） 作為香港的一分子，面對大變局，有甚麼故事一直繞在你心頭、不得不講？無限創意的影像創作，可以根據個人故事、真實事件創作，或從日常中重塑，更可以跨越類型、挑戰實驗性⋯⋯報名無限創意組，打破題材、類型及長度等的界限，追求超越銀幕的創意展現！ ＊3個組別均不設長度限制。詳見下文「報名須知」。 完成計劃後之機會 3個組別之影像項目，不論長短，均可通過孵化計劃提案日，競逐入圍「Eye Catcher Global 2024」國際提案大會。 3個組別之短片項目，完善製作計劃後可競逐「點子計劃」短片資助，爭取每部港幣最高10萬元的製作資金，共4個名額。a)
- [Eye Catcher 2022 Incubation Projects
奪目影像2022 廠牌計劃入圍項目](https://www.eyecatcherhk.com/eye-catcher-2022-incubation-projects/) - 01 Bodybuilding: The Centauride 01 Bodybuilding: The Centauride Genre 類型 Length 預計片長 Production Stage 製作進度 Director 導演 Producer 監製 Experimental 實驗 10 mins Post-production 後期製作 Kitty YEUNG 楊適榕 、Rose NG 吳欣堂 Kitty YEUNG 楊適榕 GenreExperimental Length10 mins Production StagePost-production DirectorKitty YEUNG, Rose NG ProducerKitty YEUNG 類型實驗 預計片長10 mins 製作進度後期製作 導演楊適榕、吳欣堂 監製楊適榕 Logline 故事摘要 一位亞洲女性健美運動員挑戰自己身體的極限，參加一場超現實的健美比賽。她與一匹馬比賽，變成了一個無法預料的生命體。 詳情
- [Eye Catcher Showcase 2023 When the Nepalese Hen meets the Gansu Camel
奪目展映2023 當尼泊爾母雞遇上甘肅駱駝](https://www.eyecatcherhk.com/showcase-when-the-nepalese-hen-meets-the-gansu-camel/) - When the Nepalese Hen meets the Gansu Camel Date: 17 June 2023 (Sat) Venue: Broadway Cinematheque @Eye Catcher Global 2023 Post-Screening Talk Guests: Min Bahadur BHAM, WONG Ka-ki Coming up to our 3rd Showcase, the Nepalese director Min Bahadur BHAM brought his first feature film The Black Hen (Kalo Pothi), together with our promising young
- [Industry Forum 2023](https://www.eyecatcherhk.com/industry-forum-eng-version/) - 3 Industry Forum Introduction Industry Forum 1: Independent Films: Can They Still Spark Changes? Date: 17/6 (Sat) 11:00 - 12:30Venue: Kino, 1/F EATON HKPanellists: Min Bahadur BHAM, Joe HUANG, Elysa WENDIModerator: Sonia WONG Independent filmmakers, film festivals, funding schemes, and training institutions have all been facing various challenges in recent years, leaving those who seek
- [產業論壇 2023](https://www.eyecatcherhk.com/industry-forum-2023/) - 產業論壇 1-3 簡介 產業論壇 1: 獨立電影仍可帶來改變嗎？ 日期：6月17日（六）11:00 - 12:30地點：Kino, 1/F 香港逸東酒店與談者：敏巴哈杜爾巴姆、黃柏喬、葉奕蕾主持：黃鈺螢 近年，獨立影像創作人、獨立影展、資助計劃及培訓機構等都面臨各種考驗，有志以獨立創作表達對世界看法的創作人都不禁紛紛問道：「獨立電影仍可帶來改變嗎？」 藉此機會，讓我們參考台灣及尼泊爾的經驗，世界之大，當限制出現時不就是表現創意的契機嗎？ 產業論壇 2： 從前從前，我也曾經是個新導演 日期：6月18日（日）11:00 - 12:30地點：Kino, 1/F 香港逸東酒店與談者：阿狄阿薩拉、廖捷凱、鄧幗茵主持：李駿碩 第一次想拍一部屬於自己的電影，用盡一切方法都要完成的決心，可一不一定可再，這段是每個導演都會走過的寶貴之路。一旦成功，很容易會忘卻初衷，我們請來來自泰國的阿狄阿薩拉導演及新加坡導演廖捷凱，聯同近年擔任香港多部新導演作品策劃及執行監製的鄧幗茵，一起來聊一下新導演的故事，希望能夠勉勵一下尚在尋找首作機會的你。 產業論壇 3： 辛丹斯，與下一個辛丹斯 日期：6月18日（日）14:30 - 16:30地點：Kino, 1/F 香港逸東酒店與談者：阿什・霍伊爾、布萊迪・艾略特、弗朗西斯卡・普里哈迪、琪琪・費布里揚蒂主持：黃鈺螢 辛丹斯電影節無疑是當今世上最重要的獨立電影節，由羅拔・烈福於1984年創辦，40多年來發掘了數不盡的電影作者。如斯重要的機構如何一直保持年輕？如何持續匯聚世界各地各種新價值與技術？未來都在亞洲，在印尼的峇里島逐冒起的Minikino，是如何連結本土人才及資源，辦影展及一系列推廣短片計劃？對新一代電影人來說，未來的影展應該是怎樣的？ 查詢： 電郵：eyecatcher@rfhk.org.hk / 電話：28118766 / Instagram @eyecatcher.images 主辦單位： Eye Catcher Global｜文藝復興基金會 English Version
- [Jun Li 李駿碩](https://www.eyecatcherhk.com/jun-li-2/)
- [Eye Catcher Showcase 2023 Red Dragonflies: A Fiery Passion of Youth
奪目展映2023 紅蜻蜓的青春火花](https://www.eyecatcherhk.com/showcase-red-dragonflies-a-fiery-passion-of-youth/) - Red Dragonflies: A Fiery Passion of Youth Date: 16 June 2023 (Fri) Venue: Broadway Cinematheque @Eye Catcher Global 2023 Post-Screening Talk Guest: LIAO Jiekai Moderator: Jun LI During the post-screening talk, we had the Singaporean filmmaker, artist and educator based in Singapore and Tokyo, as well as the director of Red Dragonflies, LIAO Jiekai, together
- [Eye Catcher 2022 Open Recruitment
奪目影像2022 年度大招募](https://www.eyecatcherhk.com/2022-eye-catcher-recruitment/) - RE-Imagine！ 重新想像這個世界同自己，任何時候都需要勇氣，也是創作的來源；而在困頓之中，這對創作人也是一種對話、治癒、驅動⋯⋯ 奪目的影像能跨越大小銀幕、空間和形式的想像限制，傳達創作人所思所想，直擊觀眾心坎。奪目影像繼承第一屆計劃的嘗試和實踐，推出「奪目影像創作營2022」、「奪目影像廠牌計劃2022」、「奪目影像國際提案大會2023」。適逢文藝復興十週年，跨界創作的重遇與變奏蓄勢待發。 第一階段，通過5日4夜的「奪目影像創作營」，營友將互相交流、認識、組隊創作，與同路人建立、擴展社群連結和共鳴。更進一步，與資深影像人（劇情、紀實、實驗、動畫等創作類型）一起衝破形體、聲音、文學等的想像限制，找尋新的創意潛能和風格。圍繞「重遇&變奏」的主題，在營內即場埋班創作，並於最後一天的作品展映上播映，贏取獎金。 第二階段，「奪目影像廠牌計劃」將公開招募12組影像單位。透過導師計劃，故事發展、提案技巧及製作發行的工作坊，邀請資深影像人為劇情、紀實、實驗、動畫等創作類別逐一提供非制式化的專業指導，協助影像人拓展人脈和資金來源。以初創企業模式，一起探索在自主管理、自主映畫的趨勢下，影像創作、製作及發行的新可能！入圍單位可競逐獎金總額最高港幣8萬，並以參與第三階段的「國際提案大會」為目標，競逐多個獎項，以及總額至少港幣22萬元的資助。重估，重構，重映，報名從速，捉緊大眾的目光，大家或許就是下個廠牌的創造者！ 奪目影像創作營報名資訊 日期：2022年8月4 - 8日（5日4夜） 地點：饒宗頤文化館（香港九龍荔枝角青山道800號） 嘉賓陣容（排名不分先後）：葉奕蕾、陳巧真、張小踏、陳偉武、莫美華、Hanz、李駿碩、洛楓、陳果、吳國亮⋯⋯ 費用：港幣2,680元/人，包括營內餐飲住宿 報名條件： 以個人名義報名，不設創作崗位、角色限制，有志於影像創作之人士； 須為香港居民。 報名須知： 影像創作營入圍者必須住宿，如疫情出現變化，主辦機構保留權利根據政府防疫措施作出調動； 營內須遵守饒宗頤文化館的最新防疫安排； 創作營名額有限，主辦機構將根據報名實際情況進行取錄，並保留更改或調動之權利。報名截止後，將個別通知獲選的影像創作人。 入選權益： 競逐由文藝復興基金會與桃花源粵劇工作舍合辦的「重遇&變奏：帝女花幻想」徵歌及影像比賽，總額港幣5萬元影像製作獎金，以及成為「水波浪影像節」特選作品； 與城市當代舞蹈團（CCDC）推薦之專業舞者一起參與一系列形體✕影像跨界創作； 營內作品展映中獲最高票數的隊伍，將獲得港幣1,000元現金獎； 營友若報名第二階段廠牌計劃，並成功入圍，可豁免第二階段港幣2,000元之全額費用。 截止報名日期：2022年7月5日 23:59 奪目影像創作營2022報名已截止，多謝支持！！！ 奪目影像廠牌計劃報名資訊 日期：2022年10月 - 2022年12月 地點：待定 費用：港幣2,000元/單位 （如入選影像單位有成員為「奪目影像創作營2022」入圍者，則免除全額費用） 報名條件： 以影像創作單位（個人或團隊）名義報名； 影像創作單位團隊成員如曾製作長片，同一類型不得多於三部； 影像單位主創成員（導演/監製）須為香港居民； 須提交完整的中文影像創作計劃及預算表，影像創作計劃可處於發展、前中後期任何階段，不設主題、類型或長度限制，鼓勵先鋒、獨立製作之創作計劃。 報名須知： 廠牌計劃將為影像單位度身訂造深度工作坊，故優先考慮已在開發階段的後期或已開展製作的項目。劇情類項目需要提供劇本初稿（至少完成最終故事的10%）；非劇情類項目需提供適量已拍攝素材或動畫模擬圖等供參考。 整個計劃將於香港以實體模式舉行，如疫情出現變化，主辦機構保留權利根據政府防疫措施作出調動； 入圍影像單位之主創成員（導演/監製）如有更改，「奪目影像」保留入圍資格或被取消之決定權； 廠牌計劃名額有限，主辦機構將根據報名實際情況進行取錄，並保留更改或調動之權利。報名截止後，將個別通知獲選的影像單位。 入選權益： 競逐「奪目廠牌獎」及其他獎項（獎金總額最高港幣8萬元）； 有機會入圍第三階段「奪目影像國際提案大會2023」，競逐獎項、獎金及合作機會。 截止報名日期：2022年8月31日 23:59 奪目影像廠牌計劃2022報名已截止，多謝支持！！！ 奪目影像 2022 廠牌計劃 FAQ 1.
- [WENDI Elysa 葉奕蕾](https://www.eyecatcherhk.com/wendi-elysa-葉奕蕾/)
- [TANG Flora 鄧幗茵](https://www.eyecatcherhk.com/tang-flora/)
- [PRIHADI Fransiska 弗朗西斯卡・普里哈迪](https://www.eyecatcherhk.com/prihadi-fransiska/)
- [POON Eric T.P. 潘達培](https://www.eyecatcherhk.com/poon-tat-pui-潘達培/)
- [LIAO Jiekai 廖捷凱](https://www.eyecatcherhk.com/liao-jiekai/)
- [HUANG Joe 黃柏喬](https://www.eyecatcherhk.com/huang-joe/)
- [YEUNG Ray 楊曜愷](https://www.eyecatcherhk.com/yeung-ray-楊曜愷/)
- [FUNG May 馮美華](https://www.eyecatcherhk.com/fung-may-馮美華/)
- [Winnie TSANG 曾麗芬](https://www.eyecatcherhk.com/winnie-tsang/)
- [TENG Chao-Ming 鄧兆旻](https://www.eyecatcherhk.com/teng-chao-ming-鄧兆旻/)
- [WONG Wonder 翁煌德](https://www.eyecatcherhk.com/wong-wonder-翁煌德/)
- [ZHAO Jia 趙佳](https://www.eyecatcherhk.com/zhao-jia-趙佳/)
- [KRAICER Shelly](https://www.eyecatcherhk.com/kraicer-shelly/)
- [BHAM Min Bahadur 敏巴哈杜爾巴姆](https://www.eyecatcherhk.com/bham-min-bahadur/)
- [ASSARAT Aditya 阿狄阿薩拉](https://www.eyecatcherhk.com/assarat-aditya/)
- [MO Shun Yu, Nicholas 毛淳宇](https://www.eyecatcherhk.com/shun-yu-mo/) - 毛淳宇 Shun Yu MO, Nicholas
- [KATSEV Libbie](https://www.eyecatcherhk.com/libbie-katsev/) - Libbie Katsev is a California-born researcher, writer, and filmmaker. They are currently a PhD fellow at UiT the Arctic University of Norway. Both their academic and artistic work engages with art as a site for imagining alternative worlds and ways of living together. They have worked in poetry, mockumentary, video essay, and short fiction. Their
- [GHOSH Shreyom](https://www.eyecatcherhk.com/shreyom-ghosh/) - Shreyom is a director and producer, currently based in Hong Kong after finishing his Master of Fine Arts from the New York University Tisch School of the Arts. He co-wrote and directed the series Bhak for the OTT platform HOOQ. His company Tasia Films produces commercials for top brands across Asia. He recently finished his short film Vegetable
- [STEPHEN Mary 雪美蓮](https://www.eyecatcherhk.com/mary-stephen/) - Mary STEPHEN was an editor and co-composer for the director Éric Rohmer. She worked as an editor for numerous Chinese and Hong Kong productions, including LI Yang‘s Blind Mountain (2007), Lixin FAN‘s documentary Last Train Home (2009), Jessey TSANG‘s documentary Flowing Stories (2014), and Ann HUI‘s Our Time Will Come, which was selected for Best Editing at the Taiwan Golden Horse Film Festival 2017. Mary has
- [YU Grace 尤奕翔](https://www.eyecatcherhk.com/grace-yu/) - Grace YU is the co-founder of Grand Manner Co., Ltd. She has over a decade’s experience as a producer in the Hong Kong advertising industry since she graduated from the Hong Kong Polytechnic University with a B.A. in fashion & design. 尤奕翔是Grand Manner的創辦人。她畢業於香港理工大學的時裝與設計專業學士學位，在香港廣告界擁有十多年的製作經驗。
- [CHEN Baihui Becky 陳百匯](https://www.eyecatcherhk.com/becky-chen/) - As an ASC Heritage Award Nominee, Film Independent Project Involve Cinematography Fellow and International Collective of Female Cinematographers (ICFC) Member, Becky CHEN seeks to capture the most intimate stories with her lens. Her films were screened at 100+ international film festivals, many of them are available on Apple TV, Amazon, and BET+. 陳百匯致力於用鏡頭捕捉最真摯的情感。她曾獲美國電影攝影師協會傳承獎提名，入選獨立電影協會多元影人計劃，亦是國際女攝影師協會成員。她的劇情及紀錄作品共在百餘個國際電影節中展映，並在Apple TV、Amazon、BET+等平台播放。
- [LAW Prescott 羅昊培](https://www.eyecatcherhk.com/prescott-law/) - Based in Hong Kong, Prescott LAW has participated in the editing of documentaries and feature films. His work The Castle in the Pyrenees was nominated at the 1st Ground Up Student Film Festival. His directing work Lacuna was selected in the 12th Fresh Wave International Short Film Festival and as the Jury Recommendation at the 24th ifva Awards (Open
- [CHEN Ruby 陳玲珍](https://www.eyecatcherhk.com/ruby-chen/) - Ruby CHEN has produced nearly a hundred documentaries and featured films. She is the Co-Founder and CEO of CNEX. She is a member of The Academy of Motion Picture Arts and Sciences (AMPAS), as well as the selection committee of documentary in the Oscars. She is the producer of Habitat. 陳玲珍是近百部紀錄電影製作人，華人紀錄片機構 CNEX 的共同創辦人暨執行長、奧斯卡影藝學院會員及金像獎紀錄片選片委員，為《海的那一邊》之監製。
- [MAK Heiward 麥曦茵](https://www.eyecatcherhk.com/heiward-mak/) - Heiward MAK is a Hong Kong scriptwriter and director. Her works include High Noon and Ex. She won the Best Screenplay in Hong Kong Film Awards for Love in the Puff and received 11 nominations including the Best Director and Best Scriptwriter for Fagara. She is also the producer of Mad World. 香港編劇及導演，作品包括《烈日當空》、《前度》等；憑《志明與春嬌》獲得香港電影金像獎最佳編劇；《花椒之味》獲最佳導演、編劇等十一項提名。監製作品《一念無明》。
- [CHOY Ricky 蔡瑞琦](https://www.eyecatcherhk.com/ricky-choy/) - Ricky CHOY was the client executive of the Advertising Department of Ogilvy & Mather Advertising Company and Director of Simlight Photography Studio. Ricky Choy was the assistant director of Italian director Leonardo Dalessandri and participated in commercial filming. CHOY is the producer and assistant director of the documentary Millennium Traditional Chinese Medicine; director of the documentary Hong
- [LAM Jaime 林德昕](https://www.eyecatcherhk.com/jaime-lam/) - Jaime LAM is a producer interested in exploring how dialogue reflects our histories, identities and ambitions. After majoring in Film Studies at UC Davis, Jaime worked in the Hong Kong film industry as a director’s assistant to Roy CHOW, in development for screenwriter and producer TO Chi-long, and most recently as a translator on Expats (Amazon). During lockdown, she can
- [CHAO Natalie A. 趙芷妮](https://www.eyecatcherhk.com/natalie-chao/) - Natalie A. CHAO is a filmmaker and cinematographer who is a USC Film Production graduate and Sundance Ignite x Adobe Fellow. Born and based in Hong Kong, she is interested in stories that bridge the gap between realism and poetry. Her documentary short, To Know Her, premiered at the 2021 Sundance Film Festival. Her work-in-progress has pitched at the
- [LAM Nora 林子穎](https://www.eyecatcherhk.com/nora-lam/) - Graduated from University of Hong Kong with a degree in comparative literature and French, Nora LAM‘s career started in 2014, making documentaries on political movements in Hong Kong. Her award-winning feature documentary Lost in the Fumes (2017) entered dozens of international film festivals, such as International Film Festival Rotterdam, and won international awards. Her first romantic comedy
- [CHONG Shuk Fong 莊淑芳](https://www.eyecatcherhk.com/chong-shuk-fong/) - CHONG Shuk-fong is a film producer based in Hong Kong, graduated in filmmaking from the Hong Kong Academy for Performing Arts. She is an alumni of Asian Film Academy (BIFF – 2018) in producing. She has been producing films in Hong Kong and Nepal since 2015, that have been screened at various film festivals around
- [LI Jun 李駿碩](https://www.eyecatcherhk.com/jun-li/) - Jun LI's feature film Drifting (2021) won Best Adapted Screenplay at the 58th Golden Horse Awards and was nominated for Best Director and Best Narrative Feature. The film was also selected for the Big Screen Competition at the International Film Festival Rotterdam 2021. His debut feature Tracey (2018) was nominated for Best New Director and
- [FENG Yuchao, Robbin 馮宇超](https://www.eyecatcherhk.com/robbin-feng/) - Robbin FENG is an award-winning cinematographer and director. His exposure to two immensely contrasting worlds has deeply impacted his perspective on life and cinema. Robbin was awarded for Best Cinematography at the 2016 ShortPole London International Film Festival. His previous short film RED has screened at NewFest in NYC, Los Angeles Asian Pacific Film Festival and Athens
- [TANG Ka Hei 鄧家熙](https://www.eyecatcherhk.com/tang-ka-hei/) - Ka-hei TANG graduated from the Hong Kong Academy for Performing Arts – School of Film and Television, majoring in camera and lighting in 2015. His cinematography work for Yeung Yeung With Cows (2013) has been selected for the 19th ifva festival and has won the silver award (Open Category); Wild Child (2020) has won the Fresh Wave Award at the
- [IP Wing Yin 葉詠然](https://www.eyecatcherhk.com/ip-wing-yin/) - IP Wing Yin currently works at the CNEX Foundation. She has recently participated in productions co-produced by CNEX and emerging independent filmmakers, including TukTuk Cinema, Symptoms of A Stranger, Habitat. She also participated in the distribution of Plastic China, Love Talk and I’m So Sorry. 現於CNEX基金會工作，近年擔任CNEX出品的獨立及新晉紀錄片導演作品的製作及協調，如《三輪車電影》、《良醫》及《海的那一邊》。近年參與發行之作品如《塑料王國》、《幸福定格》及《無去來處》。
- [IP Szesze 葉絲絲](https://www.eyecatcherhk.com/ip-szesze/) - Graduated from City University of Hong Kong, IP Szesze is currently studying at the University of Hong Kong. Since her time as an undergraduate student, she has been participating in the directing and production of feature-length documentaries, including Pumpkin Fried Noodles which was nominated at the Golden Cane Film Festival, Thirty Years of Cui Jian Rock and Roll produced
- [HO Shell 何浠](https://www.eyecatcherhk.com/shell-ho/) - Shell HE was a social journalist who has worked for several media platforms around the world. In 2020, due to the COVID-19, she turned to visual storytelling and became an independent documentary filmmaker. News report and documentary are both tools for her to record and reflect on humanity and society. 何浠曾是一名社會新聞記者，稿件發表於中港臺及國際多家媒體。2020年，轉型成為紀錄片導演後，她繼續關注社會公義和邊緣人群的議題。對她來說，文字或影像都只是工具，重要的是對人性與社會的關心與反思。
- [Why Not Move On](https://www.eyecatcherhk.com/why-not-move-on/) - 類型 Genre 紀實 Documentary 預計片長 Length 120 mins 製作進度 Production Stage 中期製作 Production 故事摘要 Logline 一個在疫情中喪親的獨身女人，一個親歷疫情的年輕紀錄者，至今仍在思考，為什麼無法走出災難陰影，要怎樣面對死亡和失去？ The story is about a single woman who lost her brother due to Covid-19, and the documentary filmmaker who witnesses this pandemic. It is also a reflection on their inability to leave the shadow of Covid-19, and ponder over
- [YING Liang 應亮](https://www.eyecatcherhk.com/ying-liang/) - YING Liang is an independent filmmaker, lecturer and curator. His notable films are Taking Father Home (2005), When Night Falls (2012), A Family Tour (2018) and A Sunny Day (2016) (Short). The More, The Merrier is his first documentary feature project. 獨立電影導演、講師和策展人，代表作有：《背鴨子的男孩》、《我還有話要說》、《九月二十八日·晴》（短片）、《自由行》等。本次項目《大家一起玩，才好玩》，為其首部紀錄長片。
- [LO Chun Yip 盧鎮業](https://www.eyecatcherhk.com/siuyea/) - LO Chun Yip (Siuyea) graduated from the School of Creative Media at City University of Hong Kong, majoring in Cinematic Arts. Since 2010, he has been filming several short films including 21 Years After, Paradox and Sister Kam, which all set off from the socio-political perspective with regard to changes in the society. He finished his first feature documentary Days
- [LAM Lo 林璐](https://www.eyecatcherhk.com/lam-lo/) - Lo LAM is a producer/writer/director based in Hong Kong and Los Angeles. After graduated from BBA(Law) at the University of Hong Kong, she created over 20 YouTube narrative commercials in Taiwan, some of which reached a million views. In 2018, Lo acquired an M.F.A. in Film&TV Production at the University of Southern California. Her short
- [CHENG Wai-Lun, Alan 鄭偉麟](https://www.eyecatcherhk.com/alan-cheng/) - Alan Wai-Lun CHENG, member of the Hong Kong Film Editing Association (H.K.S.E.), served as the instructor of the 4th and 5th Hong Kong Film Training Program editing courses, actively contributing to the education of the next generation of filmmakers. 鄭偉麟，香港電影剪輯協會（H.K.S.E.）會員，曾任第四及第五屆香港電影培訓計劃任教剪接專修班的導師，積極為教育下⼀代年⻘電影⼯作者出⼀分⼒。
- [CHAN Wai Kwok 陳偉國](https://www.eyecatcherhk.com/chan-wai-kwok/) - CHAN Wai Kwok, a photographer and filmmaker, is good at integrating humanistic elements into his works. He attaches great importance to direct communication with his subjects, and believes that there is a story behind every work. Participated in films as producer/director, his works include Don’t Just Hear, Home is What Your Heart Believes (Community Music Film). 陳偉國，攝影及電影工作者，擅長將人文元素融合於作品中, 均非常重視與對象的直接交流，相信每個作品背後都是一個故事。監製/導演作品：《不聽故事》、《往心處前行》社區音樂。
- [《再見，香港仔》 | Goodbye, Aberdeen](https://www.eyecatcherhk.com/《再見，香港仔》-goodbye-aberdeen/) - 類型 Genre 紀實 Documentary 預計片長 Length 100 mins 製作進度 Production Stage 前期製作 Pre-production 故事摘要 Logline 香港仔街市重建在即，一位街市二代自小討厭父母賣菜，如今透過紀錄，尋找街市對自身的意義，在一切消失前，發掘生命軌跡與時代之交織。 A hawkers' son, who has long despised his parents' job, rediscovers how the vanishing Aberdeen Market matters before its reconstruction, unravelling the intersection between hawkers' life trajectories and the city's socio-historical transition. 故事大綱 Synopsis 《再見，香港仔》以「喜記菜檔」一家為主幹，在一切消失前，紀錄三個街市家庭的故事。 香港仔街市重建在即，阿烽踏足賣菜父母日常，再遇一群熟悉的陌生人，尋找街市對自身的意義。菜枱前，陳海棠遇上鍾本，市井愛情故事五味紛陳，兩人鮮有浪漫時光，秤磅上盡是人情、賭債、責任與自由。 人稱「勝記」，他卻從來不是人生勝利組。八十年代，香港前景未明，勝記無奈地「被離開」外資沖曬公司，接手家族咖啡牌檔。三十年來，痀僂街市佬受盡白眼，沒有留戀熱廚房。 兩代人，同一店簷下。家父身體抱恙，永恒選擇相伴母親「妹妹姐」左右。年輕店主本決定留守，不讓海味老字號消失。然而，2021年未入寒冬，永恒選擇告別我城。 留下？結業？遷走？三道軌跡，兩代傳承人，側寫香港大時代。
- [LI Kai Ho 李啟浩](https://www.eyecatcherhk.com/li-kai-ho/) - LI Kai Ho, graduated from the Hong Kong Academy for Performing Arts, is the co-founder of Fin Fin visual studio. His works have been screened in different local and overseas film festivals. 李啟浩，Fin Fin 影像工作室共同創辦人，畢業於香港演藝學院，作品曾於本土及海外電影節參展。
- [WONG Ka Wai, Dorothy 黃嘉慧](https://www.eyecatcherhk.com/wong-ka-wai/) - Dorothy WONG graduated from the School of Journalism and Communication at the Chinese University of Hong Kong, and obtained her master’s degree from Malmö University in Sweden. She has worked at various advertising agencies and local media. She is now the Program Director at a local social enterprise, promoting media literacy education and producing knowledge documentaries.
- [The Way We Were | 我們都是這樣長大](https://www.eyecatcherhk.com/the-way-we-were/) - Genre 類型Documentary 紀實 Length 預計片長120' Production Stage 製作進度In-Development 發展中 Total Budget 總預算US$ 259,453 Goal 參與目標Funds, Co-producer, Distribution Partner, Festival Screening 籌集資金、聯合監製、發行夥伴、電影節放映 Logline 故事摘要Hoi-nam and Ah-yat followed their parents and moved to the United Kingdom from Hong Kong. This documentary intends to record their changes in life over the next ten years and serve as a
- [D.F.W. Buckingham](https://www.eyecatcherhk.com/buckingham/) - D.F.W. Buckingham is an American writer who has worked in the entertainment industry for over a decade after graduating from the New York University Tisch School of the Arts with a Master of Fine Arts in Dramatic Writing. He worked as a Hollywood assistant and script analyst before settling in Berlin in 2019. He has
- [LAU Kok Rui, Ray 劉國瑞](https://www.eyecatcherhk.com/lau-kok-rui/)
- [LUI Yee Pan Ian 呂以彬](https://www.eyecatcherhk.com/lui-yee-pan-lan/) - Graduated from the School of Communication at Hong Kong Baptist University in 2017, LUI’s directional work for graduation of Higher Diploma, Grandpa Online (2015) was shown at 1st Ground Up Student Film Festival, Jahorina Film Festival in Bosnia, Lublin Film Festival in Poland, Caminhos Film Festival in Portugal. The Hongkongers (2019) have selected for film festivals including Filmschool Fest
- [CHAN Tsz Wan 陳子雲](https://www.eyecatcherhk.com/chan-tsz-yun/) - Social and cultural columnist, CHAN graduated from the Department of Humanities and Creative Writing at Hong Kong Baptist University. His poems and prose were published in various art magazines, while film critics were published in Taiwan and Hong Kong media. Member of the 5th Asian Cinema Observers of Taipei Golden Horse Film Festival and primary
- [YIU Sheung-Kan 姚尚勤](https://www.eyecatcherhk.com/sheung-kan-yiu/) - Sheung Yiu is a Hong Kong-born, image-centred artist and video essayist, based in Helsinki, Finland. His artwork explores the act of seeing through algorithmic image systems and sense-making through networks of images. He examines photography through the lens of new media, scales, and network thinking; When he is not researching algorithmic image-making, he uses video
- [YUNG Tsz Hong 翁子康](https://www.eyecatcherhk.com/yung-tsz-hong/) - YUNG Tsz Hong graduated from the School of Creative Media at the City University of Hong Kong. He has directed short films including Fresh Wave’s award-winning works Victoria and Wilhelm Tell, and the Radio Television Hong Kong drama series Nooning. In 2020, he was shortlisted for the mm2 Hong Kong Emerging Directors Program. The short
- [LAI Christopher 黎鳴朗](https://www.eyecatcherhk.com/christopher-lai/) - Christopher LAI is a film composer who scored multiple award-winning short films by emerging directors in Hong Kong. In the recent 16th Fresh Wave International Short Film Festival, Christopher composed the score for Simon Says, Simon Says, which was awarded the Fresh Wave Award and award for Best Screenplay. 黎鳴朗曾為多部獲獎短片配樂。在第16屆Fresh Wave國際短片節上，他配樂的電影《呼~》獲 得了鮮浪潮大獎和最佳劇本獎。
- [In Silence We Speak | 古老的敵意](https://www.eyecatcherhk.com/in-silence-we-speak/) - Genre 類型Drama 劇情 Length 預計片長120' Production Stage 製作進度In-Development 發展中 Total Budget 總預算US$ 753,350 Goal 參與目標Script Refining, Funds, Co-producer 完善劇本、籌集資金、聯合監製 Logline 故事摘要Ever since Martha was pregnant, Steven has been experiencing unusual discomfort. As they search for their long-lost cousin, they uncover something sinister about their family... 哥哥文在妹妹盈懷孕後身體出現異常，而盈在尋找失散已久的表親的過程中，發現家族的不尋常歷史⋯⋯ Synopsis 故事大綱Martha and Steven, who were twins, had a
- [NG Ka Wai Benson 吳家偉](https://www.eyecatcherhk.com/benson-ng/) - Benson NG is a director, writer and editor with a background in philosophy. He was selected twice for the 13th & 15th Fresh Wave competition. His film Immer has been selected as a semi-finalist at the Flickers’ Rhode Island International Film Festival, an Academy award-qualified festival. 吳家偉畢業於是中文大學哲學碩士。入圍第13屆和第15屆鮮浪潮國際短片節。短片《Immer》 入圍羅德島國際電影節。
- [NG Kai Yin, Andrew 吳啟賢](https://www.eyecatcherhk.com/andrew-ng/) - In 2008, he graduated from the Hong Kong Academy for Performing Arts with a bachelor’s degree in Film and Television, and in 2013 he graduated with a master’s degree in cultural management from the Chinese University of Hong Kong. Established Myth Signs in 2010, it produces video works for enterprises and institutions. Recently, he has
- [LIEW Rachel](https://www.eyecatcherhk.com/rachel-liew/) - LIEW is a cinematographer based between London and Singapore, where she was born and raised. An IMDA scholarship recipient, she holds a Master’s degree in Cinematography from the National Film and TV School. Her short film Han received the Laszlo Kovac Golden Tadpole award at the 2016 Camerimage Festival. 工作於新加坡、倫敦兩地的攝影師。Rachel Liew曾獲新加坡IMDA獎學金，畢業於英國國立電影電視學院攝影系碩士。短片作品《Han》獲2016 Camerimage 電影節的Laszlo Kovac金蝌獎。
- [I Thought You Were Real | 渺渺冥冥](https://www.eyecatcherhk.com/i-thought-you-were-real/) - Genre 類型Drama 劇情 Length 預計片長90' Production Stage 製作進度In-Development 發展中 Total Budget 總預算US$ 814,008 Goal 參與目標Funding, Co-Producer, Distribution Partner 募集資金、聯合監製、發行夥伴 Logline 故事摘要After the start of the war, Margarita suffers a miscarriage, but a glimmer of hope appears in the form of a message from her departed child. The child assures her that a second child will
- [LEE Ka Yan 李嘉欣](https://www.eyecatcherhk.com/lee-ka-yan/) - LEE Ka Yan, graduated from the Hong Kong Academy for Performing Arts in Film and Television, majoring in film editing. Her directing, screenwriting and editing work Two of Us won the Special Mention Award at the 10th Fresh Wave. Her editing works include film and documentary productions. 李嘉欣，畢業於香港演藝學院電影電視系學士，主修電影剪接。曾參與劇情片編導。包括第十屆鮮浪潮，作品《青春漫遊》獲當屆的特別表揚。亦參與電影製作、紀錄片等剪接。
- [SHEK Sophia 石晶瑩](https://www.eyecatcherhk.com/sophia-shek/) - Born in Scotland and established in Hong Kong, Sophia SHEK is an independent producer known to champion underrepresented stories and directors. SHEK produced Emily Ting’s Go Back to China, which premiered at SXSW and screened at Edinburgh International Film Festival, as well as Ting’s first feature Already Tomorrow in Hong Kong. Shek also produced Simon Chung’s I Miss You
- [LEE Merissa Jane 李慧怡](https://www.eyecatcherhk.com/merissa-jane-lee/) - Born and raised in Singapore, LEE earned her BA in Film and TV Production from the University of Southern California. Her award-winning short films have screened at Cannes, Telluride and the Student Academy Awards. She is currently a creative executive at Electric Somewhere, Jon M. Chu’s production company in Los Angeles. 來自新加坡，畢業於南加州大學電影製作系。得獎短片作品於康城影展、Telluride電影節等放映，獲美國Student Academy Awards提名。現工作於洛杉磯Electric Somewhere製作公司（Jon
- [KO Kristie 高思約](https://www.eyecatcherhk.com/kristie-ko/) - Hong Kong-born writer-director based between Hong Kong, London and LA. A Tribeca Chanel Through Her Lens Women’s Filmmaker Program and Reykjavík Talent Lab fellow, KO holds a B.A. in film production from the University of Southern California. Her award-winning short film Ateh (2020) has screened at the Fresh Wave Film Festival, Kaohsiung Film Festival and Minikino. Her
- [ASANO Junko 淺野純子](https://www.eyecatcherhk.com/junko-asano/) - ASANO is an academic from Hong Kong who has researched Indonesian society for over 10 years. Her current PhD research at Oxford University is on the Indonesian migrant domestic labour movement in Hong Kong. 在港學者。研究印尼社會超過10年。目前在牛津大學攻讀博士學位，研究香港印尼傭工的勞工運動。
- [CHI Jamie 池清麗](https://www.eyecatcherhk.com/jamie-chi/) - CHI is an independent filmmaker. Her documentary Safe Distance: Chapter 1 (2022) won the Short Film Audience Award at the 33rd Hong Kong Lesbian and Gay Film Festival. She is currently directing Scorpion Grass which is shortlisted for the 17th Fresh Wave International Short Film Festival competition. 獨立導演。執導紀錄片《安全距離：第一章》獲第三十三屆香港同志影展觀眾票選短片大獎。導演作品《蝎子草》入圍第十七屆鮮浪潮國際短片節 – 本地競賽。
- [YEUNG Leung Chuen 楊兩全](https://www.eyecatcherhk.com/yeung-leung-chuen/) - YEUNG graduated from the Chinese University of Hong Kong majoring in Journalism and Communication. He won Best Director at Fresh Wave International Short Film Festival with The Bridge. His scriptwriting work Liu Yang He and Wild Child were awarded Best Picture at Fresh Wave International Short Film Festival, and Dark Room was selected at Locarno Film Festival for Academy screenings. His scriptwriting
- [HO Yuk Fai 何旭輝](https://www.eyecatcherhk.com/ho-yuk-fai/) - HO graduated from The School of Film and Television at The Hong Kong Academy for Performing Arts with a major in Cinematography. He was the executive producer of the Radio Television Hong Kong drama series Find Me Guilty.In 2022, HO made his debut as a co-cinematographer on the feature film Fly Me To The Moon. His previous
- [WONG John 黃榮俊](https://www.eyecatcherhk.com/john-wong/) - A post-90s Macao director who graduated from the Department of Communications Design at Shih Chien University in Taiwan. WONG's latest work MUI (2021) was awarded Original Prize in Horizon Competition at the 2022 Paris International Animation Film Festival, and Best Animation Short Film at Lausanne Underground Film & Music Festival etc. 畢業於實踐大學媒體傳達設計學系。作品《梅婆》獲巴黎國際動畫節地平線競賽「原創獎」，洛桑地下錄像與音樂節「最佳動畫短片獎」等多個獎項。
- [HUI Felix Christopher 許天樂](https://www.eyecatcherhk.com/felix-hui/) - HUI is an aspiring queer filmmaker with a passion for presenting a nuanced perspective on the oppressed identities. His recent work, Our imagined future - if someone sees this after we are dead, has been archived at Goethe-Institut, a documentary short about unwanted voices from within pro-democracy movements. 積極追求細膩呈現被壓迫者之多元面貌的酷兒電影製作人。他最近的紀錄短片《我們想像的未來 - 這些死後才可放映的錄像》備受認可並被收錄於歌德學院，記錄民主運動中被排拒的聲音。
- [YEUNG King Lun 楊景麟](https://www.eyecatcherhk.com/yeung-king-kun/) - YEUNG is an audio-visual creator who graduated from the School of Journalism and Communication at the Chinese University of Hong Kong. He specialises in directing, editing and colour-grading.In 2021, his directorial debut Moonshine won the ifva Gold Award (Open Category).YEUNG has also worked closely with emerging Hong Kong young filmmakers in their film and short
- [CHOU Tseng Chen 周增晟](https://www.eyecatcherhk.com/chou-tseng-chen/) - Graduated from University of California, Santa Barbara and joined Taiwan film industry, focusing on international affairs, sales & acquisitions, and project consulting. He co-produced Get the Hell Out, a selection of Toronto International Film Festival in 2020. In recent years, he has actively participated in independent productions, assisting works officially selected in The Golden Horse
- [Undercurrent | 這煩囂城中](https://www.eyecatcherhk.com/undercurrent/) - Genre 類型Documentary 紀實 Length 預計片長60'-90' Production Stage 製作進度Work-In-Progress 製作中 Total Budget 總預算US$ 42,010 Goal 參與目標Funds, Distribution Partner, Festival Screening 籌集資金、發行夥伴、電影節放映 Logline 故事摘要Feeling abandoned by his three college friends as they go their separate ways, Tony attempts to get a glimpse into their lives through a documentary that spans five, following them into their thirties.四位大學朋友畢業後各散東西，感到被拋棄的Tony，決定以拍攝之名，窺探他們的生活，開展長達五年的紀錄，直到彼此三十而立。 Synopsis
- [CHOI Sin Yi Emilie 蔡倩怡](https://www.eyecatcherhk.com/choi-sin-yi/)
- [TSANG Chung Yin 曾頌然](https://www.eyecatcherhk.com/tsang-chung-yin/) - Graduated from the School of Creative Media at the City University of Hong Kong, TSANG is dedicated to independent visual creation. Documentary Mummy was awarded Special Mention in the Open Category of the 26th ifva Awards. His DOP works for Two Families and White Night were in the Official Selection at the 13th Hong Kong Independent Film Festival. Currently in
- [CHAN Hau Chun 陳巧真](https://www.eyecatcherhk.com/chan-hau-chun/) - Graduated from the City University of Hong Kong’s School of Creative Media, CHAN is a cinematographer and independent filmmaker. Her works include Uncle Fai, 32+4, Call Me Mrs Chan, and No Song to Sing. 32+4 was screened at numerous international film festivals, and Nominated for Golden Horse Award for Best Documentary. 畢業於香港城市大學創意媒體學院，主修文學士（創意媒體）。現為獨立影像工作者，長居香港。現正製作關於香港板間房的長時間紀錄片《熱室》。畢業作品紀錄片《32+4》入圍多個本地及外國影展，包括ifva金獎、華語紀錄片節香港獎冠軍、台灣金馬最佳紀錄片提名、Experimenta 大獎 、 德國 Oberhausen 影展大獎等。
- [WONG Wan Sze 王韻詩](https://www.eyecatcherhk.com/wong-wan-sze/) - WONG has produced and directed numerous productions since 2011. Her works are gender-diverse. French-Hong Kong actor Sony CHAN was cast in the lead role in Alpha Maria (2019), the first Hong Kong TV drama to feature a transgender actor, which sparked media interest; her film project Love to Bits (2020), was selected for HAF 2021.
- [LEUNG Kin Pong 梁健邦](https://www.eyecatcherhk.com/leung-kin-pong/) - Graduated from the Hong Kong Academy for Performing Arts. LEUNG's first short, Little by Little, won the Best Feature (Short Film) Award at Monterrey International Film Festival in Mexico. His first TV drama Alpha Maria (2019), was selected as the only drama production to represent Hong Kong at INternational PUblic Television Screening Conference (INPUT). 先後於香港演藝學院電影電視導演系畢業，在學首部短片《井裡的時光》即獲墨西哥蒙特雷國際電影節最佳劇情短片大獎，2019年導演首部電視劇《萬輻瑪利亞》，成唯一香港作品入選
- [LAU Chi Fan 劉芝藩](https://www.eyecatcherhk.com/lau-chi-fan/) - Graduated from the City University of Hong Kong with a degree in Creative Media and won the Best Fictional Film Award for The Smokies, LAU has worked in visual effects coordination, the art department, and is now an advertising director. She is committed to becoming a film director. 畢業於城市大學創意媒體系，短片《餘煙》獲最佳劇情片獎項並於影展展出。先後從事電影美術工作及視覺特效統籌，現為廣告導演。致力運用過往前中後期製作之經驗開拓自己的電影事業。
- [CHEUNG Lee Hung, Holmes 張利雄](https://www.eyecatcherhk.com/holmes-cheung/) - CHEUNG is a freelance actor, dancer, choreographer and graphic designer. With a unique perspective as both a designer and a performer, he actively participates in and creates a wide variety of theatre performances and experimental projects, exploring the intersections of theatre, dance, and movement. 現為自由身演員、舞者、編舞及平面設計師。以多種身份和眼光探索劇場及表演藝術，近年積極投入創作及策劃各類型藝術表演及活動。
- [YAM Peter 任硯聰](https://www.eyecatcherhk.com/yam-peter-任硯聰/)
- [CHAN Catherine 陳芷琪](https://www.eyecatcherhk.com/catherine-chan-陳芷琪/)
- [SO Ka Ue 蘇家榆](https://www.eyecatcherhk.com/so-ka-ue/) - Graduated from the Hong Kong Academy for Performing Arts. SO worked for Oscar-winning filmmaker Ruby YANG as an editing assistant for In Search Of Perfect Consonances and Ritoma, and as an editor for China's Forgotten Daughters. Her works also include Dong Pui Sun And Me and the post-production of Helios, Trivisa, Three and Anita. 畢業於香港演藝電影電視學院。曾擔任奧斯卡得獎導演楊紫燁《尋找完美第五度》
- [Seoi-bo-long Video Festival 水波浪影片節](https://www.eyecatcherhk.com/seoi-bo-long-video-festival/) - A formulaic performance set unique to Canto-opera. It depicts the process where someone on the horns of a dilemma makes a difficult decision after battling through inner conflicts. The performance matches the rhythm of percussion instruments: sometimes passionate, sometimes tardy, sometimes still, sometimes stretching. It expresses, through body movements, the inner feelings of vexation and
- [Ground Up Film Society 平地映社](https://www.eyecatcherhk.com/ground-up-film-society/) - Ground Up Film Society is an organisation dedicated to Hong Kong’s young film talents. The Society was created in 2014 by a collective of emerging film professionals working in independent film production, film education, and programming. Since then, we have curated and presented Ground Up Student Film Festival, thematic screenings, and overseas exchange programmes to
- [Jumping Frames – Hong Kong International Movement-image Festival
跳格 — 香港國際舞蹈影像節](https://www.eyecatcherhk.com/jumping-frames-hong-kong-international-movement-image-festival/) - Presented by the City Contemporary Dance Company (CCDC) since 2004, ‘Jumping Frames – Hong Kong International Movement-image Festival’ is the only festival of its kind in Asia committed to promoting the intersections between performance making and moving image, cine-choreographic interventions and the body. 「跳格 — 香港國際舞蹈影像節」於2004年由城市當代舞蹈團創辦，是亞洲最具規模的舞蹈影像盛事。其致力於呈現風格迥異、影像與身體之間跨媒界的展演，更為舞蹈影像開發多元及可能性，探尋新世代形體和影像的全新意涵。 Details
- [The Sundance Institute 辛丹斯學院](https://www.eyecatcherhk.com/the-sundance-institute/) - The Sundance Institute is a nonprofit organisation dedicated to the discovery and development of independent artists and audiences. Through its programs, the Institute seeks to discover, support, and inspire independent film and media artists from the United States and around the world, and to introduce audiences to their new work. The Sundance Film Festival is
- [The South Taiwan Film Festival 南方影展](https://www.eyecatcherhk.com/the-south-taiwan-film-festival/) - The South Taiwan Film Festival (STFF) was founded in 2001 by professors and students from the College of Sound and Image Arts at National Tainan University of the Arts as an independent film festival. It has been over 20 years since its establishment. Later, the Southern Film Association was established and rooted in Tainan City.The
- [Purin Pictures](https://www.eyecatcherhk.com/purin-pictures/) - Purin Pictures is a film fund that supports independent cinema in Southeast Asia. Started in 2017 under the Purin Foundation, we look for artists and organisations that are doing unique and essential work in a region that lacks adequate governmental support. Managed by Anocha Suwichakornpong and Aditya Assarat, our funding programs cover film production, film
- [Minikino](https://www.eyecatcherhk.com/minikino/) - Minikino is an Indonesia's short film festival organisation with an international network. With programs throughout the year, arranging and organising various forms of short film festivals. Minikino currently runs 3 different short film festivals; Monthly Screening & Discussion (a year round since 2002), Open December (annually since 2003), Minikino Film Week, Bali International Short Film
- [Hong Kong - Asia Film Financing Forum 香港亞洲電影投資會](https://www.eyecatcherhk.com/haf/) - The Hong Kong - Asia Film Financing Forum (HAF), the flagship event of the Industry Office, is widely recognised as Asia's premier film financing platform. HAF brings Asian filmmakers with upcoming film projects to Hong Kong for co-production ventures with top film financiers, producers, bankers, funding bodies, sales agents, distributors, and buyers. Around 30 in-development
- [Cinemovement](https://www.eyecatcherhk.com/cinemovement/) - Founded by multidisciplinary artist Elysa WENDI and film producer Jeremy CHUA in 2015, Cinemovement is initiated as an artist-run platform for artists to explore interdisciplinary propositions between filmmaking and performing arts practices in a laboratory, residency and artistic research setting. We also collaborate with institutions and foundations to curate expanded cinema and performance exhibitions. To
- [13 Little Pictures](https://www.eyecatcherhk.com/13-little-pictures/) - Based in Singapore, 13 Little Pictures produces and promotes films that celebrate cinema with all its diversities. Making films and friends at the same time, 13 Little Pictures works together in the belief that taking this journey together - challenging, inspiring, helping and supporting each other - fosters a sense of community in our individual
- [ZENG Wan Qiu Oneness 曾婉遒](https://www.eyecatcherhk.com/zeng-wan-qiu/)
- [FEBRIYANTI Kiki 琪琪・費布里揚蒂](https://www.eyecatcherhk.com/febriyanti-kiki/)
- [ELLIOTT Bridey 布萊迪・艾略特](https://www.eyecatcherhk.com/elliott-bridey/)
- [International Pitching Forum 2023: Jury Members
國際提案大會2023：評審簡介](https://www.eyecatcherhk.com/2023-jury-members/) - Aditya ASSARAT 阿狄阿薩拉 Thailand | Purin Pictures Aditya ASSARAT is a writer, director, and producer from Thailand. His feature films include Hi-So and Wonderful Town, which won the New Currents Award from Busan and the VPRO Tiger Award from Rotterdam. His most recent film, Ten Years Thailand, which he produced and co-directed, premiered in Cannes.
- [Review on International Pitching Forum 2022 回顧：國際提案大會2022](https://www.eyecatcherhk.com/international-pitching-forum-2022-review/) - Date: 5th - 6th March, 2023 The 16 groups of shortlisted participants, whose projects themes vary from wet market to rural area, from old-fashioned Cha Chaan Teng to virtual world, from reality to imagination. The journey and wishes from Vietnamese refugee, hawkers under the changing era, how would our lives be in the post-pandemic period?
- [Eye Catcher International Pitching Forum 2022: Jury Members
奪目影像國際提案大會2022：評審簡介](https://www.eyecatcherhk.com/international-pitching-forum-2022-jury-members/) - Shelly KRAICER Canada Shelly Kraicer was born in Toronto, Canada, and received a BA in philosophy at Yale University. He lived in Beijing, China for eleven years, where he studied Chinese language and researched and wrote about the Chinese language cinemas of China, Hong Kong, and Taiwan. He has curated retrospectives on the Fourth Generation
- [Eye Catcher International Pitching Forum 2023: Awards and Winners 奪目影像國際提案大會2023：獎項及得獎名單](https://www.eyecatcherhk.com/international-pitching-forum-2023-awards-and-winners/) - Eye Catcher Grand Award奪目大獎 Work-in-Progress Project 製作中項目In-Development Project 發展中項目 One project will be selected from each category每個類別評選一個影像項目 The Grand Award honours the most original projects of self-producing spirit with a fresh perspective. The projects also need to show a sophisticated execution plan leading to project completion. 授予最具獨立製作精神、題材先鋒的原創影像項目，並具完備的執行計劃。 Cash prize of HKD 70,000 (approx. USD 8,500)
- [Eye Catcher Showcase 2023 Sundance Filmmaker Focus: Bridey Elliott
奪目展映2023 焦點辛丹斯影人：布萊迪・艾略特](https://www.eyecatcherhk.com/showcase-bridey-elliott/) - Sundance Filmmaker Focus: Bridey Elliott Date: 15 June 2023 (Thu) Venue: Broadway Cinematheque @Eye Catcher Global 2023 Post-Screening Talk Guest: Bridey Elliott Moderator: Sonia Wong Following the screening showcase of five of Bridey Elliott’s films, the award-winning director, actor and writer shared with the audience how her upbringing in a family of comedians, real life
- [Ah Cheung | 無拘飛祥](https://www.eyecatcherhk.com/ah-cheung-2/) - Genre 類型Animated Documentary 動畫紀實 Length 預計片長65' Production Stage 製作進度Work-In-Progress 製作中 Total Budget 總預算US$ 128,236 Goal 參與目標Technical Support, Funds, Co-producer, Distribution Partner, Festival Screening, Impact Partners and NGOs 技術支援、籌集資金、聯合監製、發行夥伴、電影節放映、影響力夥伴及非牟利組織 Logline 故事摘要This animated documentary chronicles the emotional journey of Mr Willy LAW Wai Cheung, a disability-rights activist breaking through physical and societal boundaries in Hong Kong.一部關於香港殘疾平權先鋒羅偉祥的動畫紀錄長片， 透過紀實影像與動畫交集，刻劃他突破身體障礙及社會界限的人生經歷。 Synopsis
- [Semi | 半熟時光](https://www.eyecatcherhk.com/semi/) - Genre 類型Drama 劇情 Length 預計片長160' Production Stage 製作進度Work-In-Progress 製作中 Total Budget 總預算US$ 142,154 Goal 參與目標Funds, Distribution Partner, Festival Screening 籌集資金、發行夥伴、電影節放映 Logline 故事摘要A pair of 13-year-old friends, who survived the chaos of the city and the pandemic, resume a normal life that is abruptly shattered end when one of them takes his own life.在滿城烽火又肺炎肆虐的日子之後，香港漸漸復常，一對十三歲的摰友過著半熟的美好時光，隨著其中一人突然自殺身亡而戛然中止。 Synopsis 故事大綱Guk
- [1998](https://www.eyecatcherhk.com/1998-2/) - Genre 類型Documentary 紀實 Length 預計片長90' Production Stage 製作進度In-Development 發展中 Total Budget 總預算US$ 72,400 Goal 參與目標Funds, Co-producer 籌集資金、聯合監製 Logline 故事摘要As citizens of the world's third-largest democracy, two Indonesian domestic workers in Hong Kong grapple with the challenges of being migrant labourers while fighting to improve their circumstances by campaigning for their country's presidential candidate from abroad.
- [Simple Story | 簡單故事](https://www.eyecatcherhk.com/simple-story/) - Genre 類型Drama 劇情 Length 預計片長140' Production Stage 製作進度In-Development 發展中 Total Budget 總預算US$ 880,971 Goal 參與目標Script Refining, Funds, Co-producer, Distribution Partner, Festival Screening 完善劇本、籌集資金、聯合監製、發行夥伴、電影節放映 Logline 故事摘要Liang, a stowaway from the mainland, has two kids with Huiping. The family's days are peaceful and uneventful. However, their daughter Zitao makes an extreme decision at a time when her
- [The Vampire of Sheung Shui | 上水吸血鬼](https://www.eyecatcherhk.com/the-vampire-of-sheung-shui/) - Genre 類型Drama 劇情 Length 預計片長103' Production Stage 製作進度In-Development 發展中 Total Budget 總預算US$ 985,861 Goal 參與目標Script Refining and Translation, Funds, Co-Producer, Distribution Partner完善及翻譯劇本、籌集資金、聯合監製、發行夥伴 Logline 故事摘要After being bitten by a vampire, a slacker decides to take control of his 'life', find a way to drink blood without killing, and prove that he is worthy of taking over
- [To the Rescue | 碧落黃泉](https://www.eyecatcherhk.com/to-the-rescue/) - Genre 類型Drama 劇情 Length 預計片長120' Production Stage 製作進度In-Development 發展中 Total Budget 總預算US$ 1,280,016 Goal 參與目標Script refining, Funds, Co-producer 完善劇本、籌集資金、聯合監製 Logline 故事摘要Anping, who inherited his grandfather's psychic abilities, has always been unable to see his mother's spirit. With the help of a drowned girl and his grandfather, he travels through hell to rescue his trapped mother.繼承爺爺的通靈能力的小說家安平一直無法看見母親的靈魂，在溺斃的少女和爺爺的幫助下，穿越地獄救出被困的母親。
- [The Spectacle | 煙火](https://www.eyecatcherhk.com/the-spectacle/) - Genre 類型Experimental 實驗 Length 預計片長25' Production Stage 製作進度In-Development 發展中 Total Budget 總預算US$ 72,564 Goal 參與目標Script Refining, Technical Support, Funds, Co-producer, Production Team完善劇本、技術支援、籌集資金、聯合監製、製作團隊 Logline 故事摘要In a parallel timeline where spectacle is the literal accumulation of capital, a society revolutionises space travel by sending billionaires into space.在一個絕對拜金的平行時空裡，每年盛大的煙花匯演以最革命性的方式將億萬富豪送上太空，慶賀他們作為資本主義社會的優勝者。 Synopsis 故事大綱In an alternate timeline's year 2053, partners Sean and
- [Homecoming and Going | 逆留](https://www.eyecatcherhk.com/homecoming-and-going/) - Genre 類型Drama 劇情 Length 預計片長17' Production Stage 製作進度In-Development 發展中 Total Budget 總預算US$ 50,850 Goal 參與目標Funds, Production Team, Distribution Partner, Festival Screening 籌集資金、製作團隊、發行夥伴、電影節放映 Logline 故事摘要A woman welcomes an old friend and her fiancé from Hong Kong into her London flat, introducing them to her neighbourhood as she bids farewell to the place she has grown to call
- [Confession | 告白](https://www.eyecatcherhk.com/confession/) - Genre 類型Docu-Drama 紀錄劇情 Length 預計片長60'-90' Production Stage 製作進度Work-In-Progress 製作中 Total Budget 總預算US$ 86,631 Goal 參與目標Script Refining, Funds, Co-producer, Production Team 完善劇本、籌集資金、聯合監製、製作團隊 Logline 故事摘要Inspired by #MeToo, a director attempts to tell both sides of a story: the female victim's side/truth and the male instigator's perspective.一個導演深受身邊的#MeToo事件啟發。他試寫著「被害女生」版本的故事，也寫下「害人男人」版的故事。 Synopsis 故事大綱As freedom of speech is suppressed, a documentary director takes an
- [Save My Soul | 我是貓](https://www.eyecatcherhk.com/save-my-soul/) - Genre 類型Drama 劇情 Length 預計片長14' Production Stage 製作進度Work-In-Progress 製作中 Total Budget 總預算US$ 11,500 Goal 參與目標Festival Screening, Develop into a Feature電影節放映、發展成長片 Logline 故事摘要A mute wanderer, homeless and alone, meets a blind man smitten with cats. The man, who feeds every stray in the valley, extends an invitation to the former, offering a potential home.無家可歸的啞巴在荒野流浪，遇上一個愛貓成癡的盲人。盲人樂此不疲餵飼村落裡每一隻流浪貓，啞巴從中看到被收養回家的契機…… Synopsis 故事大綱Weary
- [Look Me in the Eyes | 你不願看見的我](https://www.eyecatcherhk.com/look-me-in-the-eyes/) - Genre 類型Documentary 紀實 Length 預計片長30' Production Stage 製作進度Work-In-Progress 製作中 Total Budget 總預算US$ 54,487 Goal 參與目標Script Refining, Funds, Co-producer 完善劇本、籌集資金、聯合監製 Logline 故事摘要Opposite-attract misfits, a timid queer filmmaker (24) and an outspoken gender professor (61) become inseparable friends on a journey to make a film that challenges mainstream norms. But as they start working together, everything begins to
- [觀塵 | As the Dust Settles](https://www.eyecatcherhk.com/觀塵-as-the-dust-settles/) - 類型 Genre 實驗劇情 Experimental Drama 預計片長 Length 20 mins 製作進度 Production Stage 發展階段 Development 故事摘要 Logline 這是⼀個發⽣在香港街頭的故事，⽕光塵埃交織著。由初⽘遺失的菲林底片尋找到關於⼀場⽕災的記憶，自⼰的墓碑與身份的謎團疑雲，街頭藝術的⽕光……直到好幾個自我遇見真實的自⼰。 A photographer's missing analog film leads her to the memories of a fire, a graveyard, and more questions about her identities… 故事大綱 Synopsis 初⽘是⼀個有點社恐的年輕攝影師。她時常夢到自⼰丟失照片，⽽現實里她丟失的是底片，日⼦久了她也漸漸習以為常。她每天出門前都會存⼀張寶麗來自拍，等放滿盒⼦，就是她去給哥哥世⽘掃墓的時候。 初⽘在嘗試去畫廊尋找機會的，但⼀路碰壁。在畫廊的集中區，街頭藝⼈溯與她相識。後來，她看到了神秘藝術家XX的作品。初⽘越瞭解他，就越像是真實的和存在於奇怪的在共鳴和通感中。初⽘似乎和他談了⼀場戀愛。直到她有⼀天看到XX的新作品，其中⼀張很像她遺失的底片，⽽另⼀張是拍溯在跳⽕舞的。她知道溯晚上會在海邊跳⽕舞，不顧自⼰的懼怕，希望能找到答案。在混亂中，她又經歷了⼀次⽕光中的混亂，也在似曾相識的場景中找到了答案。由⽕開始的困境與謎團，也因為⽕⽽逐漸消散。 All the hours Chu-yao shies away from socialising, she hides in her darkroom.
- [Body Movement x Visual Workshop: Body Talk
形體 x 影像工作坊：身體說話](https://www.eyecatcherhk.com/body-movement-visual-workshop-body-talk/) - Body Movement x Visual Workshop Body Talk: A Journey to Speak to One’s Body through Movements Date: 5th August, 2022 Venue: Jao Tsung-I Academy Exhibition Halls @Camp 2022 Mentor: Elysa WENDI (Curator / Director, Jumping Frames – Hong Kong International Dance Video Festival) Each body part has a soul that speaks through various systems and
- [JumpingFrames2023 Commissioned Films - Announcement of Open Call Result
「跳格2023」 - 委約作品公開徵集結果公布](https://www.eyecatcherhk.com/jf2023-open-call-result/) - Congratulations to the two proposals selected by 'Jumping Frames 2023' commission film fund: “In Your Shoes” to be co-directed by Florence Lam and Chan Tze-woon, and “Floral Princess: An untold suicide of the last Ming emperor” to be directed by Kitty Yeung, in collaboration with Jason Kong as Cantonese Opera Creator. The two film productions
- [古老的敵意](https://www.eyecatcherhk.com/古老的敵意/) - Genre類型 Length預計片長 Production Stage製作進度 Drama劇情 120 mins Development發展階段 Logline故事摘要 哥哥文在妹妹盈懷孕後身體出現異常，盈亦在與表姐尋親的過程中發現家族的不尋常。與此同時，一個神秘內地女人出現在文的身邊⋯⋯ Synopsis故事大綱 盈和文是一對相依為命的兄妹，父母在他們很小的時候就去世。最近盈不斷作一個奇怪的夢，夢裡有一個大約清朝時期的孕婦被強制流產。懷孕數月的她與英國人丈夫Brad打算婚後一起搬回英國居住。盈正在寫一篇專題文章講述她的表妹Maggie回港尋找她失散多年的兄弟和父親的故事。在調查他們的家族史時，盈發現一些怪異的巧合。婆婆對此三緘其口，大舅父似是知道內情一樣，威脅婆婆給他一大筆錢債還賭債。與此同時，文在盈的婚禮上遇到了一位神秘而又有著致命魅力的內地女子希，她的出現讓他們一家每一個人都遇上怪事。更甚是當盈越接近臨盆，文的身子便是越漸虛弱，似乎他的身體與盈的肚中嬰兒有著一種相克的關係。 Director's Statement導演闡述 大半年前開始，九十多歲的嬤嬤不斷夢到自己父母。她訴說道自己年事已近，他們的出現是為了「帶」她離開。與此同時，不少親戚亦預告將離開香港。從小我與親戚們每星期見面相聚，大家關係親密，自然視他們每次的出現理所當然。所以得知這些事後，開始浮現一種逃避和無力的感覺。當理所當然有了一個期限，便不再理所當然；得知限期後始珍惜，也是當下唯一可為。 Director 導演 Benson NG 吳家偉 吳家偉畢業於香港中文大學哲學碩士。作品《兩種孤獨》和《Immer》入選第十三屆和第十五屆鮮浪潮國際短片節本地競賽。 Composer / Sound Design 作曲／聲音設計 Christopher LAI 黎鳴朗 黎鳴朗是作曲家、作詞人、製作人、編曲人、唱片師，也是Zepa Records的聯合創始人。
- [Drowning 水底故事](https://www.eyecatcherhk.com/水底故事-drowning/) - Genre類型 Length 預計片長 Production Stage製作進度 Drama劇情 20 mins Development發展階段 Logline故事摘要 天賦陰陽眼的安平為朋友寫一篇小說，卻在電車上遇見溺斃的余頤。兩人相遇、試探、世界彷彿只剩下他們，但最後還是要學會告別。 Synopsis故事大綱 安平的朋友啟明即將入獄，他不知道怎樣面對、道別，又想起自己的去留，他第一次虛構出一篇小說，與他過去見鬼經歷無關，寫下一個女生跳海自殺後又回到人間。乘電車回家時，安平卻見到溺斃的中學生余頤現身。余頤舉止動靜不像安平見過的鬼魂，余頤奇怪安平不斷指稱自己是鬼。他們聊到安平在哪裡見過怎樣的鬼，電車由灣仔經過金鐘、中環的地景。頤問起香港的變化，想回到港島的家，安平不自覺地與她聊天，安平發現以前在社運時見過頤，頤發現安平是自己喜歡的作者。頤相信安平有陰陽眼，卻無法接受自己已死，跑下電車。安平追上，透過一場擁抱和真心話大冒險，兩人交換心事，然而頤卻開始眼睏。頤叫安平再說些甚麼，卻漸漸消失。 Director's Statement導演闡述 關於消失，有很多面向呈現。消失與再現如輪流轉，人因何消失，我要怎樣面對他人的消失，消失之前，人又有沒有學會好好道別？生命中你偶遇過很多人，有人離開了這個城市，有人還在，卻無法輕易相見；有人昔年匆匆一個照面，再會已是陰陽相隔。這是一個鬼故事，那對一人一鬼的相遇並不怎麼恐怖，而是把它想像成在場與缺席偶遇，濃縮到一夜的電車旅途，我們會否更加明白道別的意義？對人來說，可能那是一場他書寫的故事闖入他生命的奇遇；對鬼來說，她或歸來相認，或還魂繾綣，終究是一場水底裡的故事。 Co-Director 聯合導演 Lancelot CHAN 陳子雲 專題記者。畢業於香港浸會大學人文及創作系，於各文藝雜誌發表創作。長期專注電影評論，散見台灣及香港媒體。金馬影展第五屆「亞洲電影觀察團」成員、第二十六屆香港ifva公開組評審（初選）。 Co-Director / Editor 聯合導演／剪接 Ian LUI 呂以彬 2017年畢業於香港浸會大學傳理學院，現為自由影視工作者。短片《Grand巴打》及《鄉‧港人》曾入選多個海外影展。影像項目《難以啟齒去借的》獲選Cre8 by AIA比賽表演創作優勝項目。 Cinematographer 攝影 Heyson TANG 鄧卓儒 畢業於浸大傳理學院，曾任港台助理編導，現為自由身影視工作者。曾執導傘運紀錄⽚《廣場志》及劇情片《捕》。執導台灣公視紀錄片《藝術很有事 - 榮光燦爛》，入選「2021年香港獨立電影節」。 Film Unit / Production Company 影像單位 / 製作公司 Lionrock Film Company 獅石映畫 獅石映畫（Lionrock Film Company）成立於2018年10月，以製作獨立電影作品，及提供商業影視製作服務為主要業務。
- [Breathe without water 一呼一吸](https://www.eyecatcherhk.com/一呼一吸-breathe-without-water/) - Genre類型 Length預計片長 Production Stage製作進度 Drama劇情 20 mins Development發展階段 Logline故事摘要 當泳池没有水、當情感變了樣、當性裡缺少愛，她如何能一個人完成那場雙人舞？ Synopsis故事大綱 Agnes和晴是香港韻律泳代表運動員，從小橫掃雙人項目獎項，誰知一場疫症，令世界停擺，亦令關係驟然改變。Agnes發現自己情感有異，無法擺脫對晴身體的渴望。為了逃避慾望，她甚至和追求者阿民發生性關係。生活愈混亂，狀態愈下滑，最後被剝奪正選資格。 看著晴和別人練習雙人舞，Agnes甚妒忌，性愛成為她的麻醉藥。但這藥效力微弱，更帶來另一煩惱——Agnes發現自己非旦不愛阿民，也不享受和他的性愛。 Agnes重新投入練習，希望找回對身體的自豪感，可是没有泳池和密友，根本無法跳到雙人舞。在無力跳下去時，晴如禮物般出現，二人爬進没有水的泳池，在滿是水影的池中，哼起她們的歌，翩翩起舞。 Director's Statement導演闡述 選擇韻律泳作故事背景，因為它是一項只有女生參與的運動，要求極高的合作性及技巧，既要保持優雅，又要像機械人般統一、利落及精準，不能帶半點個人色彩。因此希望透過韻律泳嚴格的要求，帶出角色心理矛盾。 Director 導演 TSE Hei Long 謝熹朗 畢業於香港演藝學院電影電視學院導演系主修，擅長以過往劍擊運動員經歷創作運動類型短片。於2015年第十屆鮮浪潮國際短片節執導首部劍擊短片《攻防》。在2019年以編導身份完成第二部運動短片《一步之間》。 Writer 編劇 CHO Wut Ming 曹活明 2010年畢業於香港浸會大學傳理學院主修電影電視。曾擔任監製、導演、執行導演等不同主創崗位，2020年以編劇身分，為香港電台編劇迷你劇《裕民》、劇集《慢慢來》；及正在籌備中的電影《好想你》。 Film Unit / Production Company 影像單位 / 製作公司 Moving Picture and Popular Culture Interest Group 流行影像研究社 流行影像研究社是一間以推廣影像藝術文化為己任的廣告公司。與一般廣告公司不同，我們過往有拍攝過舞踏短片宣傳舞踏文化，亦製作過一系列紀錄片，宣傳油尖旺區的多元文化。
- [Undercurrent 這煩囂城中](https://www.eyecatcherhk.com/這煩囂城中-undercurrent/) - Genre類型 Length預計片長 Production Stage製作進度 Documentary紀實 90 mins Production中期製作 Logline故事摘要 四位大學朋友畢業後各散東西，感到被拋棄的Tony，決定以拍攝之名，窺探他們的生活，開展長達五年的紀錄，直到彼此三十而立。 Synopsis故事大綱 Kingston、Ming仔、Ching與Tony相識於大學時期，曾是一起做影像創作的難兄難弟，更認定彼此會是一生的伙伴。 豈料畢業過後，親密的關係竟出現暗湧。Ching在台灣；Kingston在英國；Ming仔選擇留港，卻偏偏對拍攝失去熱誠，甚至不時失去聯絡。曾一同合伙的工作室人去樓空，四人各散東西。 面對著摯友的冷漠，Tony感到被拋棄和背叛，決定透過影像尋找答案，執意窺探他們的生活。這可能是他唯一去感受與他們依然同在的方法，但友人們的各種推塘，卻令Tony重新審視自身對朋友的錯愛。 跨度五年的紀錄，直到彼此三十而立，刻畫著四人友情的變遷、成長，亦在側寫城市變化的風景。 Director's Statement導演闡述 這是我和三位大學朋友當下狀態的故事。回想與Kingston、Ming仔、Ching共同創作的大學時間，我們從未把攝錄機面向我們自身，倒是挺後悔當初沒有好好紀錄大家當時的青澀和熱血。當大家愈走愈遠，才嘗試用影像紀錄來留住他們。 拍攝的起點緣於Kingston年初準備到英國進行工作假期。他對於與友人的離散顯得毫不在乎，十分冷淡，而我則處處流露著不捨之情，甚至對他拋下並肩作戰多年的兄弟 ，獨自離去而感到憤怒。我開始舉起攝錄機，希望可以藉此梳理彼此的關係，填補自己情感的缺失。 這個紀錄片記錄的不單止是他們三位，同時也是好好記錄自己。到底我真的如自己所想般如此重視友誼，或其實只是在放大自己的自私？ Director 導演 TSANG Chung Yin 曾頌然 畢業於香港城市大學創意媒體學院，其後創立了完成製作DONE! Production，活躍於獨立影片創作。 Producer 監製 CHAN Hau Chun 陳巧真 畢業於香港城市大學創意媒體學院，主修文學士(創意媒體)。現為獨立影像工作者，長居香港。現正製作關於香港板間房的長時間紀錄片《熱室》。 CHOI Sin Yi 蔡倩怡 於香港浸會大學視覺藝術學院獲碩士研究生，現為香港城市大學創意媒體學院博士研究生。在電影製作方面，曾任陳梓桓最新的紀錄片《憂鬱之島》(2022)的製作經理。 Film Unit / Production Company 影像單位 / 製作公司 DONE! Production 完成製作
- [Save My Soul 我是貓](https://www.eyecatcherhk.com/我是貓-save-my-soul/) - Genre類型 Length預計片長 Production Stage製作進度 Drama劇情 14 mins Post-production後期製作 Logline故事摘要 無家可歸的啞巴流落荒野，遇上一個愛貓成癡的盲人。盲人樂此不疲餵飼村落裡每一隻流浪貓，啞巴從中看到被收養回家的契機…… Synopsis故事大綱 年少的啞巴受夠了來自他人的歧視和冷落，試圖在一處山谷展開新生。置身荒野，他方發現原始的生活也並不好過，單是覓食一環已把他難到。對比溪流和香蕉樹，他從流浪貓身上受到更大的啓發。牠們竟可不愁吃喝，每天就等一位盲老人來餵飼。眼見盲人的恩寵惠及山谷每一隻貓，啞巴忽發奇想：假如我是貓……他果真得到盲人邀請，被引至他的屋舍熱情款待。從俯伏盲人腳邊，跳到床上，再被他寬大的手時而溫柔時而著緊地撫摸——在那逐漸升溫的空間，啞巴覺得他飾演一隻貓傳神與否已然不重要，甚至乎盲人其實會否看得見亦無用深究。此刻，他只知道他們彼此需要對方。對啞巴而言，那是畢生前所未有的美妙感覺。 Director's Statement導演闡述 故事概念源於兩個現象。首先，朋友飼養新貓，此貓極愛蹭人，整天把臀部翹得高高要他拍打。貓咪固然享受，主人也是樂此不疲。另外則是讀到有關古希臘少年愛的資料。所指的是獲當時社會承認甚至理想化的一種年長男性與少年的關係，前者傳授自己的知識與技能，而後者則回報肉體與愛情的承諾。 兩件事皆説明了一點：具有足夠的信任或好感的前提下，個體之間的親密行為自然不過。如此美麗卻短瞬，還可能備受道德批判的情形，以電影為它封存，讓更多人能夠在安全的距離下感受和欣賞不是很合適嗎？ Director 導演 LEUNG Kam Fai 梁錦輝 大學修讀經濟，電影才是志業。從跟隨張之亮導演實習開始，待過不同崗位。短片作品《到底荒唐》講述一對男女不依循常規地拍攝電影。新作《我是貓》則是一個啞巴抵受不住孤獨而「變形」的故事，接近後製尾聲。 Producer 監製 LAU Chi Fan 劉芝藩 畢業於城市大學創意媒體系，短片《餘煙》獲最佳劇情片獎項並於影展展出。先後從事電影美術工作及視覺特效統籌，現為廣告導演。另一直信奉獨立電影的精神，致力運用過往前中後期製作之經驗開拓自己的電影事業。 Sound Design 聲音設計 CHOI Chun Hei Jacky 蔡俊希 現就讀於城大創意媒體系。自少喜愛影像創作，作品《我殺了我》獲選第二十二屆ifva青年組入圍作品。導演班作品《風光明媚》以優異成績獲「天下一獎學金」。相信影像能使人平靜，感受生活。作品多以日常隨筆發展。 Film Unit / Production Company 影像單位 / 製作公司 Handover Film 回歸電影 不知要回歸怎樣的電影，也不以為電影可交托予誰。只是一個主張電影製作輕盈化的單位。所謂的輕盈化，是要讓電影創作變得更普遍，更不受約束。鬆散的結構勾連成員幾個，剛好都是能當導演的人。
- [A Different Place 別人的家](https://www.eyecatcherhk.com/別人的家-a-different-place/)
- [Anthea 菩薩低眉](https://www.eyecatcherhk.com/菩薩低眉-anthea/) - Genre類型 Length預計片長 Production Stage製作進度 Drama劇情 110 mins Development發展階段 Logline故事摘要 女導演把自身墮胎經歷拍成電影，卻被迫選用胎兒父親出演男主角，她在虛實交織的角色與情節之間，嘗試處理壓抑已久的心結。 Synopsis故事大綱 新晉導演王瑩把自身墮胎經歷拍成電影，投資者執意當紅藝人志牽飾演男主角，豈料他正是令王瑩懷孕的前度。王瑩自以為能分開公事與私情，卻逐漸無法拿捏角色與真人的虛實距離，更發現志牽早已卸下愧疚，一直無法跟自己和解的她深感不忿。王瑩與偉豪在舊同學的葬禮重逢，他流浪時參與緬甸內戰經歷朋友戰死，因此能理解王瑩。王瑩本想藉創作釋放自己，卻不斷受各種製作考量壓制，故事逐漸被重塑變質，偉豪認為假使電影無法安撫創傷，不如在現實生活作出行動。某天拍攝志牽在車內自焚的戲份時，全部車門無故鎖死，外圍的火即將蔓延至車內，王瑩沒有喊停，看著志牽由演戲變為真實的恐懼⋯⋯ Director's Statement導演闡述 墮胎為現今社會文化底下難以敍述的創傷，有些情侶在過程內出現理解失效，衍生失落與孤寂，加上處理失當，雙方逐漸建立「受害者」與「施害者」的身位，引發比較和怨懟，甚正不屑可以走出創傷的一方。這部作品以「創傷敍述」為主題，探討人與創傷的相處及對話語的操縱。身位不同，經歷、感受、記憶也有所不同，敍述間或會出現自覺與不自覺的誤導，跟「事實」有偏差，而這些偏差正是想像力與慾望的表現，亦是置身創傷時代的人需要關注。我以戲中戲引領觀眾遊走於主角主觀的「真實」與客觀世界的「真實」之間，窺探人的慾望如何影響創傷的形塑及對自己與他人的理解，探討將創傷轉化成生存力量的可能。 Director 導演 Steve LI 李昊 香港獨立電影導演、編劇。編導短片《失城》（2021）入圍第51屆鹿特丹電影節及其他國際影展。首部長片計劃《夏潮》入選第4屆HAF Film Lab。《菩薩低眉》是其第二部長片計劃。 Film Unit / Production Company 影像單位 / 製作公司 Junes 青春映畫 青春映畫於2017年成立，承接各類型影片攝製，目標客戶主要為非牟利機構、文藝及教育界組職，過往合作機構包括香港賽馬會、新生精神康復會、香港中文大學等。本公司在商業工作以外，亦積極參與獨立短片比賽。
- [The Dust and Light 與光同塵](https://www.eyecatcherhk.com/與光同塵-the-dust-and-light/) - Genre類型 Length預計片長 Production Stage製作進度 Experimental Drama實驗劇情 20 mins Pre-production前期製作 Logline故事摘要 慢慢失去視覺的攝影師，與另一個自己相遇，開始用聲音和其他覺知去感受世界，在復明之後，尋找一個不會回來的靈魂碎片。 Synopsis故事大綱 漸漸失去視覺的攝影，感受到光被黑暗吞沒，陷入了仿徨時，她遇到了一道光。在他的牽引下在大自然得到療癒。在聲音中，他看到了光。 漸漸失去視覺的攝影師逸天，意外遇到了做街頭藝術的當代巫師，在他的引導下，慢慢走進了一個靈性的世界，最終在大自然中得到療癒，用聲音和心眼去感受這個世界。 然而在逸天復明之前，這個巫師就消失了。逸天開始了一個特別的展覽計畫，等待這個曾經照亮他的人出現。 Director's Statement導演闡述 這個影片源自於我短暫一個月因為眼疾而漸漸失明的體驗，作為一個依賴視覺生存的藝術家，我在這個過程裡學習到了如何與無常的日常相處，如何與一個陌生的自己相處。 Director 導演 Oneness ZENG 曾婉遒 香港理工大學語言學碩士，倫敦藝術大學藝術文化研究碩士，身心靈藝術療癒師。曾任美國薩凡納藝術大學講師。導演的藝術短片Flâneur，和美術指導電影短片《天下烏鴉》獲得多項國際電影節和藝術獎。 Producer 監製 唐藝 唐藝，NYU MFA，執導的短片《天下烏鴉》、《黑山羊》、《玉蘭66》獲得多項國際大獎。 Film Unit / Production Company 影像單位 / 製作公司 OF ART 萬象無常，一卷始終。
- [YOLO 公屋・白卡s・攻防戰](https://www.eyecatcherhk.com/公屋・白卡s・攻防戰-yolo/) - Genre類型 Length預計片長 Production Stage製作進度 Drama劇情 15 mins Development發展階段 Logline故事摘要 廢青柏康為上公屋而假扮精神病患者，如願之際發現對面屋是真白卡，更無故地遭對方針對企圖讓他失去公屋，二人為守衛公屋而開戰。 Synopsis故事大綱 30餘歲又A0的柏康，在人生低谷之際決定假扮精神病患者以獲得白卡，得到津貼又獲分配公屋。 當他如願搬入公屋時，發現對面屋鄰居有點奇怪，更甚是他不停對栢康搞小動作。栢康就此向不同機構部門尋求協助，但始終也得不到有用的協助及支援。面對癡線鄰居滋擾，栢康終忍無可忍上連登開post，徵求廣大網民妙計與癡線佬對抗，並從中認識了網友：經常裝作大男人的炎燚燚及兼職驅鬼師司徒正子。 和癡線佬對抗的期間。栢康在惡鄰身上受到了啟發，更發現了他的秘密... 最後栢康成立了公屋拯救隊，專為飽受惡鄰居騷擾又求助無援的公屋住户提供服務及舉辦白卡培訓班，教他們如何騙政府津貼及特快上公屋，很快柏康賺到第一桶金，搬離公屋。 Director's Statement導演闡述 在很多人眼中「成功」的定義似乎都和一些目標掛鉤，例如考取到好成績，又或者要有一技之長且有所成就，又或者是擁有某些性格特質等，彷彿達成了這些目標就等於成功。 但有沒有想過世上有一種人是天生就是所謂的「廢」？任何方面都表現平庸，從來沒有甚麼宏大目標與理想。硬要他們「努力」追上這些標準也實在太強人所難。 「甘於平凡」並不可恥，「無所事事」也可以是一種生活態度。還能生存於這裏已經不容易，何必活在框架之下，急於為自己的人生下定義。活得快樂，對我而言才是真正的成功。 Director 導演 WAN Chor Ling 尹楚寧 浸大電影學院應屆畢業生，曾於在學時期任全職電台節目助理，負責編寫廣播劇及節目製作。
- [11 Things About Her 關於晴的11件事](https://www.eyecatcherhk.com/關於晴的11件事-11-things-about-her/) - Genre類型 Length 預計片長 Production Stage製作進度 Drama劇情 15 mins Development發展階段 Logline故事摘要 詩晴有著體貼包容的父母、相處投契的同學。每天上課、參與劇社、照顧竉物⋯⋯表面平靜如常，內心卻早已陷入崩塌的邊緣。 Synopsis故事大綱 「必需花費很大力氣，才可以看起來好好的。」 詩晴有著體貼包容的父母，即使她成績平平，父母從不施予壓力；詩晴有著相處投契的同學，一起上堂、做功課、參與劇社⋯⋯家庭健康，校園融洽，詩晴表面平靜如常，內心卻已陷入崩塌的邊緣。 或許詩晴在眾人的心目中，就如詩晴所悉心照料的竉物龜一樣，總是看不清楚她的情緒、她的感受⋯⋯ Director's Statement導演闡述 在香港，學童自殺事件不斷。自殺的原因可以很複雜，世人一般將現象簡單化，或是學業壓力太大，或是家庭關係破裂，或是校園欺凌。其實，在溫暖的家庭生活，讀書成績不錯，在學校也結交到朋友的人，也有可能自殺。 我不打算在故事中深入探討詩晴為什麼會自殺。有時候，自殺發生得毫無預兆，旁人絲毫看不出。身邊人會想：為什麼昨天看起來好好的，今天卻自殺了。我想帶出的，是「看起來還好好的」其實需要耗費很大的力氣。 我希望以這個離散年代作切入點，透過詩晴平淡的日常，展現出抑鬱症患者的狀態。或許沒有重大事件，或許還看見他們向街上的人投以微笑，可是每個當下消化不了的情緒反應積累堆疊起來，他們內心已破碎崩塌。 Director 導演 YEUNG King Lun 楊景麟 畢業於香港中文大學新聞與傳播學院，現為影像工作者，專注於導演、剪接及調光。2021年，楊首次執導短片《明月光》，贏得第27屆ifva獨立短片比賽（公開組）金獎。 Producer 監製 HO Yuk Fai 何旭輝 香港演藝學院畢業，主修電影攝影。《但願人長久》為他首部電影攝影作品。其他攝影作品曾獲ifva及鮮浪潮獎項，並入圍金馬最佳劇情短片。他亦曾任香港電台《無惡之罪》執行監製。其導演作《光》獲鮮浪潮最佳導演。 Writer 編劇 YEUNG Leung Chuen 楊兩全 畢業於香港中文大學新聞與傳播學院。編導短片《白沙堆》獲鮮浪潮最佳導演。編劇短片《瀏陽河》及《野小子》兩奪鮮浪潮大獎；《菲與林明》獲選映於盧卡諾影展。編劇長片《過時．過節》入圍釜山國際電影節。 Film Unit / Production Company 影像單位 / 製作公司 MEH MONO CO. MEH MONO CO.於2018年成立。公司致力於製作各類獨立及商業影片，涵蓋劇情短片、紀錄片、廣告、MV等。我們相信真摯的情感是銀幕上最動人的元素，並希望能透過精緻的影像將其傳遞給觀眾。
- [UNI](https://www.eyecatcherhk.com/uni/) - Genre類型 Length預計片長 Production Stage製作進度 Experimental Drama實驗劇情 15 mins Production中期製作 Logline故事摘要 由雙性人降生被迫接受天予性別始，女性成長中被社會不斷形塑達崩潰臨界點，到身障者死亡要告別人身而盡。呈現人一生與萬物一體。 Synopsis故事大綱 UNI由三個人物：雙性人、女性和身障者，同時於胚胎為起點誔生，各自經歷慾念生滅、走出生命困囿，獲得靈的昇華，重歸胚胎輪迴始終。究其一生，人如何在命定的桎梏中成為自我？ 由雙性人（Briar）始：誔生為男性直至青春期才生出女性性徵，不合符常理的少數，透過戲劇、舞蹈及中泰混血兒身份，從被欺凌壓迫排斥侮辱的少年，一步步匍匐前進浴火重生。 由女性（Thisby）續：成長必然要受教倒模成社會產物，女性則於各個成長階段，都被賦予更多凝視及期待，先要做人然後能美，所以被欲才能生子。既為女，何必順。 到身障者（楊小芳）終：人必有一死，因小芳身體缺陷，其一直被視為不完整的人。但死亡時眾生平等，與身體告別了人還完整嗎？靈魂算是人嗎？ Director's Statement導演闡述 雙性人、女性、殘疾，是主流標籤下的小眾。 香港主流的平權宣傳總主張：我們沒有不同，請接受我們。彷彿小眾總是慘被壓迫，於是放低身段請求別歧視。落入俗套的語境：因為女性強勢，所以女權。/ 因為雙性徵，所以跨性別。/ 因為殘疾，所以要人殘志堅的勵志人設。 所謂小眾一樣是出生、成長、死亡，既因身體獨特性或社會定型塑造出獨特生命經歷，何必與尋常經歷比擬，要大眾接受便接受本就不同凡響的面貌。 我先是一個人，再是女性，再是香港人，再是亞洲人，再是酷兒⋯⋯每個人都有多元交織的身份，於生命中亦都會經歷過小眾時刻。 UNI其實是一種作為人的吶喊。甚麼是生命？甚麼是人？甚麼是小眾？ 我們可否自己代表自己，由自己定義本來就不一樣的自己？ Director 導演 Thisby CHENG 鄭文越 Thisby是一位香港酷兒女性電影人和表演藝術者。她的導演作品UNI專注於個人表達，其中涉及身體、性別、神話和精神分析。她期望作品有情感深度和渴望，以誠實地反映小眾和LGBTQIA社群。 Art Consultant Dominique PERREGAUX 他是一位瑞士畫廊主和南港島藝術區的主席，他的畫廊Art Statements 在香港和東京設有空間，代表國際知名藝術家，如 AES+F、Erwin Olaf、Yoshitaka Amano等。 Film Consultant Sophia SHEK 石晶瑩 （他/她）是一名蘇格蘭-香港監製，製作探索酷兒和僑民身份的獨立電影和紀錄片。作品包括鍾德勝長片《看見你便想念你》(2018) 和丁怡瑱作品《月是故鄉明》(2019) 均在多個電影節上放映 。 Film Unit / Production
- [Public Seminar: Self-producing: A Breakthrough for Independent Productions
公開講座：自主映畫：獨立製作的突圍之路](https://www.eyecatcherhk.com/public-seminar-self-producing/) - Public Seminar: Self-producing: A Breakthrough for Independent Productions 公開講座：自主映畫：獨立製作的突圍之路 Date: 5th August, 2021 日期：2021年8月5日 Venue: Organize, Kwun Tong 地點：觀塘 Organize Guests: Adam WONG Sau Ping (Director of The Way We Dance) CHEUK Cheung (Director of Bamboo Theatre) WONG Siu Pong (Director of 3cm) Moderator: Catherine CHAN (Independent Producer, Audience Designer) 嘉賓： 黃修平（《狂舞派》導演）
- [Bodybuilding: The Centauride](https://www.eyecatcherhk.com/bodybuilding-the-centauride/) - Genre類型 Length 預計片長 Production Stage製作進度 Experimental實驗 10 mins Post-production後期製作 Logline故事摘要 一位亞洲女性健美運動員挑戰自己身體的極限，參加一場超現實的健美比賽。她與一匹馬比賽，變成了一個無法預料的生命體。 Synopsis故事大綱 一名女性通過健美運動重新定義自己的身體，每天都在追求更好的形態。在健身房裡，她練出了更大的肌肉，勇敢地對抗社會對健碩女士的偏見，實現了自己的黃金比例。在一場於賽馬場舉行的超現實健美比賽中，她與一匹馬比賽——馬在中國文化中象徵卓越、男子氣概和自由。他們擺出最好的姿勢，展示起伏的肌肉。女子在展現輪廓分明的體格時，帶出堅毅精神、欣喜和挑戰極限的感覺。她駁斥了貶抑女性的思想——但能朝著甚麼方向前進？在評委的注視下，女子意識到自己不想再為別人表演了，她建造了屬於自己的身體。擺了一連串的姿勢後，她變成了一個神聖的人馬，進入一個男性氣質和女性氣質混合的領域，自由翱翔。在那裏，個人至高無上的境界會被彰顯。 Director's Statement導演闡述 對上一次全力以赴——傾盡血液、汗水和淚水——去追求至高無上的存在狀態和生命的最尖端是什麼時候？我們被女性突破自己身體極限以打造她認為的完美和卓越的堅毅迷住了，因此製作一部實驗性短片，表達三個不同層面的想法。美麗的多樣性：女健美運動員在建立自己的黃金比例時定義了自己的美麗，勇敢地與社會對女性束縛和期望作對抗。女性和男性氣質的混合性：我們可以走出標有「可接受的女性氣質」的框框多遠？我們以形而上將一位女健美運動員與一匹馬並列在一起，解構二元性別這概念。建立力量成為至高無上的存在狀態：健美運動員不顧一切、不懈地追逐不可能。我們將她的最高狀態彰顯為人馬，因為它代表爭取自由的戰士。她透過顛覆找到自由和解放。 Co-Director／Producer 聯合導演 / 監製 Kitty YEUNG 楊適榕 楊適榕既是導演，亦是一位剪接師及攝影指導。她擅長結合實驗性兼具風格的影像與聲音，以獨特的方式說故事。其作品曾於多個平台展出及榮獲獎項，例如香港聖丹斯電影節、亞洲藝術文獻庫、大館當代美術館等等。 Co-Director 聯合導演 Rose NG 吳欣堂 Rose是澳大利亞/香港影片導演和DOP。她的作品主要關注年輕人的文化和身份探索。她曾在Vice、Netflix、聖丹斯電影節、香港同志電影節、台灣國際酷兒電影節等等多個品牌/平台合作和展出。 Film Unit / Production Company 影像單位 / 製作公司 135YCS 135YCS是一個本地藝術共同體，由楊適榕和吳欣堂創辦，旨在透過各種影片製作、行為藝術、展覽及工作坊，點燃本地創意。
- [Sharing: Animation Production
大講堂：動畫創作分享](https://www.eyecatcherhk.com/sharing-on-animation-production/) - 講座：動畫創作分享 日期：2021年9月17日 指導陣容：張小踏（動畫師）、Hayden Mok（動畫師） @創作營 2021 「香港也有動畫師？」 張小踏憶起曾在訪問遇到這個問題，坦承動畫師未被「看見」，甚至直言香港尚未形成動畫工業。儘管如此，本地動畫師也正以獨立或freelance的形式，走出各自的動畫之路。 張小踏與Hayden Mok各自主要從2D、CG動畫方面，分享多個作品的創作思路及技術要點。張小踏著重探討創作和動畫角色時的思路，強調前期設計的重要，亦分享曾為林二汶的《再聚》製作動畫MV的幕後故事。 「我相信在這世界上你是獨一無二的，所以用你的方法去講（故事），就會變得很特別。就算那個議題已經講了一千次，也沒問題的。對我來說，議題一定不是最重要的。如果強行講一些可以拿獎的議題，但如果議題本身沒有觸動到我，我是不會去講的，因為沒意思。」面對學員談及想創作的題材已被重複說過很多次的擔憂，她這樣回應。她堅持的信念是：創作要面對自己，記錄當下。 而Hayden則曾以抒發本土情懷的動畫短片作品《獅語》打入國際影展，近年主力做動畫廣告，不論心態和技術都有所轉變。他從廣告拍攝技巧談到香港客戶心理，並以實例展示，高質廣告作品如何贏得客戶信任，並逐漸提升客戶審美。
- [Screening & Sharing: Lan Yu, Sharing with Director Stanley Kwan
放映暨分享會：《藍宇》放映及導演關錦鵬映後分享](https://www.eyecatcherhk.com/《藍宇》放映及導演關錦鵬映後分享/) - 放映暨分享會：《藍宇》放映及導演關錦鵬映後分享 日期：2021年9月18日 地點：高先電影院 主持：郭啟華 指導陣容：關錦鵬（導演） @創作營2021 藍宇 | 2001 | 普通話 | 86分鐘 本來純粹肉體交易，商場兼情場老手捍東，遇上青澀大學生藍宇，一晌貪歡， 過後始知遇上最愛。十年間分分合合，終究是念念不忘。改編北京網絡小說， 編劇魏紹恩去蕪存菁，張叔平大刀闊斧剪接，關錦鵬發揮圓熟技藝，拍出超越性別的深情，含蓄細緻，令人輾轉低迴。也側寫了京城變遷，六四一夜是感情確認，貪腐之風蠶蝕人心，新時代大興土木已留不住美好時光。連綿的工地圍板，配上一曲《你怎麼捨得我難過》，道盡無邊思念，教人黯然神傷。 圍繞《藍宇》及多部個人作品，關錦鵬分享了電影攝製幕後的種種思考，並回憶上世紀八、九十年代在大陸及香港拍電影往事。時至今日，中港兩地電影景觀都已發生翻天覆地的變化：中港合拍片黃金時代不再，香港大投資難覓，加之審查趨嚴，難以忽視。 「我自己不是那種，片頭設計要管，剪接給了好的東西你看時（反而）說，『我拍的時候不是這樣想的』，不是這種導演。」談及對「導演」這個角色的理解，關錦鵬覺得一個導演可以有很大的本事，這個本事在於如何與信任的、好的主創團隊合作，令一部電影變得更加好。他也勉勵年青的影像創作人，不用扭過頭去看過去，很多事情即使看完，又不順眼，又不明白。在創作時與其緬懷過去的風景，更應關注當下、今日身處的城市、社區、空間、建築，感受當中變化，以及正在與自己發生關係的事。
- [Screening & Sharing: All The Crows In The World, Palme D'or – Short Film Winner
放映暨分享會：康城影展短片金棕櫚獎《天下烏鴉》](https://www.eyecatcherhk.com/放映暨分享會：康城影展短片金棕櫚獎《天下烏鴉/) - 放映暨分享會：康城影展短片金棕櫚獎《天下烏鴉》 日期：2021年9月18日 指導陣容：唐藝（導演） @創作營 2021 天下烏鴉 | 2021 | 普通話、壯語 | 15分鐘 天下烏鴉未必一樣黑，臭味相投也不一定代表合拍。高中生趙勝男某日被表姐邀請參加神秘聚會，聚會上除了她的表姐，全都是渾身銅臭、惡俗不堪的中年男人，言行舉止財大氣粗光怪陸離。聚會上唯一與眾不同的，是溫文內斂的眼鏡男王建國。夜幕下的都市聲色犬馬，二人決定離開沉悶的飯局，踏上一段意想不到的旅程，見證色慾橫流的喧鬧，看穿人「性」真貌。 唐藝透過鮮浪潮拍出藍本基於自身經歷的劇情短片《天下烏鴉》，斬獲74屆康城影展最佳短片金棕櫚獎，亦入圍第58屆金馬獎最佳劇情短片。 近年愈來愈多女導演正在國際影壇嶄露頭角，女性題材影片湧現，唐藝認為，現今對於女導演是個好時代，因女性或來自LGBT等少數群體的導演，能帶來有別於「直男」導演的全新視角：「如果沒有這些新的聲音，電影是會死的。」 唐藝亦分享了自己在紐約大學電影學院讀書時的感悟，尤其是在沒有錢的狀況下，創作人應該怎樣繼續拍電影。她提出了一種逆向思考：新導演其實還是應該多拍低成本的影片。其實成本越低，創作人是越自由的。很多新導演一進到工業裡可能會發現自己沒有決定權，沒有選擇演員的權利；沒有選擇攝影師的權利；甚至到了片場，製片人還會對表演指手畫腳。她認為這些都是不健康的。 新導演需要掌握控制權，完全自由地表達自己；然後再進一步深入工業，做成本高一點的電影。 她逐分享了一些低成本的製作例子：「我的老師Spike Lee當年拍《Do the Right Thing》的時候，是這裡500美金，那裡10000美金籌出來的電影。 我的學姐趙婷，第一部戲《哥哥教我唱的歌（Songs My Brother Taught Me）》的成本是10萬美金，第二部戲《再生騎士（The Rider）》的成本是8萬美金。這些都讓我相信，其實拍電影不是一定都需要很多錢。」 那麼如何以低成本拍出高質素影片？唐藝的心得是：首先需要好劇本，其次是好團隊，找到志同道合的同伴合作，一起成長。
- [VR Workshop: A Mind Apart, VR+360 Video Exploration
VR工作坊：虛擬實境影像作品
《轉念之間》創作分享、VR+360影片初探工作坊](https://www.eyecatcherhk.com/vr工作坊：虛擬實境影像作品《轉念之間》創作分享/) - VR工作坊：虛擬實境影像作品《轉念之間》創作分享、VR+360影片初探工作坊 日期：2021年9月19日 指導陣容：陳家蔚（藝術文化項目製作人及創作人）、打邊爐創作室（媒體藝術工作室） @創作營 2021 三小時工作坊，由三位主創人親身分享他們構作《轉念之間》的點滴。從概念到執行，創作團隊如何懷着實驗精神，拆解一個又一個難題，內容、場景、拍攝、編程⋯⋯ 每一步都是一次突破。 團隊亦帶領學員體驗VR環境下的沉浸式劇場。當劇場演員距離你很近很近，甚至就在你的眼前梳洗，只要伸手就彷彿可以摸到演員的手，這種感覺似乎已沒有屏幕內外的分別。除了體驗，團隊同時聚焦 360影片的製作技巧，讓學員試試以超越平面的思維，去創作影像。
- [Sharing: The Road to Self-production for Independent Filmmakers
大講堂：獨立電影人自主發展之路](https://www.eyecatcherhk.com/the-road-to-self-production-for-independent-filmmakers/) - 講座：獨立電影人自主發展之路 日期：2021年9月19日 @創作營 2021 指導陣容：廖婉虹（資深監製）、黃肇邦（紀錄片導演） 獨立電影創作人如何能找到投資？從親朋好友或社交網絡眾籌，拿著劇本去影視公司敲門，還是尋找電影節展的創投平台？想參加國際影展，又是否遙不可及呢？ 資深監製廖婉虹和紀錄片導演黃肇邦阿邦，兩位行走於國際影展多年，無論在香港創作人如何參展，影像創作與賺錢之間的關係，還是影展對新導演的幫助等方面，都有寶貴的經驗。 資深監製廖婉虹揭開每種方式的門路，提點其中差異和關鍵要素。譬如在選擇影展前，可以先從上網找國際影展開始，看看它們有多久的歷史，以前有什麼作品。就算是新的影展也沒關係，看看策展的、參展的團隊有什麼人，google他們。如果作品風格近似，或者覺得他們的作品都很有趣，就大概可以知道影展的方向。 「當沒什麼錢的時候，我首先會在搜尋清單裏找可以免費提交作品的影展。有的影展雖然不是很大，但他們希望培養新導演，和導演一起成長。」她鼓勵創作者，不要害怕找投資失敗，重要的是要有好劇本，並展示自身潛力。 紀錄片導演黃肇邦逐分享了自己近年一邊創作，一邊參加世界各地提案大會的經驗心得。他去過許多影展，也並不是次次都如願以償。他坦言每次去那些大會都先當自己會輸，真的會被其他項目比下去。不要期望太高，反而是盡量在過程中多學一點東西，因為重要的是在計劃你的創作下一年怎樣走，或再之後怎樣走，是一件長遠的事。即使未被選中，也絕對不代表投放的時間浪費了。 阿邦亦強調創作人應更多地與人交流，一方面緩解自己閉門創作的孤獨，另一方面也有可能幫助提升自己的作品。「建議大家上Vimeo看，（創作人）真的很用心打造自己的品牌，製作水平很高……吸收視野要找對地方，不要局限於主流（平台），人云亦云。」透過創投平台提案，勢必經歷極為嚴格的審視或一次次挫敗，但阿邦認為，這個過程將成為沉澱作品的機會。 「我認識到有影展的策展人經常轉會，是轉地域，（譬如）歐洲去亞洲。策展人的品味和性格很影響整個電影節當年的主題。」這是阿邦近年參展的經驗總結。面對不同地域的投資人，到底應該如何準備？阿邦仔細分析，「（面對華人投資者）你的演述要很精彩，（讓他們）短時間內吸收、理解你作品的潛力。非華人的話，比如日本、歐洲，很多人要坐下來，聊清楚你講的故事，要很了解你的核心是什麼，才說其他外部的事。因為那些（外部的事）不重要，可能是錢、手法可以解決的。美國是很美式的 story-telling，資訊性要很高，因為全世界很多地方的（影片都在那裏）流通，所以故事裡有關文化的資訊要很充足，才能說服他。」
- [Body Movement x Visual Workshop
形體 x 影像工作坊](https://www.eyecatcherhk.com/形體-x-影像工作坊-body-movement-x-visual-workshop/) - Body Movement x Visual Workshop Date: 18th September, 2021 @Camp 2021 Mentors: Elysa Wendi (Film Festival Curator, Founder of Cinemovement and Experimental Films Director), LEE Wai Shing (Documentary and Experimental Films Director), CHAN Hau Chun (Documentary Director) The Body Movement x Visual Workshop was divided into 2 parts. Participants watched and discussed body movement related experimental videos
- [Sharing: The Borderless Storytelling within Boundaries
大講堂：有形限制的無限故事創造](https://www.eyecatcherhk.com/sharing-the-borderless-storytelling-within-boundaries/) - Talks on Creative Journeys Date: 6th August, 2022 Venue: Jao Tsung-I Academy Resource Centre @Camp 2022 Mentor: Step C (Animator), Mo (Founder of the Video Production House "Yamenyamo") Well-experienced animation producers Step Cheung (StepC) and Chan Wai Mo (Mo) met each other during the last epidemic. Their dialog across time was divided into three sections,
- [Sharing: The Creation and Adaptation of a Screenplay
大講堂：劇本創作與改編](https://www.eyecatcherhk.com/sharing-the-creation-and-adaptation-of-a-screenplay-大講堂：劇本創作與改編/) - Talks on Creative Journeys Date: 7th August, 2022 Venue: Jao Tsung-I Academy Resource Centre @Camp 2022 Mentor: Jun Li (Post-90s film director and screenwriter) Director and screenwriter Jun Li shared his experience and methods of storytelling and scriptwriting from his Fresh Wave short films such as Liu Yang He (2017) and My World (2018) to
- [Sharing: Storytelling in Korean Drama
大講堂：看韓劇講好一個故事](https://www.eyecatcherhk.com/sharing-storytelling-in-korean-drama/) - Talks on Creative Journeys Date: 7th August, 2022 Venue: Jao Tsung-I Academy Resource Centre @Camp 2022 Mentor: Natalia Chan (poet and cultural critic) Speaker Natalie Chan spoke on viral Korean dramas of various genres in recent years. She started from screenwriter Jung Sook’s viewpoint and explained how Korean dramas tell their stories. Rom-coms, legal dramas, or
- [Sharing: Self-Producing—On Literature Adaptation and Low-Budget Production
大講堂：自主映畫—文學改編與低成本製作](https://www.eyecatcherhk.com/sharing-self-producingon-literature-adaptation-and-low-budget/) - Talks on Creative Journeys Date: 7th August, 2022 Venue: Jao Tsung-I Academy Resource Centre @Camp 2022 Mentor: Fruit Chan (Director) Moderator: Rex Ren (Director) “From the director’s perspective, adaptation means changing what the original author has into one’s own or playing it to the fullest.” In the last sharing of the 2nd year's Eye Catcher
- [Sound Design & Film Scoring Workshop: The Sound of Movie
音效及配樂工作坊：電影之聲](https://www.eyecatcherhk.com/sound-design-film-scoring-workshop-the-sound-of-movie/) - Sound Design & Film Scoring Workshop: The Sound of Movie Date: 6th August, 2022 Venue: Jao Tsung-I Academy Resource Centre @Camp 2022 Mentor: May Mok (Sound Designer), Hanz (Film Composer, Independent Musician) In this afternoon, May Mok and Hanz led us to explore the sounds of films. Before the eight groups of campers’ consultations on
- [Creativity Videos Showcase
創作營展映：營內創作](https://www.eyecatcherhk.com/creativity-videos-showcase/) - The creativity camp invited guests and speakers to inspire participants’ imagination, stimulate their creative energy and expand their community connections. Fifty creators from drama, documentary, experimental, animation and other creative disciplines interacted with 17 mentors to complete 10 short films within the camp. 創作營邀請嘉賓、講者帶領學員激蕩創意想像、激發創作能量，拓展社群連結。來自劇情、紀實、實驗、動畫等創作類別的50位創作人，與17位指導嘉賓交流與碰撞，最終完成10條營內創意短片。 2022 Group A - H 2021 "Music" Group 音樂組 A1 -
- [HUANG Ting 黃婷](https://www.eyecatcherhk.com/huang-ting/)
- [FUNG Leo 劉志鋒](https://www.eyecatcherhk.com/kenneth-hui/)
- [Words from the Chairperson
主席的話](https://www.eyecatcherhk.com/words-from-the-chairperson/) - The world is getting more incredulous by the day, both at home and afar. As Samuel wrote in our program preface, we are living in a period of prolonged pain, and this pain has inspired a lot of the creativity we will see today. I personally find a lot of my solace in the arts,
- [Words from the Director General
總監的話](https://www.eyecatcherhk.com/words-from-the-director-general-總監的話/) - Pain is the origin of evolution and creation. 1 Eye Catcher Incubation, the sibling project of Ear Up Incubation, is a new initiative that endeavours to groom independent producers for entering the creative industry after the Renaissance Foundation’s dedication as the local cultural and creative industry incubator for the past five years. The concept of
- [Words from the Vice Chairperson
副主席的話](https://www.eyecatcherhk.com/words-from-the-vice-chairperson/) - This city is always full of creativity and imagination. I am not just talking about the COVID-19 strategies proposed by the government. I could never imagine that we are now talking about making movies while all the cinemas are closed. Nor could I imagine that I cannot have my hair cut before this forum because
- [ 爸爸的信 | Dear Daughter](https://www.eyecatcherhk.com/爸爸的信-dear-daughter/) - 類型 Genre 紀實 Documentary 預計片長 Length 120 mins 製作進度 Production Stage 後期製作 Post-production 故事摘要 Logline 世文是滯留香港的最後一代越南船民。第三十三次入獄時，他決定寫信給遠在瑞典，失散多年的女兒。 Tran The Manh is the last generation of Vietnamese refugee stranded in Hong Kong. He started writing letters to his daughter in Sweden when he was in prison for the 33rd time. 故事大綱 Synopsis 從越南坐船逃難快四十年了，世文多年來滯留在香港的貧民窟，被緊緊綁在毒品、犯罪和露宿街頭的惡性循環裡面。在街頭生活，世文面對的不僅是貧窮，還有無日無之的械鬥、火災與拆遷。他不斷重新建造他的家園，抗衡着毒品的誘惑、爭取著最後一點自由與尊嚴。就在他第三十三次進監獄之時，遠在瑞典的女兒剛好十八歲。他緊抓著重見女兒的希望，即使她從未曾認識這個爸爸。一封封爸爸寫給女兒的獄中信，由紀錄片導演幫忙編輯，記載着世文的口述歷史，也串成了電影的敘事線，揭開一個因戰亂而致三代家庭離散的故事。 More than forty years
- [ 梁啓CHILL | YOUNG & CHILL](https://www.eyecatcherhk.com/梁啓chill-young-chill/) - 類型 Genre 實驗 Experimental 預計片長 Length 8-10分鐘一段，共6段，大概48-60分鐘 Six music micro-movies, 8-10 mins each, 48-60 mins in total 製作進度 Production Stage 發展階段 Development 故事摘要 Logline 未來，少年駭客超與同伴以Rap號召一場改革大數據系統的「維新革命」。 In the future, young hacker Chao and his companions will use Rap to call for a "reformation revolution" to reform the big data system. 故事大綱 Synopsis 2043年新香港，第一次元宇宙戰爭爆發後，主角MC超，「飲冰室」頭號「駭客」，MC超與「康師傅」及一眾「飲冰室」幫成員黨羽（七君子），為著改變世界的夢想，決定召集城內其他派別「駭客」。MC超與激進派的Mr.大炮（孫）進行一場Rap Battle。 MC超成功在大會中力壓群雄，召集各方人馬，發動入侵中央數據系統，尋找系統原始碼「光緒」，「維新」改革系統。 MC超等遭到大數據程式「慈禧」的報復，「光緒」被永久待機，維新派被追捕，超同伴死傷落難，六君子就義，於網上公開直播處決。
- [ 《下午茶之狂想曲》動畫劇集 | Tea Time Rhapsody anime series](https://www.eyecatcherhk.com/《下午茶之狂想曲》動畫劇集-tea-time-rhapsody-anime-series/) - 類型 Genre 動畫 Animation 預計片長 Length 第一季12集，每集11分鐘 Season 1, 12 episodes, 11 mins each 製作進度 Production Stage 前期製作 Pre-production 故事摘要 Logline 環繞香港中環商業區老牌茶餐廳內食客和伙記間的生活百態，以幽默手法講述都市人的日常，並介紹多款茶記美食製作方法。 Humorous stories of diners and staff’s daily life in the old-fashioned Cha Chaan Teng in Central, the business district of Hong Kong, with the introduction of local dishes. 故事大綱 Synopsis 故事以香港中環商業區一老牌茶餐廳內，環繞食客和伙記間的生活日常。 一間有經歷的茶餐廳、一個個熟悉的陌生人，形成一種有趣的氛圍。 幾位主角包括身兼OL同美食KOL的M小姐；混血型男、謎之紳士Benny；嚴重中二病患者外賣仔；茶記第二代掌門人、霸氣十足的銀姐；經常於茶記打躉的嘆茶兄弟、和可愛趣怪的鎮店之寶、茶記貓豬包仔。
- [ 䙚䙚 | Al Niente](https://www.eyecatcherhk.com/䙚䙚-al-niente/) - 類型 Genre 劇情 Drama 預計片長 Length 15 mins 製作進度 Production Stage 發展階段 Development 故事摘要 Logline 在鋼琴手靈（Ollie）開始幫助她嚴格的姐姐敏（Amanda）照顧患腦退化症的爸爸後，她們必須面對因不同價值觀所引發的衝突。 After Ollie, a struggling pianist, takes over her type-A elder sister Amanda's job to look after their father with dementia, the sisters must confront their values on family and responsibilities. 故事大綱 Synopsis 靈是一個崇尚自由的鋼琴表演者，她因新冠疫情無法在英國找到工作必須回到香港，與嚴格的姐姐敏一起住，並照顧患有腦退化症的父親。 爸爸不認得靈並將她誤認為是他的舊情人蘇菲，靈認為很黑色幽默，但敏卻覺得反感。這揭示了二人相反的性格和一些難以啟齒的家庭歷史。 靈意外發現音樂有助舒緩爸爸的病情。然而這引發了兩姐妹的爭執：到底與世界的聯繫、還是身體健康對爸爸更重要？ 兩位性格南轅北轍的姊妹，面對因衝突而暴露出內心深處枷鎖，她們能否向生命中如此親密、卻又愛又恨的人坦誠自己的心聲？父親記憶與個性一點一滴的流失，她們又如何面對？ Ollie, a free-spirited
- [ 36行詩 | Sonnet 36](https://www.eyecatcherhk.com/36行詩-sonnet-36/) - 類型 Genre 劇情 Drama 預計片長 Length 90 mins 製作進度 Production Stage 發展階段 Development 故事摘要 Logline 故事講述主角Ophelia和女友重遊英倫時，憶起當年一段傷痛的舊情和那個奮不顧身去愛的自 己，因而重拾愛人的勇氣。 While Ophelia revisiting England with her girlfriend Yu, memories of falling in love recklessly with her ex Bowie pops up. By facing her past and throwing-back to a fearless romantic relationship, she revives the courage to love again.
- [ 大家一起玩，才好玩 | The More, The Merrier](https://www.eyecatcherhk.com/大家一起玩，才好玩-the-more-the-merrier/) - 類型 Genre 紀實 Documentary 預計片長 Length 90 mins 製作進度 Production Stage 中期製作 Production 故事摘要 Logline 在新界做了十多年農夫的幾位「社運青年」，為人父母後選擇「在家教育」代替傳統學習，於大自然中開辦了另類親子中心 – Kids Club，和孩子一同流動、共學。 As the patriotic education looms, a group of parents, with the background of being activists and farming, fight back in their own way and start an alternative home-schooling centre: "Kids Club". 故事大綱 Synopsis 幾位當年的「社運青年」，在香港新界做了十多年的農夫。為人父母後，他們選擇「在家教育」，甚至開辦了一所另類親子中心 – Kids
- [海的那一邊 | Habitat](https://www.eyecatcherhk.com/海的那一邊-bitat/) - 類型 Genre 紀實 Documentary 預計片長 Length 88 mins 製作進度 Production Stage 後期製作 Post-production 故事摘要 Logline 當簽證成為情感的壁壘，年過古稀時間緊迫，追尋愛及棲身之地的空巢老人 – 舅公（盛正明）和王奶奶，搖擺旅途的終點將止於何方？ When the visa remains the barrier, there is not much time left for the seventy-year-old empty nester. On the way of looking for habitat and love, where would the destination be? 故事大綱 Synopsis 「音樂，鋼琴，對孩子遙遠的愛，對與摯友重聚的期盼，足以構成一個動人的故事。」 盛正明和王奶奶都是早已退休的老上海，相識於老年大學，因為興趣脾氣相投，成為了好朋友，他們多次辦理簽證被拒的經歷，令他們有著一種革命情愫，惺惺相惜。 王奶奶的獨子移民加拿大多年，她心心念念去加國看看兒子的生活環境；盛正明近些年一直在辦理去日本的簽證，希望去看望年輕時候的摯友今野先生。今野由於年事已高，病情不斷惡化，他們見面的機會越來越渺茫。兩人屢次失敗的簽證經歷成了心中的大石，時間一分一秒過去，餘下的時間不多，看似平靜的生活湧動著強烈的不安。然而他們仍做好每一餐飯，伴好每一次奏，唱好每一首歌，積極在為將來做好準備...... "The
- [acting class](https://www.eyecatcherhk.com/acting-class/) - 類型 Genre 紀實＋劇情 Documentary + Drama 預計片長 Length 90 mins 製作進度 Production Stage 發展階段 Development 故事摘要 Logline 時局使然，男導演放下鏡頭，報讀acting class，尋覓take2人生。一群努力面對自我的學員，全情投入acting，自以為終於得救，冷不防遇上Me2風波...... A desperate male director seeks a new life by enrolling in an acting class where students seem eager and hopeful, only to meet the MeToo movement… 故事大綱 Synopsis 國安法下，紀錄片成敏感詞，三⼗⽽立的男導演為求出路，⼀心轉行拍劇情片。男導演想仿效濱⼝龍介創作⽅式，經友人推介，參加了acting class，學習指導演員的技巧......男導演意外地喚醒了「演戲魂」 – 他一方面要直⾯自⼰真實的慾望，同時間又要處理這種情感的釋放，為現實生活帶來的衝擊...... Acting class的學員，男女老少都有：賣保險、售貨員、表演者…… 每個人也帶著對acting的熱誠，在class上尋找自己想要的。男導演上癮似的上課，遇上了另一個老是常出現、彷彿很有故事的女同學。他倆均被對方的acting打動，在class前class後，一起分析劇本、練對手戲…… Documentaries
- [菲與火 | Fire Room](https://www.eyecatcherhk.com/菲與火-fire-room/) - 類型 Genre 實驗劇情 Experimental Drama 預計片長 Length 80 mins 製作進度 Production Stage 發展階段 Development 故事摘要 Logline 「我倆是一支蠟燭兩頭燒，直到你消失了，我才發現你有一面是我從不認識，我的世界也隨之熄滅。」這是一個關於失去的故事，透過徘徊夢境與現實尋回缺失的一塊。 "Each of us is like the end of a double-sided candle. When you burn out, I realize there is a side of you that I never know." This is a story about lost and found through wandering between
- [宅地假期 | Staycation](https://www.eyecatcherhk.com/宅地假期-staycation/) - 類型 Genre 劇情 Drama 預計片長 Length 15 mins 製作進度 Production Stage 發展階段 Development 故事摘要 Logline 使用偽紀錄片形式探討時下流行的「Staycation」，如何無聲無息地影響一對年輕戀人的性生活 ，如何使性變得更甜美，又或相反地變得更苦辣。 A mockumentary that explores how the staycation trend has impacted a young couple's sex life, for better or for worse. 故事大綱 Synopsis Yanny和Keith是一對30出頭的年輕戀人。為了慶祝相戀三周年，他們也跟著潮流，在一家著名的五星級酒店訂了情侶住宿套餐，希望重燃感情的慾火。相戀三年，Yanny總是覺得Keith 一直無法滿足她身心對性的那種歇斯底里的慾望和渇求。然而，Yanny並不知道Keith正徵募了酒店職員幫手，準備今晚向她求婚。 幕後的同時間，為了挽救酒店，剛晉升的酒店總經理Mandy So正示範著酒店在疫情中如何修葺一新。為了迎合這波客戶的需求趨勢，氣球裝飾預算較去年增加了三倍，情侶套房均免費提供香檳及避孕套，推銷部每周還要提交新的「staycation」主題方案。Mandy 將整個職業生涯都奉獻給了這家酒店，表面上對一切不置可否，但內心裏對「豪華愛情酒店」的新聲譽感到極為不滿。更甚的是，她還要培訓一位剛從酒店管理學院畢業，卻不停向她打眼色的下屬Anson。 Yanny and Keith are a young couple in their early
- [沒有拍出來的事 | Behind the Lens](https://www.eyecatcherhk.com/沒有拍出來的事-behind-the-lens/) - 類型 Genre 劇情 Drama 預計片長 Length 90 mins 製作進度 Production Stage 發展階段 Development 故事摘要 Logline 阿冬為畢業，把同性戀室友阿辜拍成紀錄片。辜漸生情愫，但冬不能接受。中年後，冬決定出發尋找辜，面對廿年前的情感。 Dong made a documentary about his gay flatmate Gu to graduate from film school. Gu developed feelings for Dong as shooting brought them closer. 故事大綱 Synopsis 二十年前，阿冬在大學裡為了完成畢業習作，為同志畫家室友阿辜拍攝紀錄片。攝影機拉近二人，但走近後，阿冬又不能接受阿辜揭露的情感，把他對自己情愫拒諸門外。儘管紀錄片一鳴驚人，獲得影展大獎，二人最後卻不歡而散。阿冬帶著借助阿辜成名的內疚繼續自己的事業。 二十年後，事業成功但迷失的阿冬決定找尋阿辜下落，拍攝紀錄片的下集。二人重逢，喝了一晚酒後，阿辜驟然離世，剩下阿冬獨自面對一路沒有把話說出口的遺憾和罪疚。他獨自完成紀錄片，透過拍攝的過程，他嘗試學習什麼是情感，及如何接受和表達情感。 「攝影機是不祥的。它將帶來魔咒，帶走你的靈魂，因為拍紀錄片從別人的生命中拿走一些東西來成就自己。」 － 改編自真人真事 At university, Dong is making a documentary on
- [我們不得不如此 | The Only Way Out](https://www.eyecatcherhk.com/我們不得不如此-the-only-way-out/) - 類型 Genre 劇情 Drama 預計片長 Length 120 mins 製作進度 Production Stage 發展階段 Development 故事摘要 Logline 昱朗弒父潛逃， 把身邊人都捲入漩渦，眾人命運互相牽連。到底漩渦的核心，是黑暗的深淵，抑或曙光的出口？ Yuk-Long's absconding after killing his father drags people around him into a whirlpool that intertwines their fate. Is the core of this turmoil an abyss of darkness or a silver lining? 故事大綱 Synopsis 中學生昱朗弒父潛逃，隱匿山上。至亮是唯一得悉他下落的人，每星期背著物資上山，接濟好友。 生活困惑頹廢的至亮，遇上聰明叛逆的大學生念霖：原來大家都一樣，迷失於虛無的時代。二人相遇，彷彿能明白自己的，就是彼此。 班主任余老師，面對學生弒父潛逃，卻更沉溺於剛分手的女友即將移民的感傷中。這份沉重的感傷，終讓他意識到，自己一直迷失。 基督徒玉眉，面對兒子殺死丈夫，求問上帝：為什麼？愈依仗信仰療傷，愈是質疑信仰本質。陷入迷失的玉眉，只望不知所蹤的兒子，能回到自己身邊。 五個迷失的人，各有各的困惑。「昱朗弒父潛逃」彷彿成了一個漩渦，將每人的命運都牽連一起，捲進更深之處。到底漩渦的核心，是黑暗的深淵，抑或曙光的出口？
- [TANG Heyson 鄧卓儒](https://www.eyecatcherhk.com/tang-heyson-鄧卓儒/)
- [TSUI On Kei 崔安琪](https://www.eyecatcherhk.com/tsui-on-kei/) - Angel TSUI is passionate in moving images, animation and creation. Graduated from the School of Communication at the Hong Kong Baptist University, majoring in Digital Graphic Communication, she joined Menfond Electronic Arts & Computer Design Co. Ltd, one of the leading companies of Hong Kong's creative industry as an animator and became the department head
- [TSUI Ka Hei 崔嘉曦](https://www.eyecatcherhk.com/tsui-ka-hei/) - Haze TSUI is a cross-media artist, animation director and writer, founder of Milktealogy, also co-directed with Kongkee and LEE Kwok-wai two animation shorts Departure and Assassination, which received a DigiCon6 Asia Gold Mention in 2017. He works as the Producer of Dragon’s Delusion, the up-coming Hong Kong animation feature movie and has participated in different film festivals. 跨媒體藝術家，《奶茶通俗學》主創之⼀，跟江記和李國威共同執導《離騷幻覺：汨羅篇》和《離騷幻覺：刺秦篇》兩條動畫短⽚，於⽇本DigiCon6 Asia⼤賞2017獲得Gold Mention⼤獎。曦同時是《離騷幻覺》動畫⻑⽚的監製之⼀，曾參與多個國際電影節。
- [TSUI Ka Long 崔嘉朗](https://www.eyecatcherhk.com/tsui-ka-long/) - 崔嘉朗 TSUI Ka Long
- [NG Siu Lun 吳兆麟](https://www.eyecatcherhk.com/ng-siu-lun/) - NG Siu-lun Nero is an emerging local director, scriptwriter and multimedia creative talent. From neo-wuxia epics to surreal sci-fi fiction and tokusatsu films, his works have taken the city by storm. Participated in several films as director/writer, his works include Hong Kong Will be Destroyed after 33 Years, Blade of Enforcer, Hong Kong West Side Stories etc. 香港80後新銳導演、電影編劇、多媒體創作人。作品題材大膽突破，由新派武俠到超現實科幻特攝，天馬行空，不斷創新。導演/編劇作品包括：《關公大戰外星人》、《香港將於33年毀滅》、網絡電影《捕快-血之刃》、劇集《向西聞記》等。
- [LEUNG Jane 梁子瞳](https://www.eyecatcherhk.com/leung-jane/) - Jane LEUNG graduated from the School of Creative Media at City University of Hong Kong, majoring in Cinematic Arts. She has participated in several films, TV programmes and short films as script-writer, including the film Fagara, adaptation of drama No News Is Good News, which was selected into The Golden Horse Film Project Promotion. She is currently a full time
- [FENG Yuchao 馮宇超](https://www.eyecatcherhk.com/feng-yuchao/)
- [CHO Wood-Ming Woody 曹活明](https://www.eyecatcherhk.com/woody-cho-wood-ming/)
- [CHAN Wai Woon Vivian 陳瑋瑗](https://www.eyecatcherhk.com/wai-woon-vivian-chan/) - 陳瑋瑗 Wai Woon Vivian CHAN
- [CHOI Trevor 蔡康凝](https://www.eyecatcherhk.com/trevor-choi/) - 蔡康凝 Trevor Hong-Ying CHOI
- [CHOW Thomas 周雋曦](https://www.eyecatcherhk.com/thomas-chow/)
- [TSANG Terry 曾景輝](https://www.eyecatcherhk.com/terry-tsang/)
- [NG Rose 吳欣堂](https://www.eyecatcherhk.com/rose-ng/)
- [FOWLER Richard George 方禮志](https://www.eyecatcherhk.com/richard-george-fowler/) - 方禮志 Richard George FOWLER
- [WONG Rebecca 黃碧琪](https://www.eyecatcherhk.com/rebecca-wong/)
- [KUNG Pius 龔建銘](https://www.eyecatcherhk.com/pius-kung/) - 龔建銘 Pius KUNG
- [FAN Nicola 范嘉恩](https://www.eyecatcherhk.com/nicola-fan/) - 范嘉恩 Nicola FAN
- [LAU Natalie 劉倩彤](https://www.eyecatcherhk.com/natalie-lau/)
- [TONG Pui Shan Kayla 唐佩珊](https://www.eyecatcherhk.com/kayla-tong-pui-shan/) - 唐佩珊 Kayla TONG Pui Shan
- [LAU Kammy 劉燕珺](https://www.eyecatcherhk.com/kammy-lau/)
- [YIU Janice 姚凱靈](https://www.eyecatcherhk.com/janice-yiu/)
- [MOK Green 莫育權](https://www.eyecatcherhk.com/green-mok/) - 莫育權 MOK Yuk Kue
- [LAM Eric 林耀洪](https://www.eyecatcherhk.com/eric-lam/)
- [WONG Crystal 黃靖凝](https://www.eyecatcherhk.com/wong-ching-ying/) - 黃靖凝 WONG Ching Ying
- [CHUNG Hiu Fung 鍾曉烽](https://www.eyecatcherhk.com/chung-hiu-fung/) - CHUNG Hiu Fung obtained his MPhil in Communication from the School of Journalism and Communication at the Chinese University of Hong Kong. He worked as a part-time assistant director for documentary production at the Radio Television Hong Kong. With a keen interest in urban development, histories of the subaltern culture and social inequalities, he seeks
- [CHOI Chun Hei Jacky 蔡俊希](https://www.eyecatcherhk.com/choi-chun-hei-jacky/)
- [CHENG Jo 鄭藹如](https://www.eyecatcherhk.com/cheng-oi-yue/) - Jo CHENG is a documentary filmmaker from Hong Kong. From 2013 to 2016, she directed three short films about the lives of homeless Vietnamese refugees. Via Dolorosa (2014) received Special Mention in the Chinese Documentary Festival, and showcased in the Clermont-Ferrand Short Film Market. 310 Tung Chau Street (2016) was awarded Best Selection of Films by the New Taipei
- [YANG Joyce 喬奕思](https://www.eyecatcherhk.com/yang-joyce-喬奕思/)
- [WONG Shuk Han Mary 黃淑嫻](https://www.eyecatcherhk.com/wong-shuk-han-mary-黃淑嫻/)
- [TSANG Winne 曾麗芬](https://www.eyecatcherhk.com/tsang-winne-曾麗芬/)
- [TSANG Siu Wang, Eric 曾肇弘](https://www.eyecatcherhk.com/tsang-siu-wang-eric-曾肇弘/)
- [TSANG Hing Weng Eric 曾慶宏](https://www.eyecatcherhk.com/tsang-hing-weng-eric-曾慶宏/)
- [REN Rex 任俠](https://www.eyecatcherhk.com/rex-ren-任俠/)
- [POON Matthew 潘卓賢](https://www.eyecatcherhk.com/poon-matthew-潘卓賢/)
- [CHEUNG Step 張小踏](https://www.eyecatcherhk.com/step-cheung/) - 張小踏出生於香港，畢業於加拿大大學，修讀視覺藝術、動畫和攝影；亦在香港、法國和紐約進修多媒體動畫藝術和插畫課程。小踏喜歡天馬行空的作品，喜歡胡思亂想放任思想，深刻沁人的厚度力量，喜歡討論人與人之間的關係，喜歡不同媒介的創作，作品包括動畫、廣告、平面設計、電影、舞台劇製作。 曾製作兩套動畫短片，並參加逾50個國際影展。新作《極夜》，獲「第八屆動畫支援計劃」小型動畫企業（進階製作）組金獎，並邀請小克作詞、方皓玟演唱片尾曲《漫漫碎》。
- [LAU Rick 劉子健](https://www.eyecatcherhk.com/rick-lau/) - 「喜歡看電影」從小就會這樣說。 直至大學時誤打誤撞地進入了創意媒體修讀電影藝術，看多了不同時代、不同地方、不同風貌的電影，原來不只是喜歡看電影，而是「喜歡電影」，喜歡它的故事、角色、光影、情感。及後投身電影創作，有幸可以將所想和所懂的都放於作品裡頭。希望可以一直拍下去。 部分過往作品：《手捲煙》、《同囚》、《十年 - 冬蟬》。
- [LI Jill 李哲昕](https://www.eyecatcherhk.com/jill-li/) - 香港紀錄片導演，長期關注社會變⾰中個體的處境及抉擇。 其執導的⾸部紀錄長⽚《迷航》，歷經八年拍攝製作，奪得第57屆金⾺獎「最佳紀錄片」、2021年TIDF台灣國際紀錄片節亞洲視野競賽優等獎、2020年文藝復興紀錄片獎；並入選2020年IDFA荷蘭國際紀錄⽚節、2019年VIFF溫哥華國際電影節、HKAFF香港亞洲電影節等。
- [MOK Hayden 莫震熙](https://www.eyecatcherhk.com/hayden-mok/) - Spicy Banana Creations創辦人，2011年畢業於香港城市大學創意媒體學院，主修動畫，同年入行，主要從事動畫設計，曾參與不同類型之廣告、電影、展覽、藝術等製作。此外，Hayden 製作過兩套動畫短片，當中《獅語》更有幸入選了四大影展之一的廣島國際動畫影展。而新作《天下大平》， 貫徹《獅語》的本土情懷，從另一角度去記下成長地。
- [CHANG Gipsy 張玉梅](https://www.eyecatcherhk.com/gipsy-chang/) - 張玉梅 Gipsy CHANG
- [CHEUK Cheung 卓翔](https://www.eyecatcherhk.com/cheuk-cheung/)
- [CHAN Tsz Woon 陳梓桓](https://www.eyecatcherhk.com/chan-tsz-woon/)
- [PAU Ellen 鮑藹倫](https://www.eyecatcherhk.com/pau-ellen-鮑藹倫/)
- [LIU Jacqueline 廖婉虹](https://www.eyecatcherhk.com/liu-jacqueline-廖婉虹/)
- [KWONG Teresa 鄺珮詩](https://www.eyecatcherhk.com/teresa-kwong-鄺珮詩/)
- [KWOK Kai-wah Wallace 郭啟華](https://www.eyecatcherhk.com/kwok-kai-wah-wallace-郭啟華/)
- [CHAN Mo 陳偉武](https://www.eyecatcherhk.com/chan-mo-陳偉武/)
- [CHAN David 安娜](https://www.eyecatcherhk.com/david-chan-安娜/)
- [WONG Siu Pong 黃肇邦](https://www.eyecatcherhk.com/wong-siu-pong/) - 獨立紀錄片導演。過往作品包括《子非魚》、《伴生》、《3cm》。作品曾榮獲FIRST青年電影展「最佳紀錄片獎」、香港亞洲電影節「亞洲新導演獎」提名，入選華盛頓華語電影節、台北電影節、南方影展、臺灣國際人權影展、新加坡華語電影節等多個影展，兩度獲得香港電影評論學會大獎「年度推薦電影」。
- [TANG Yi 唐藝](https://www.eyecatcherhk.com/tang-yi/) - 在成為電影⼯作者前，唐藝是⼀個在香港學會計的⼤學⽣兼環球旗下的唱作⼈。她的⾸張 EP 專輯「Seriously」曾榮登香港 iTunes 排⾏榜第⼀名。在被紐約⼤學電影學院錄取後，她前往紐約從事電影⼯作，致⼒於以女性視⾓傳遞無⼈知曉的聲⾳和故事。她的⾸部短⽚《尋找⿊⼭⽺》榮獲2021年奧斯卡短⽚單元評選資格，被美國奧斯汀電影節評選為2020年最受關注的25位編劇之⼀。最新作品《天下烏鴉》榮獲康城影展短片金棕櫚獎。
- [MA Chi Hang 馬智恆](https://www.eyecatcherhk.com/ma-chi-hang/) - 馬智恆 MA Chi Hang
- [Meetup with International Juries
國際嘉賓面談會](https://www.eyecatcherhk.com/國際嘉賓面談會meetup-with-international-juries/) - Meetup with International Juries Date: 6th March 2022 Jury Members: Jeremy CHUA, Shelly KRAICER, Winnie TSANG, Wonder WONG, Jia ZHAO @Pitching Forum The Meetup invited the international judges of the "Eye Catcher International Pitching Forum 2022" to conduct a two-hour online sharing with the Eye Catcher Award winners, and each group received more than half
- [Pitching Workshop - Pitching Techniques for International and Local Financing Platform and Case Studies
提案工作坊 - 國際及本地影展提案技巧及案例分析](https://www.eyecatcherhk.com/提案工作坊-國際及本地影展提案技巧及案例分析pitching/) - Pitching Workshop - Pitching Techniques for International and Local Financing Platform and Case Studies Date: 4th December, 2021 Advisor: Catherine CHAN (Independent Producer, Audience Designer) During the 3-hour workshop hosted by independent documentary film producer and audience designer, Catherine CHAN, she shared an overview of audience design, budgeting and financing strategies, and pitching techniques. It
- [Pitching Workshop – Mock Pitch
提案工作坊 - 模擬提案日](https://www.eyecatcherhk.com/提案工作坊-模擬提案日/) - 提案工作坊 - 模擬提案日 日期：2021年12月11-12日 指導陣容：潘卓賢（HKIFF Industry 電影業辦公室項目經理）、陳芷琪（獨立製片人、觀衆策略師 紙上談兵不如落場親身體驗。工作坊為入圍廠牌計劃專業組之12個影像項目，安排為期兩日的模擬提案日，邀請業界嘉賓為學員的表現提供專業意見及建議。每個影像項目，有半小時的時間進行提案練習、並收集意見。 Pitching Workshop - Mock Pitch Date: 11th-12th December, 2021 Advisors: Mathew POON (HKIFF Industry Project Manager), Catherine CHAN (Independent Producer, Audience Designer) We believe in hands-on experiences rather than sheer idle theorising. For the 12 film projects in the programme, a two-day workshop of mock pitch was
- [Pitching Workshop - On Funding and Film Festival Run for New Directors
提案工作坊 - 融資、參展角度談新導演起步之路](https://www.eyecatcherhk.com/on-funding-and-film-festival-run-for-new-directors/) - Pitching Workshop - On Funding and Film Festival Run for New Directors Date: 12th December, 2021 Advisors: Mathew POON (HKIFF Industry Project Manager), Peter YAM (Academy Awards Documentary Film Jury Member and Independent Film Producer) The Hong Kong Asia Film Financing Forum (HAF) has become the premier film financing platform in Asia. The workshop invited
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- [TSE Hei Long 謝熹朗](https://www.eyecatcherhk.com/tse-hei-long/)
- [CHENG Man Yuet 鄭文越](https://www.eyecatcherhk.com/cheng-man-yuet/)
- [ZHOU Yang 周楊](https://www.eyecatcherhk.com/zhou-yang/)
- [XIANG Haiyin 向海殷](https://www.eyecatcherhk.com/xiang-haiyin/)
- [WOO Yat Hei 胡日禧](https://www.eyecatcherhk.com/woo-yat-hei/)
- [WONG Ngo Kwan 黃傲坤](https://www.eyecatcherhk.com/wong-ngo-kwan/)
- [WONG Man Chak 王文澤](https://www.eyecatcherhk.com/wong-man-chak/)
- [WONG Chi Lam 黃智琳](https://www.eyecatcherhk.com/wong-chi-lam/)
- [WANG Yicheng 王藝澄](https://www.eyecatcherhk.com/wang-yicheng/)
- [WAI Sze Hon 衛思瀚](https://www.eyecatcherhk.com/wai-sze-hon/)
- [TSANG Yu Ting 曾裕婷](https://www.eyecatcherhk.com/tsang-yu-ting/)
- [TANG Yee Lam 鄧懿琳](https://www.eyecatcherhk.com/tang-yee-lam/)
- [TANG Kin Yin 鄧鍵延](https://www.eyecatcherhk.com/tang-kin-yin/)
- [TAM Arnold 譚鉦樺](https://www.eyecatcherhk.com/tam-arnold/)
- [SIU Tin Ue 蕭天煦](https://www.eyecatcherhk.com/siu-tin-ue/)
- [NGAO Oi Hin 敖愛牽](https://www.eyecatcherhk.com/ngao-oi-hin/)
- [MO Kin Yat 巫健一](https://www.eyecatcherhk.com/mo-kin-yat/)
- [MAO Wei 毛維](https://www.eyecatcherhk.com/mao-wei/)
- [MA Ho Yin 馬浩賢](https://www.eyecatcherhk.com/ma-ho-yin/)
- [LONG Wenxin 龍汶欣](https://www.eyecatcherhk.com/long-wenxin/)
- [LI Xiao 李曉](https://www.eyecatcherhk.com/li-xiao/)
- [LI Ho 李昊](https://www.eyecatcherhk.com/li-ho/)
- [LEUNG Sung Nok 梁崇諾](https://www.eyecatcherhk.com/leung-sung-nok/)
- [LEUNG Ka Wai 梁嘉慧](https://www.eyecatcherhk.com/leung-ka-wai/)
- [LEE Ka Wai 李家韡](https://www.eyecatcherhk.com/lee-ka-wai/)
- [LAU Ho Chun 劉昊津](https://www.eyecatcherhk.com/lau-ho-chun/)
- [LAM Cho Yi 林祖兒](https://www.eyecatcherhk.com/lam-cho-yi/)
- [LAM Sze Man 林詩敏](https://www.eyecatcherhk.com/lam-sze-man/)
- [LAI Yan Yi 黎欣怡](https://www.eyecatcherhk.com/lai-yan-yi/)
- [LAI Chun Fai 黎俊輝](https://www.eyecatcherhk.com/lai-chun-fai/)
- [KWOK Chin Wing 郭展穎](https://www.eyecatcherhk.com/kwok-chin-wing/)
- [HUNG Kwan Yiu 洪鈞瑤](https://www.eyecatcherhk.com/hung-kwan-yiu/)
- [FUNG Leo 劉志鋒](https://www.eyecatcherhk.com/fung-leo/)
- [CHUNG Hiu Tung 鍾曉彤](https://www.eyecatcherhk.com/chung-hiu-tung/)
- [CHUI Wing Chung 徐穎聰](https://www.eyecatcherhk.com/chui-wing-chung/)
- [CHENG Tsz Lok 鄭子樂](https://www.eyecatcherhk.com/cheng-tsz-lok/)
- [CHAN Wai Lok 陳偉洛](https://www.eyecatcherhk.com/chan-wai-lok/)
- [CHAN Tsz Kwan 陳芷君](https://www.eyecatcherhk.com/chan-tsz-kwan/)
- [CHAN Sze Yuen 陳思遠](https://www.eyecatcherhk.com/chan-sze-yuen/) - 陳思遠 CHAN Sze Yuen
- [CHAN Wing Ha 陳穎霞](https://www.eyecatcherhk.com/chan-wing-ha/) - 陳穎霞 CHAN Wing Ha
- [CHAU Man Kit 周文傑](https://www.eyecatcherhk.com/chau-man-kit/) - 周文傑 CHAU Man Kit
- [FUNG An Yi Tiffany 馮安怡](https://www.eyecatcherhk.com/fung-an-yi-tiffany/) - 馮安怡 FUNG An Yi Tiffany
- [FUNG Tsz San 馮梓新](https://www.eyecatcherhk.com/fung-tsz-san/) - 馮梓新 FUNG Tsz San
- [IEONG Kin Pong 楊建邦](https://www.eyecatcherhk.com/ieong-kin-pong/) - 楊建邦 IEONG Kin Pong
- [KAN Yi Shing 簡以誠](https://www.eyecatcherhk.com/kan-yi-shing/) - 簡以誠 KAN Yi Shing
- [LAM Hei Chun 林熙駿](https://www.eyecatcherhk.com/lam-hei-chun/) - 林熙駿 LAM Hei Chun
- [LAM Yee Mei 林倚微](https://www.eyecatcherhk.com/lam-yee-mei/) - 林倚微 LAM Yee Mei
- [LEE Hoi Yan 李凱欣](https://www.eyecatcherhk.com/lee-hoi-yan/) - 李凱欣 LEE Hoi Yan
- [LEE Kai Ho James 李啟浩](https://www.eyecatcherhk.com/lee-kai-ho-james/) - 李啟浩 LEE Kai Ho James
- [LEE Yi Lok 李伊洛](https://www.eyecatcherhk.com/lee-yi-lok/) - 李伊洛 LEE Yi Lok
- [LEUNG Shu Moon 梁樹滿](https://www.eyecatcherhk.com/leung-shu-moon/) - 梁樹滿 LEUNG Shu Moon
- [LEUNG Sze Chung Stanley 梁詩聰](https://www.eyecatcherhk.com/stanley-leung/) - 梁詩聰 LEUNG Sze Chung Stanley
- [LEUNG Yuk Kiu 梁鈺橋](https://www.eyecatcherhk.com/leung-yuk-kiu/) - 梁鈺橋 LEUNG Yuk Kiu
- [LEUNG Yuk Ming Michelle 梁玉明](https://www.eyecatcherhk.com/michelle-leung/) - 梁玉明 LEUNG Yuk Ming Michelle
- [LO Hoi Lun 老凱麟](https://www.eyecatcherhk.com/lo-hoi-lun/) - 老凱麟 LO Hoi Lun
- [LUNG Siu Kwan 龍小菌](https://www.eyecatcherhk.com/lung-siu-kwan/) - 龍小菌 LUNG Siu Kwan
- [NG Ting Hang 吳霆亨](https://www.eyecatcherhk.com/ng-ting-hang/) - 吳霆亨 NG Ting Hang
- [SZETO Ka Wing 司徒嘉詠](https://www.eyecatcherhk.com/szeto-ka-wing/) - 司徒嘉詠 SZETO Ka Wing
- [TAM Yat Him Zeno 譚逸謙](https://www.eyecatcherhk.com/tam-yat-him-zeno/) - 譚逸謙 TAM Yat Him Zeno
- [WONG Chun Ying 黃珍盈](https://www.eyecatcherhk.com/wong-chun-ying/) - 黃珍盈 WONG Chun Ying
- [WONG Hiu Ching 黃曉晴](https://www.eyecatcherhk.com/wong-hiu-ching/) - 黃曉晴 WONG Hiu Ching
- [WONG Nathaniel Ming Yang 黃銘恩](https://www.eyecatcherhk.com/wong-nathaniel-ming-yang/) - 黃銘恩 WONG Nathaniel Ming Yang
- [WONG Wing Lam 王穎琳](https://www.eyecatcherhk.com/wong-wing-lam/) - 王穎琳 WONG Wing Lam
- [WONG Wing Yan 黃穎欣](https://www.eyecatcherhk.com/wong-wing-yan/) - 黃穎欣 WONG Wing Yan
- [XU Ran 徐然](https://www.eyecatcherhk.com/xu-ran/) - 徐然 XU Ran
- [YEUNG Sik Yung 楊適榕](https://www.eyecatcherhk.com/yeung-sik-yung/) - 楊適榕 YEUNG Sik Yung
- [YU Chi Man 余智敏](https://www.eyecatcherhk.com/yu-chi-man/) - 余智敏 YU Chi Man
- [YU Hoi Chun 余海臻](https://www.eyecatcherhk.com/yu-hoi-chun/) - 余海臻 YU Hoi Chun
- [YUNG Ka Yi 翁嘉兒](https://www.eyecatcherhk.com/yung-ka-yi/) - 翁嘉兒 YUNG Ka Yi
- [YUNG Puiteoong 容沛東](https://www.eyecatcherhk.com/yung-puiteoong/) - 容沛東 YUNG Puiteoong
- [Public Seminar: Strike Hard! The New generation of Video Production
公開講座：進擊吧！影像廠牌新世代](https://www.eyecatcherhk.com/public-seminar-strike-hard-the-new-generation-of-video-production/) - 公開講座：進擊吧！影像廠牌新世代 時間：2021年8月4日 地點：觀塘 Organize 嘉賓：「Maggieslays」音樂錄像團隊 / Maggie Leung；「光頭幫」YouTube團隊 / 李福正、賴坤泰、陳傑奇；《離騷幻覺》團隊 / 羅文樂、李國威、崔嘉曦 現場驚喜嘉賓：MV導演 Travis Good 主持：游大東（香港電視節目及影視製作導賞員） 這是文藝復興基金會2021年全新「奪目影像」開啟的第一彈。講座進行當天下著黃色暴雨，卻絲毫不滅台上台下所有人的熱情和支持。殿堂級陣容和現場驚喜現身上台的嘉賓裡，有一個共同點——他們都是從無到有獨立建造廠牌的創作人！ 走科幻動畫風格，設定獨具一格的世界觀的離騷幻覺團隊，親自解畫四處奔走、一步步眾籌、營運的幕後。Maggie分享如何從當初3、4個人受邀拍攝《油尖旺金毛玲》，一路到建立Magielays的廠牌風格，成為城中炙手可熱的MV導演。光頭幫Tomfatki聯成音樂和影像，以一首MV《天水圍 Gang Gang》再自媒體YouTube殺出一條血路，捲起本地Hip Hop江湖的風雲。嘉賓的魅力更臨時把負責光頭幫部份MV，在Mirror成員姜濤《Masterclass》MV裡玩火的導演 Travis Good 請上台分享。眾人一同帶出作為獨立廠牌變不可能為可能的過程。
- [香港藝術館電影節
Hong Kong Arthouse Film Festival (HKAFF)](https://www.eyecatcherhk.com/香港藝術館電影節hong-kong-arthouse-film-festival-hkaff/) - 香港藝術館電影節 Hong Kong Arthouse Film Festival (HKAFF) 香港藝術館電影節支持不同類型的低成本獨立製作，更接受提交多個作品。透過與The Bigger Screen的合作，讓影像創作人有更多機會走向更大的舞台，讓更多人看見。 HKAFF supports and showcases contemporary independent filmmaking regardless of budgets, genres and multiple entries from around the world, aiming to gain more attention and inclusive audience through the partnership with The Bigger Screen. 詳情 Details：https://www.hongkongfilmfestival.org/submit
- [Jumping Frames 2022 Opening Film - All that is Happening
「跳格2022」開幕節目 - 「此地此身」](https://www.eyecatcherhk.com/jumping-frames-2022-opening-film-all-that-is-happening/) - 土方巽：「當人們將身體與舞蹈聯繫起來，才會真正明白什麼是痛苦折磨：它是我們生命的一部分。無論我們在外面怎樣尋找，不鑽進自己的內在便無法找到。」 2022「跳格」開幕節目「此地此身」以散文電影的形式，讓藝術家陳巧真、張紫茵、莫頌靈及葉奕蕾展開對話，以共同體的形式探索與觀照身體與我們的生存之狀，審視身體記憶在時間洪流中的變化。四位創作者將向觀眾娓娓道來自身對現狀的感知，猶如日記般，拼貼成意識流的影像詩。 四個委約作品由城市當代舞蹈團「跳格2022」和文藝復興基金會「奪目影像」共同委約。 “When one considers the body in relation to dance, it is then that one truly realizes what suffering is: It is a part of our lives. No matter how much we search for it from the outside there is no way we can find it without delving into ourselves.”
- [重遇 & 變奏｜文藝復興⑩ 徵片](https://www.eyecatcherhk.com/10anniversary-call-for-films/) - 「重遇 & 變奏｜文藝復興⑩徵片」邀約「奪目影像創作營2022」之營友（包括組長等所有參加者），以「文藝復興⑩徵歌 之 帝女花幻想」遴選出來的歌曲為本，製作原創影片。入圍者將獲港幣 5 萬元的資助作為製作資金，作品將於「水波浪影片節」線上公映。 「文藝復興⑩徵歌之帝女花幻想」入選歌曲 《世顯長平》創作背景及Demo試聽 註：正式歌曲將於10月24日或之前完成製作。 作品要求 以「文藝復興⑩徵歌之帝女花幻想」遴選出來的歌曲《世顯長平》之第 6 至 8 段落為本； 原創影像作品，創意優先，不限形式； 須於短片中使用「文藝復興⑩徵歌之帝女花幻想」遴選出來的歌曲《世顯長平》之第 6 至 8 段落，不少於一分鐘； 最終作品須備有繁體中文字幕（如有）； 影片成片片尾名單放置「文藝復興基金會｜奪目影像」「桃桃花源粵劇工作舍｜水波浪影片節」等共同委約機構之官方logo； 須按照有關規定，於限期 2023 年 1 月 11 日或之前提交完成的作品。 申請資格 影片之主創成員（導演、編劇或監製），至少有一位曾參與「奪目影像創作營2022」（包括組長等所有參加者）。 申請方法 網上填寫報名表，填寫故事摘要、故事大綱、處理手法、導演闡述、音樂安排等，並提交預算表、完整劇本等有關資料（如有）； 可以個人或團隊名義申請；以團隊名義申請時，請填寫團隊主創成員之資訊。 報名表連結 申請截止日期 2022年10月11日中午12:00 計劃流程 2022年10月25日：公佈入圍結果，主辦機構發放資助金額之50% 2022年10月26日至2023年1月10日：製作影片 2023年1月11日：遞交最終影片及相關資料，主辦機構發放資助金額之50% 2023年2月1日至3月1日（TBC）：水波浪影片節線上公映 注意事項 受資助影片之版權： 影片之版權由主創團隊所有； 主辦機構享有使用影片作記錄、教育、推廣或非商業用途，而無需事先得到主創團隊同意亦不會支付任何版權費用； 受資助影片若有涉及任何侵權的行為，一切法律責任由申請人承擔，支援計劃的主辦及支持機構等概不負責； 嚴禁抄襲，凡經檢舉查證屬實，將被取消資格，並收回資助； 文藝復興基金會保留更改活動細節的權利。 主辦機構： 文藝復興基金會｜搶耳音樂｜奪目影像 共同委約機構： 桃花源粵劇工作舍｜水波浪影片節
- [Hot Docs: CrossCurrents International Doc Fund](https://www.eyecatcherhk.com/hot-docs-crosscurrents-international-doc-fund/) - Hot Docs: CrossCurrents International Doc Fund 位於加拿大的國際平台致力於資助那些被忽略及邊緣化族群的紀錄短片或長片創作，冀望更多觀眾能夠聆聽他們的聲音。 An international fund from Canada supports filmmakers who work on interactive, short and feature-length doc projects, have a deep connection to, and tell stories of, underrepresented and marginalized communities around the world, aiming to spread the unheard voices to audiences. 詳情 Details：https://hotdocs.ca/industry/film-funds/crosscurrents-doc-funds
- [DigiCon6 ASIA 大賞](https://www.eyecatcherhk.com/digicon6-asia-大賞/) - DigiCon6 ASIA 大賞 DigiCon6 ASIA 大賞由TBS控股創辦，是亞洲區內一項卓越的動畫短片創作比賽，在亞洲區內認受性極高。藉由大賞，希望更多由潛力的動畫創作人有更多被看見和發展的機會，幫助亞洲動畫市場的發展。 The DigiCon6 ASIA Awards is a contest organized and held by TBS HOLDINGS, INC. throughout the Asian countries and territories including Japan. It aims to seek and recognise talented video creators, support to expand video creators’ creative ground, and contribute to the development of the content business market
- [Docs by the Sea](https://www.eyecatcherhk.com/docs-by-the-sea/) - Docs by the Sea Docs by the Sea 成立於2017年，是位於印尼的紀錄片影展。自2022年，影展將開放予所有亞洲地區的紀錄片影像創作人，並提供連結國際市場的機會。無論是處於哪個創作階段，都可以報名申請。 Doc by the Sea is an Indonesia-based international lab and forum for documentaries established in 2017. They have expanded their selection to docu-filmmakers of ALL Asian nationalities since 2022. They offer opportunities to connect to the international market. Project is open to application regardless of the
## Pages
- [Eye Catcher Image](https://www.eyecatcherhk.com/) - Eye Catcher explores new perspectives and possibilities in filmmaking, encourages the spirit of self-producing. 奪目影像探索影像創作、製作及發行的新角度、新可能，鼓勵自主製作的精神，致力孵化影像初創企業。
- [Representatives](https://www.eyecatcherhk.com/representatives/) - Industry Representatives Network Renowned industry professionals engaged in the Incubation Programme and International Pitching Forum. Aditya ASSARAT 阿狄阿薩拉 Thailand Janet BARIŞ 珍妮特巴勒什 Turkey Min Bahadur BHAM 敏巴哈杜爾巴姆 Nepal Blue Ka Wing 藍嘉穎 Hong Kong Catherine CHAN 陳芷琪 Hong Kong Steve Chan 陳志發 Hong Kong David CHAN 安娜 Hong Kong Fredie CHAN Ho Lun 陳浩倫 Hong
- [Roan Feng-I Fiona](https://www.eyecatcherhk.com/clinic/roan-feng-i-fiona/) - Fiona Roan’s short film Jiejie (2018), based on her own immigration experience, was widely appraised. Her debut feature, American Girl, won four Golden Horse Awards, including Best New Director for Fiona Roan (the first woman to do so), the Audience Choice Award for Best Picture, and the FIPRESCI Prize. American Girl also won Best Narrative
- [Eric TSANG](https://www.eyecatcherhk.com/clinic/eric-tsang/) - Tsang Hing Weng Eric is a Hong Kong film director whose works have been selected by major international film festivals including Sundance and Busan. Among them, Hong Kong Family was the winner of the First Feature Film Initiative (FFFI). He is currently the Program Director of BFA in Acting for Global Screen at Hong Kong
- [Blue Ka Wing](https://www.eyecatcherhk.com/clinic/blue-ka-wing/) - Left-hander, an independent choreographer from Hong Kong. Started her dance training at the age of 16. In 2010, she graduated from the Hong Kong Academy for Performing Arts with a Bachelor of Fine Arts degree, majoring in Contemporary Dance and Choreography. In 2023, Blue has been awarded the scholarship from The Hong Kong Jockey Club
- [LAW Suk Yi](https://www.eyecatcherhk.com/clinic/law-suk-yi/) - Doris Law is a Senior Lecturer at the School of Communication at The Hang Seng University of Hong Kong. She has over thirty years of experience in the news and broadcasting industry, starting her career in 1990 at TVB News and Public Affairs Department. In 1994, she joined i-Cable News, focusing on producing news features
- [Lam Miu Ling](https://www.eyecatcherhk.com/clinic/lam-miu-ling/) - Prof. Lam Miu Ling is a media artist and researcher of robotics, artificial intelligence and computational imaging. She is the Associate Dean and Associate Professor in the School of Creative Media at City University of Hong Kong (CityUHK). She spearheads large-scale community programmes TEDY (Technologies for the Elderlies and Disabled People by Youths) and Jockey
- [Tam Yee Lok, Enoch](https://www.eyecatcherhk.com/clinic/tam-yee-lok-enoch/) - Tam Yee Lok, Enoch is a Hong Kong critic, scholar and author. He is the Research Assistant Professor at the Department of Digital Arts and Creative Industries, Lingnan University. His research engages with film historiography in the Chinese-language film, Hong Kong film history and film policy, and East Asia’s creative and media industry. He co-authored
- [Timmy Chen](https://www.eyecatcherhk.com/clinic/timmy-chen/) - Timmy Chen is Assistant Professor of Cultural Studies at the School of Arts and Social Sciences, Hong Kong Metropolitan University. He is also a board member of the Hong Kong Film Critics Society and a member of the Cantonese Cinema Study Association. Dr. Chen has published in A Companion to Wong Kar-wai (Wiley Blackwell), the
- [Yuen Chi-chung](https://www.eyecatcherhk.com/clinic/yuen-chi-chung/) - Yuen Chi-chung is a veteran music critic and curator, active since 1987. He founded the influential Hong Kong new music magazine Music Colony Bi-weekly (1994–2004), and has written extensively on a wide range of genres and artists. He is the creative director of Ear Up Incubation, a music culture tutor, an eclectism DJ, and the
- [Vicky Fung](https://www.eyecatcherhk.com/clinic/vicky-fung/) - Vicky Fung is a multi-faceted musician and artist, with nearly 30 years of creative experience. She collaborated with an impressive list of singers including Juno Mak, Eason Chan, Yoyo Sham, On Chan, and Vincy Chan. Her works often reflect humanistic concerns, female perspectives, and social issues. She has also been deeply involved in music education,
- [Cheung Kit Bong](https://www.eyecatcherhk.com/clinic/cheung-kit-bong/) - Cheung Kit Bong is a music video director, vocalist and composer, founder of Mudland Limited. He worked as a backing vocalist in the DUO Eason Chan World Tour Concert from 2010 to 2012. Since then he has directed music videos and served as backup singer for a number of artists. In 2019, he worked as
- [Didi Wu](https://www.eyecatcherhk.com/clinic/didi-wu/) - Didi Wu, Director of Broadway Cinematheque and Hong Kong Asian Film Festival. She received her first degree in architecture, and furthered her studies in film curating in London. After she graduated, she worked at the Taiwan International Documentary Festival, and later joined the programming team of the Broadway Cinematheque, presenting a broad range of film
- [Wong Sau Ping, Adam](https://www.eyecatcherhk.com/clinic/wong-sau-ping-adam/) - Adam Wong is an independent director in Hong Kong, directorial works include When Beckham Met Owen (2004), The Way We Dance (2013), She Remembers, He Forgets (2015), The Way We Keep Dancing (2021), The Way We Talk (2024), and more. The Way We Dance won the Best New Director, Best New Performer and Best Original
- [Trương Minh Quý](https://www.eyecatcherhk.com/clinic/truong-minh-quy/) - Born in Buôn Ma Thuột, a city in Vietnam's central highlands, Trương Minh Quý often sets and finds inspiration for his films in this region. His films have been shown in numerous film festivals such as Berlinale, Locarno, New York, Toronto, Rotterdam, Busan. He won the main Art Prize at the 20th VideoBrasil (São Paulo) in
- [Ruby YANG](https://www.eyecatcherhk.com/clinic/ruby-yang/) - Ruby Yang is an Academy Award-winning filmmaker born in Hong Kong. Over her 35-year career, she has worked in the U.S., Beijing, and Hong Kong, earning an Oscar for Best Documentary Short (2007), along with Academy Award and Emmy nominations, and international honors such as the Alfred I. duPont-Columbia Journalism Award.Since 2013, she has served
- [Robin Lee](https://www.eyecatcherhk.com/clinic/robin-lee/) - Robin Lee is a cinematographer and director born and raised in Hong Kong. He has worked in the adventure sport industry for over 10 years working on award winning ski films with Level 1 Productions and collaborating on projects with major industry leaders such as The North Face and Hoka One One. Four Trails is
- [Choi Toi Ling, Dora](https://www.eyecatcherhk.com/clinic/choi-toi-ling-dora/) - Dora Choi is an award-winning documentary director with over a decade of experience at a public broadcasting station, specialising in political and social issues. Her debut feature, To Be Continued, was selected for the 47th Hong Kong International Film Festival and recognised as a Film of Merit by the Hong Kong Film Critics Society. In
- [Dick Wong](https://www.eyecatcherhk.com/clinic/dick-wong/) - Dick Wong fully engaged himself in performing arts as dancer and choreographer since the mid 90’. In 2004, he created B.O.B.* commissioned by the Hong Kong Arts Festival, and later on toured with its 2 different versions in Europe and Asia. In 2009, Dick Wong created 1+1 in Tokyo, and the piece was later presented
- [Lee Wai Shing](https://www.eyecatcherhk.com/clinic/lee-wai-shing/) - Lee Wai Shing is an independent filmmaker, focusing on documentary and experimental films. He studied documentary filmmaking at Visible Record and Caochangdi Workstation. Between 2014 and 2020, Lee created BBC (2015), 310 Tung Chau Street (2016), and Room 525 (2020). His documentary film Family Family Day won the Gold Award (Open Category) at the 24th
- [Ash Cook [Hoyle]](https://www.eyecatcherhk.com/clinic/ash-cook-hoyle/) - Ash Cook [Hoyle] is a features Programmer at the Sundance Film Festival where he focuses on both fiction, nonfiction, and Midnight. Ash is currently serving as the Guest Festival Director of the San Francisco Jewish Film Festival, the first and largest Jewish film festival in the world. He sits on the Advisory Board of the
- [Yu Ka Ho, Albert](https://www.eyecatcherhk.com/clinic/yu-ka-ho-albert/) - Kaho Albert Yu is an artist and educator working with image-based media including computer animation, photography and immersive media. He studied Computer Engineering at the University of New South Wales in Sydney, and Computer Art at the School of Visual Arts in New York. Kaho started his career as an effects artist for Shrek 2
- [Isaac Shek](https://www.eyecatcherhk.com/clinic/isaac-shek/) - A Hong Kong animation director. Graduated from the Animation and Visual Effects Department at Hong Kong Metropolitan University, specialising in hand-drawn animation. In 2017, his co-directed work Losing Sight of a Longed Place won the Best Animated Short Film at the 54th Golden Horse Awards, the Gold Award in the Animation Category at the 23rd
- [Lau Hochi](https://www.eyecatcherhk.com/clinic/lau-hochi/) - Lau Hochi is an interdisciplinary artist that creates devices and situations. He is interested in how interfaces organise and pace everyday life. He creates situations that examine and aestheticise the everyday experiences. His works were shown in LA Artcore, Japan Media Art Festival, Ars Electronica Festival, Sónar Festival, and Miller Institute for Contemporary Art. 劉浩知是一位跨領域藝術家，專注於創作裝置與情境。興趣圍繞介面如何組織日常生活，再以此出發建構情景。他的作品曾在
- [Chan Chi Fat, Steve](https://www.eyecatcherhk.com/clinic/steve-chan/) - A Hong Kong director, screenwriter, and producer. His film Weeds on Fire (2016) won the 1st First Feature Film Initiative, and was nominated for Best New Director at the 36th Hong Kong Film Awards. He was the director of TV dramas including 3X1 (2016), My Very Short Marriage (2017), and the producer of Limited Education
- [Clifford Miu](https://www.eyecatcherhk.com/clinic/clifford-miu/) - Clifford Miu is a producer and director. He majored in film at New York University Tisch School of the Arts and is the head of Bering Pictures and Shui Hua Film Company. The short film The Last Ferry from the Grass Island produced by him was shortlisted for the Tribeca Film Festival, and Ah Gong
- [Sonia WONG](https://www.eyecatcherhk.com/clinic/sonia-wong/) - Dr. Sonia Wong is an interdisciplinary artist, writer, and researcher based in Hong Kong. Sonia Wong has been teaching at the Gender Studies Programme of CUHK, with a focus on culture, media, and local history. In 2013, she founded Reel Women Hong Kong, the first and only independent film festival in Hong Kong devoted to
- [Jing WANG](https://www.eyecatcherhk.com/clinic/jing-wang/) - Jing Wang is a Beijing-based film producer. Her credits include Wen Shipei's Land of Broken Hearts (Busan 2024) and Are You Lonesome Tonight? (Cannes 2021, San Sebastián 2021, Toronto 2021, Busan 2021); Han Shuai's Green Night (Berlinale 2023, Busan 2023, Tokyo 2023); Johnny Ma’s To Live To Sing (Cannes 2019, Winner of Best Picture at
- [Zuolong Shan](https://www.eyecatcherhk.com/clinic/zuolong-shan/) - A film producer, film programmer, and documentary director. Since 2015, he has worked closely with director Bi Gan as his producer. His debut feature as a producer, Kaili Blues, won multiple awards at major international festivals including Locarno, Golden Horse Awards, and Nantes. In 2018, he produced Long Day’s Journey into Night, which was selected
- [Jeremy CHUA](https://www.eyecatcherhk.com/clinic/jeremy-chua/) - General Manager of Singapore International Film Festival, founder of independent film label Potocol, producing films, videos, installations and artworks for Asian auteurs. Chua served as a producer for award-winning films such as Some Rain Must Fall (Encounters Jury Prize Berlinale 2024), Inside the Yellow Cocoon Shell (Cannes Camera d’Or 2023), Autobiography (FIPRESCI Venice 2022), Glorious
- [Film Projects](https://www.eyecatcherhk.com/film-projects/) - 觀塵 | As the Dust Settles 菲與火 | Fire Room 海的那一邊 | bitat 沒有拍出來的事 | Behind the Lens Why Not Move On 宅地假期 | Staycation 我們不得不如此 | The Only Way Out
- [Eye Catcher Global](https://www.eyecatcherhk.com/ecg/) - Eye Catcher International Pitching Forum aims to support emerging filmmakers, fund and facilitate the production of promising film projects. Through the selected finalists from Eye Catcher Incubation Programme and open call for Sinophone filmmakers’ project, groups of participants have 15 minutes each to pitch their projects regardless of the format for awards and funding. The Pitching Forum also invites international guests from the film industry as jury members, and a one-to-one meeting is arranged between participants and guests. We hope to facilitate the interaction and connection between participants and international guests, while participants can strive for more collaboration and support on their project development.
- [Contact us ](https://www.eyecatcherhk.com/contact-us/) - eyecatcher@rfhk.org.hk
- [Collective ](https://www.eyecatcherhk.com/collective/) - Through public talks and sharings, guests from the industry share their experience on self-management and diversification of running the business with the spirit of self-producing, and introduce film collectives which are active either on big screen or on new media. All continue to explore new power and new possibilities in filmmaking.
- [Sharing ](https://www.eyecatcherhk.com/sharing/) - Invite famous directors and directors of the new generation to screen their completed works and share their thoughts on creation, and also self-producing.
- [Workshop ](https://www.eyecatcherhk.com/workshop/) - The Creative Workshop aims to break through the rules and regulations, stimulate the energy of video creators through cross-genre creation, and explore the possibility of video. Sound Design and Cinematography Workshop, with real cases, to exchange and share experiences from a creative perspective. The Pitching Workshop provides practical production knowledge for Work In Progress, and takes a step forward from creation to production.
- [Creativity Camp](https://www.eyecatcherhk.com/creativity-camp/) - The creativity camp invites guests and speakers to inspire participants’ imagination, stimulate their creative energy and expand their community connections. Creators from drama, documentary, experimental, animation and other creative disciplines will be divided into groups, all interacting with mentors to complete short films within the camp. Inheriting the artistic practice of the Renaissance Summer Camp, the camp aims to break the boundaries between different genres, to realise the creative potential and to encourage interdisciplinary collaboration. In this four-day creativity camp, local pioneering creators will present their works and share their experiences through Talks, Workshops, Exploration of Filmmaking Nights and Open Stages.
- [Partners](https://www.eyecatcherhk.com/partners/) - PARTNERS Short Film Conference Membership Read More Supporting HK Young Filmmakers to Platform BUSAN during BIFF 2023奪目影像伙拍Platform BUSAN資助香港青年導演前往釜山交流 Read More Trip to Minikino Film Week 9: Bali International Short Film Festival第九屆峇里島國際短片節交流 Read More 13 Little Pictures Read More Cinemovement Read More Ground Up Film Society 平地映社 Read More Hong Kong – Asia Film Financing Forum
- [Commissioned Films](https://www.eyecatcherhk.com/commissionedfilms/) - To break through shackles and blaze new paths, the Eye Catcher Incubation Programme is dedicated to nurturing a new generation of visual creators, culminating pioneering visual works and small to medium-sized production brands and funding promising projects. Through informalised creative training, proposal development and professional guidance, the project also provides seed money to encourage and offer full support to individuals or teams on self-management during the entire process from creation to entrepreneurship. Pitching workshops are provided for professional filmmaking projects. Workshop training ranges from skills of pitching, financing strategies, tips on facilitating production, distribution and film festival run. We also invite experienced producers to provide one-on-one coaching to help the next generation of filmmakers in the International Pitching Forum and win the funding and awards.
- [About us](https://www.eyecatcherhk.com/about-us/) - Eye Catcher explores new perspectives and possibilities in filmmaking, production and distribution. It provides opportunities for the new generation of filmmakers to expand their projects, encourage self-betterment, and facilitate networking and funding. The programme endeavours to encourage the spirit of self-producing, stimulate the creative potential of the community across different disciplines, and strengthen the connection in the movie industry between Hong Kong, Asia and the world.
- [Archive](https://www.eyecatcherhk.com/archive/) - Summary of Eye Catcher 2021/22
- [International Pitching Forum](https://www.eyecatcherhk.com/international-pitching-forum/) - Eye Catcher International Pitching Forum aims to support emerging filmmakers, fund and facilitate the production of promising film projects. Through the selected finalists from Eye Catcher Incubation Programme and open call for Sinophone filmmakers’ project, groups of participants have 15 minutes each to pitch their projects regardless of the format for awards and funding. The Pitching Forum also invites international guests from the film industry as jury members, and a one-to-one meeting is arranged between participants and guests. We hope to facilitate the interaction and connection between participants and international guests, while participants can strive for more collaboration and support on their project development.
- [Janet BARIŞ](https://www.eyecatcherhk.com/clinic/janet-baris/) - Based in Istanbul, Janet BARIŞ is a film critic and an Associate Professor at the Department of Radio, Television and Cinema of Altınbaş University, Faculty of Fine Art and Design. She obtained her Ph.D. degree in 2013 with a thesis on Contemporary Turkish Cinema and Melancholy. An avid scholar on contemporary Turkish and world cinemas,
- [All Filmmakers](https://www.eyecatcherhk.com/all-filmmakers/)
- [Fredie CHAN Ho Lun](https://www.eyecatcherhk.com/clinic/fredie-chan/) - Graduated from Cultural Studies (BA 2006) and Film-Directing (MA 2022) at the University of Edinburgh. Fredie has been working as an independent documentary filmmaker and educator for 16 years.Fredie’s films focuses on global grassroots activism. His latest work The Dispute discovers a clash among local residents and international students over the massive housing shortage in
- [Julien REJL](https://www.eyecatcherhk.com/clinic/julien-rejl/) - Photo Credit: The Directors' Fortnight (https://www.quinzaine-cineastes.fr/en) A graduate of La Fémis and ESCP, Julien REJL was in charge of distribution, acquisitions and international sales at Capricci from 2010 to 2020. He has worked with filmmakers such as Abel FERRARA, HONG Sangsoo, Albert SERRA, WANG Bing, TSAÏ Ming-Liang, Philippe GARREL, Monte HELLMAN, Corneliu PORUMBOIU, Jean-Charles HUE
- [Elysa WENDI](https://www.eyecatcherhk.com/clinic/elysa-wendi/) - Elysa WENDI is an independent curator, artist and filmmaker working in between Hong Kong and Singapore. She co-founded 'Cinemovement' — a platform for inter-disciplinary film creation together with film producer Jeremy CHUA in 2015. She now works as curator for 'Jumping Frames – Hong Kong International Movement-image Festival' and is currently exploring her works in
- [Incubation Pitching](https://www.eyecatcherhk.com/incubation-pitching/) - Eye Catcher International Pitching Forum aims to support emerging filmmakers, fund and facilitate the production of promising film projects. Through the selected finalists from Eye Catcher Incubation Programme and open call for Sinophone filmmakers’ project, groups of participants have 15 minutes each to pitch their projects regardless of the format for awards and funding. The Pitching Forum also invites international guests from the film industry as jury members, and a one-to-one meeting is arranged between participants and guests. We hope to facilitate the interaction and connection between participants and international guests, while participants can strive for more collaboration and support on their project development.
- [Incubation](https://www.eyecatcherhk.com/incubation/) - To break through shackles and blaze new paths, the Eye Catcher Incubation Programme is dedicated to nurturing a new generation of visual creators, culminating pioneering visual works and small to medium-sized production brands and funding promising projects. Through informalised creative training, proposal development and professional guidance, the project also provides seed money to encourage and offer full support to individuals or teams on self-management during the entire process from creation to entrepreneurship. Pitching workshops are provided for professional filmmaking projects. Workshop training ranges from skills of pitching, financing strategies, tips on facilitating production, distribution and film festival run. We also invite experienced producers to provide one-on-one coaching to help the next generation of filmmakers in the International Pitching Forum and win the funding and awards.
- [Catherine CHAN](https://www.eyecatcherhk.com/clinic/catherine-chan/) - CHAN is an independent producer and audience designer for films by five filmmakers from Hong Kong. She received training from EURODOC, Torino Film Lab and CEE Animation Workshop, and won multiple awards with her teams at international pitching forums. She holds a bachelor degree in Journalism from The University of Hong Kong and an Erasmus
- [Jacqueline LIU](https://www.eyecatcherhk.com/clinic/jacqueline-liu/) - Jacqueline LIU is a Hong Kong-based film producer for independent and commercial film, including: Vital Sign (2023); Warriors of Future (2022) ; The Way We Keep Dancing (2020); Keep Rolling (2020); The Secret Diary of A Mom-to-be (2019); Tracey (2018); Men on the Dragon (2018); Sisterhood (2016); Sky on Fire (2016); K (2015); Wild City
- [Jun LI](https://www.eyecatcherhk.com/clinic/jun-li/) - Director and screenwriter based in Hong Kong, Jun LI obtained his MPhil in Gender Studies in the Department of Politics and International Studies, University of Cambridge.His feature film Drifting (2021) won Best Adapted Screenplay at the 58th Golden Horse Awards and was nominated for Best Director and Best Narrative Feature. The film was also selected
- [Kok Rui LAU](https://www.eyecatcherhk.com/clinic/kok-rui-lau/) - LAU Kok Rui is a Hong Kong-Based Malaysian writer-director, he has participated in Busan Asian Film Academy and Golden Horse Film Academy. His debut feature film, The Sunny Side of the Street, won the Best New Director and the Best Original Screenplay at the 59th Golden Horse Film Festival. LAU's TV works are diverse from
- [Platforms ](https://www.eyecatcherhk.com/platforms/) - 有新作或正在籌備下部作品的影像創作人，以下可能是一些適合的機會！ To all passionate talented young filmmakers, may the following be your next chance to shine!
- [Lawrence KAN](https://www.eyecatcherhk.com/clinic/lawrence-kan/) - Lawrence KAN was born in Hong Kong. He graduated from Vancouver Film School in 2009 and returned to hometown, then founded Marc. Two Visuals.KAN’s directorial debut When C Goes with G7 (2013) is a story about Hong Kong youngsters’ growth and development into adulthood. The film was selected for the “Hong Kong First” section of
- [Oneness Wanqiu ZENG](https://www.eyecatcherhk.com/clinic/wanqiu-zeng/) - A visual artist, film director and art therapist, Oneness melds traditional oriental aesthetics with Western art techniques in her practice. Her works often discuss self-identity, cultural memory, and the sense of belonging. 曾氏有著視覺藝術家、電影導演及藝術療癒師的多重身份。她的創作融合傳統東方美學及西方技藝，作品關注自我認同、文化記憶及歸屬感等主題。 Oneness Wanqiu ZENG 曾婉遒 Hong Kong
- [Bridey ELLIOTT](https://www.eyecatcherhk.com/clinic/bridey-elliott/) - Graduated from the National Theater Institute in acting and playwriting. She was a regular at Upright Citizens Brigade and starred in the Fort Tilden (SXSW 2014 - Grand Jury Prize). She is prolific in directing short films, including Affections (Sundance 2016), dark comedy Clara's Ghost (Sundance 2018), the co-directed documentary The Starr Sisters (Sundance 2020,
- [Kiki FEBRIYANTI](https://www.eyecatcherhk.com/clinic/kiki-febriyanti/) - Born in Bondowoso, a small town in East Java province, Indonesia. Kiki began her interest in film at an early years while visiting the old cinema building in her hometown. Kiki taught herself filmmaking and participated in a couple of workshops. She has directed four documentary films: Don't Call Me Crazy! (2008), Yup... It's My
- [Emilie CHOI Sin Yi](https://www.eyecatcherhk.com/clinic/emilie-choi/) - Emilie CHOI Sin-yi is a researcher, writer, and film curator. A PhD candidate at the School of Creative Media, City University of Hong Kong, Choi's archival and research-driven practice manifests through outputs including academic presentations, cultural and critical writings, and curatorial engagements with screen-based media. 蔡倩怡是一位研究員、寫作者與策展人，她現為香港城市大學創意媒體學院博士候選人。她的實踐結合學術研究及影像相關的策展項目。其研究興趣包括亞洲實驗影像與紀錄片、媒體考古學，以及與科技相關的影像及文化議題。 Emilie CHOI Sin-yi 蔡倩怡 Hong Kong
- [Flora TANG](https://www.eyecatcherhk.com/clinic/flora-tang/) - TANG joined mm2 Hong Kong in 2017, focusing on producing Hong Kong, Singapore and Malaysia films. She was the line producer of A Journey of Happiness (2019), and Walk with Me (2019), and the associate producer of Drifting (2021) and The Shadow (2022). Her recent work, The Narrow Road (2022), was nominated for 3 awards
- [Fransiska PRIHADI](https://www.eyecatcherhk.com/clinic/fransiska-prihadi/) - Fransiska PRIHADI is an architect, co-founder of art-house cinema MASH Denpasar in Bali. She is Program Director of Minikino and Minikino Film Week, Bali International Short Film Festival. She served as guest programmer & jury for various national and international short film festivals, with experience as facilitator and mentor for filmmaking and film festival writing
- [LIAO Jiekai](https://www.eyecatcherhk.com/clinic/liao-jiekai/) - LIAO Jiekai is a filmmaker and artist based in Singapore. He is a founding member of the film collective 13 Little Pictures. Since 2005, he has directed a number of shorts and feature films, most notably Before the Wedlock House won the Best Documentary Short at the 2nd Salaya International Documentary Film Festival, and another
- [Joe HUANG](https://www.eyecatcherhk.com/clinic/joe-huang/) - Joe HUANG, part-time teacher for film aesthetics, sees himself as a freelancer for film art, but somehow works like a blue-collar. He is an independent curator, whom serves as the Artistic Director and Executive Director of the South Taiwan Film Festival after studying in Sound & Image Studies in management of TNNUA. Joe has been
- [Min Bahadur BHAM](https://www.eyecatcherhk.com/clinic/min-bahadur-bham/) - An award-winning filmmaker from Nepal, Min Bahadur BHAM graduated in Filmmaking and Literature. He has a master degree in Buddhist Philosophy and Political Science. His short film The Flute (2012) was the first Nepalese film presented at the Venice Film Festival. He was a participant of Berlinale Talent Campus 2013, Asian Film Academy 2013, awarded
- [POON Eric T.P.](https://www.eyecatcherhk.com/clinic/poon-tat-pui/) - Renowned television documentary writer and director, POON is currently an Associate Professor of Practice in the School of Journalism and Communication at the Chinese University of Hong Kong. For the past 20 years, he has been producing documentaries for RTHK’s flagship television programme Hong Kong Connection. His work has won numerous awards at local and
- [Aditya ASSARAT](https://www.eyecatcherhk.com/clinic/aditya-assarat/) - Aditya ASSARAT is a writer, director, and producer from Thailand. His feature films include Hi-So and Wonderful Town, which won the New Currents Award from Busan and the VPRO Tiger Award from Rotterdam. His most recent film, Ten Years Thailand, which he produced and co-directed, premiered in Cannes. In addition to his own films, Aditya
- [International Pitching Forum 2022](https://www.eyecatcherhk.com/international-pitching-forum-2022/) - Eye Catcher International Pitching Forum aims to support emerging filmmakers, fund and facilitate the production of promising film projects. Through the selected finalists from Eye Catcher Incubation Programme and open call for Sinophone filmmakers’ project, groups of participants have 15 minutes each to pitch their projects regardless of the format for awards and funding. The Pitching Forum also invites international guests from the film industry as jury members, and a one-to-one meeting is arranged between participants and guests. We hope to facilitate the interaction and connection between participants and international guests, while participants can strive for more collaboration and support on their project development.
- [Eye Catcher Global 2023](https://www.eyecatcherhk.com/eye-catcher-global-2/) - COMING SOON
- [Ashley Cheung](https://www.eyecatcherhk.com/clinic/ashley-cheung/) - Ashley Cheung Yin Kei is a Philosophy graduate from Chinese University of Hong Kong. As a screenwriter, she wrote for feature films including One Second Champion (2020), Rental Family (coming soon), Distinction (2018), Vampire Clean-up Department (2017). Her Freshwave short film Life on the Line (2017) she directed and wrote for entered Italy’s Udine Far
- [About us (test)](https://www.eyecatcherhk.com/about-us-test/) - Eye Catcher explores new perspectives and possibilities in filmmaking, production and distribution. It provides opportunities for the new generation of filmmakers to expand their projects, encourage self-betterment, and facilitate networking and funding. The programme endeavours to encourage the spirit of self-producing, stimulate the creative potential of the community across different disciplines, and strengthen the connection in the movie industry between Hong Kong, Asia and the world.
- [Jia ZHAO](https://www.eyecatcherhk.com/clinic/jia-zhao/) - Jia ZHAO is a Chinese-Dutch film producer based in Amsterdam. She founded MUYI FILM and SILK ROAD FILM SALON in 2012. The latter is co-founded with Afghan-Dutch film director Aboozar Amini and has as primary focus on regions along the ancient trade route Silk Road. Jia is fluent in Chinese, Japanese, English and Dutch. Coming
- [Ray YEUNG](https://www.eyecatcherhk.com/clinic/ray-yeung/) - Yeung has been the chairman of the Hong Kong Lesbian & Gay Film Festival Society since 2000, organising the Hong Kong Lesbian and Gay Film Festival. His third feature film Suk Suk was screened at the Busan International Film Festival 2019 and 70 Internationalen Filmfestspiele Berlin in 2020. The movie received numerous awards and nominations
- [Joyce YANG](https://www.eyecatcherhk.com/clinic/joyce-yang/) - Joyce Yang, a film critic, member of Hong Kong Film Critics Society. She has served as a jury member for FIPRESCI Prizes of HKIFF, Hong Kong Fresh Wave Awards, Hong Kong ifva Awards etc. She has co-edited books on the selection of Chiu Kang-Chien’s award-winning film scripts as well as those of his late years. Her
- [Peter YAM](https://www.eyecatcherhk.com/clinic/peter-yam/) - Peter YAM is an independent film producer. He produced Yellowing, which won the Ogawa Shinsuke Prize at the Yamagata International Documentary Film Festival; Lost in the Fumes, which won the Special Jury Prize of the Chinese Documentary Award at the 11th Taiwan International Documentary Festival; and Lost Course, which won the Best Documentary at the
- [Wonder WONG](https://www.eyecatcherhk.com/clinic/wonder-wong/) - Wonder WONG is the executive director of the Taiwan Film Critics Society and runs the Facebook page “nofilmnome”. His film reviews, interviews and articles have appeared in Initium Media, Funscreen, Opinion.udn, PTS NEWS, The News Lens, VERSE, Up Media, etc. He was the curator of Zhongli Arts Cinema, Fuzhong 15 - New Taipei City Documentary
- [Mary Shuk Han WONG](https://www.eyecatcherhk.com/clinic/mary-shuk-han-wong/) - Dr. Mary Shuk-Han WONG is associate professor of Chinese Department at Lingnan University, Hong Kong. She has published widely on film and literature. She is the author of the books Feminine Writing: Cinema, Literature and Everyday Live and Hong Kong Cinema: Writer, literature and cinema. Major edited books include Hong Kong: The 1960s, “Hong Kong
- [WINNIE TSANG](https://www.eyecatcherhk.com/clinic/winnie-tsang/) - Winnie TSANG is the Managing Director of Golden Scene Company Ltd. New directors of the 25 local films Tsang distributed have received 19 Best New Directors nominations with 7 wins at the Hong Kong Film Awards. She co-founded Hong Kong Kids International Film Festival in 2017. In 2021, Tsang has her dream come true by
- [TSANG Siu Wang Eric](https://www.eyecatcherhk.com/clinic/tsang-siu-wang-eric/) - A film and cultural critic, Eric obtained his Master of Arts degree from the School of Chinese of the University of Hong Kong. He worked for publication, education and as a radio guest host etc. He is currently the chairperson of the Film Culture Centre (Hong Kong), the vice-chairperson of the Hong Kong Film Critics
- [TENG Chao-Ming](https://www.eyecatcherhk.com/clinic/teng-chao-ming/) - TENG Chao-Ming graduated from the Media Arts and Sciences program at MIT and currently works as the Director of Giloo Inc., a new online streaming and distribution platform focusing on documentaries and experimental films. TENG is also an active visual artist in the international contemporary art world. He has been invited to show at institutions
- [Rex REN](https://www.eyecatcherhk.com/clinic/rex-ren/) - His work Even Ants Strive For Survival has been awarded with Best Director at the 11th Fresh Wave Festival and Gold Award at the 23rd ifva Awards. His project A Life of Papers won the Grand Prize at the 2018 Golden Horse Film Project Promotion, May You Stay Forever Young won the NETPAC Award at
- [Matthew POON](https://www.eyecatcherhk.com/clinic/matthew-poon/) - Project Manager of HKIFF Industry (formerly Hong Kong - Asia Film Financing Forum (HAF)) since 2011. He oversees the operation of HKIFF Industry and helps promote its work and initiatives across the region. Prior to his current role, he has worked for the statutory regulatory body Broadcasting Authority of Hong Kong (now merged to Communications
- [Ellen PAU](https://www.eyecatcherhk.com/clinic/ellen-pau/) - A video and media artist and professional radiographer, Ellen Pau co-founded Videotage, one of the earliest video artist collectives in Asia in 1986. She is the co-founder and curator of the Microwave International New Media Arts Festival since 1997; and has curated various exhibitions locally and internationally, including Digit@logue for Hong Kong Museum of Art,
- [Teresa KWONG](https://www.eyecatcherhk.com/clinic/teresa-kwong/) - KWONG is the Programme Director of the Hong Kong Arts Centre, former Director of ifva (2004-2014), and a film producer. Feature films she produced include Addicted to Love (dir. LIU Hao, 2010), Big Blue Lake, Flowing Stories (dir. TSANG Tsui Shan, 2011 & 2014), Dot to Dot, Kidnapping Kid (dir. WONG Ho Yin, 2014 &
- [KWOK Kai-wah Wallace](https://www.eyecatcherhk.com/clinic/kwok-kai-wah-wallace/) - Kwok is a well-known media professional, DJ and manager of singer Sammi Cheng. He was the former Creative Director of Hong Kong Commercial Radio and Programme Director of Metro Radio. He is also one of the founders of the Hong Kong independent label "People Mountain People Sea". 鄭秀文經理人、資深傳媒人、著名DJ。曾任香港商業電台創作總監及新城電台節目總監。香港獨立廠牌「人山人海」創辦人之一。 KWOK Kai-wah Wallace 郭啟華 Hong Kong
- [Shelly KRAICER](https://www.eyecatcherhk.com/clinic/shelly-kraicer/) - Shelly Kraicer was born in Toronto, Canada, and received a BA in philosophy at Yale University. He lived in Beijing, China for eleven years, where he studied Chinese language and researched and wrote about the Chinese language cinemas of China, Hong Kong, and Taiwan. He has curated retrospectives on the Fourth Generation of Chinese directors,
- [May FUNG](https://www.eyecatcherhk.com/clinic/may-fung/) - Fung has been creating video artworks since 1986 and formed a new media art group Videotage with three other artists: Ellen PAU, WONG Chi Fai and MAO Man-yu. She is currently the chairperson of ACO (Art & Culture Outreach) and has been engaged in works of independent video arts, art administration, education and programming. She's
- [David CHAN](https://www.eyecatcherhk.com/clinic/david-chan/) - A Cultural Studies graduate from Lingnan University, co-founder of Phone Made Good Film Ltd.. He was the scriptwriter, director and editor of Phone Made Good Film short films Queens of Spades, Queen of Hearts and Here and There. His writing on film critics has been published in Ming Pao, Ming Pao Weekly, Hong Kong Economic
- [Mo CHAN](https://www.eyecatcherhk.com/clinic/mo-chan/) - Chan co-founded "YAMANYAMO" with WY CHAN in 2010, which is a studio that creates in a strong visual style, creating TV commercials, online videos, music videos and fashion videos. In 2018, he was nominated for the Best Music Video Award at the 29th Golden Melody Awards for his directing of Waa WEI’s Yuki Onna. In
- [CHEUK Cheung](https://www.eyecatcherhk.com/clinic/cheuk-cheung/) - Filmmaker and Co-founder of A Priori Image. CHEUK directed three documentaries about Chinese Opera. He received Artist of the Year at the Hong Kong Arts Development Awards, the nomination for Best Documentary at the Golden Horse Awards and Best New Director at the Hong Kong Film Awards for his latest work Bamboo Theatre. He also
- [Clinic](https://www.eyecatcherhk.com/clinic/) - Clinic Industry representatives go deep into Work In Progress film projects, help directors and producers develop their projects, diagnose problems, answer questions and solve problems, involving script and story development, narrative techniques, team building, financing strategies, promotion and distribution etc. 22/23 Review on Eye Catcher Global 22/23 Review on International Pitching Forum Clinic Review on
- [incubation projects](https://www.eyecatcherhk.com/incubation-projects/) - 觀塵 | As the Dust Settles 菲與火 | Fire Room 海的那一邊 | bitat 沒有拍出來的事 | Behind the Lens Why Not Move On 宅地假期 | Staycation 我們不得不如此 | The Only Way Out
- [Filmmakers](https://www.eyecatcherhk.com/filmmakers/) - Filmmakers
- [testing page](https://www.eyecatcherhk.com/testing-page/) - https://vimeo.com/750095839
- [Eye Catcher Award](https://www.eyecatcherhk.com/eve-catcher-award/) - Eye Catcher Award The Grand Award goes to the most original project of self-producing spirit. A new perspective is a must. It also has to show a sophisticated execution plan leading toproject completion. 奪目大獎授予最具獨立製作精神的原創影像項目，題材先鋒，同時需具有完備的執行計劃。 GRANT AMOUNT 獎金金額: 150,000 HKD (APPROX. 19,300 USD) The Next Award is recognising the most adventurous idea. The creator
- [Trends ](https://www.eyecatcherhk.com/trends/) - Trends
- [Network](https://www.eyecatcherhk.com/network/) - Clinic Industry representatives go deep into Work In Progress film projects, help directors and producers develop their projects, diagnose problems, answer questions and solve problems, involving script and story development, narrative techniques, team building, financing strategies, promotion and distribution etc.
- [Award - 2022](https://www.eyecatcherhk.com/award-2022/) - 奪目大獎授予最具獨立製作精神的原創影像項目，題材先鋒，同時需具有完備的執行計劃。 The Grand Award goes to the most original project of self-producing spirit. A new perspective is a must. It also has to show a sophisticated execution plan leading to project completion.
- [廠牌計劃 Incubation](https://www.eyecatcherhk.com/廠牌計劃-incubation/) - To break through shackles and blaze new paths, the Eye Catcher Incubation Programme is dedicated to nurturing a new generation of visual creators, culminating pioneering visual works and small to medium-sized production brands and funding promising projects. Through informalised creative training, proposal development and professional guidance, the project also provides seed money to encourage and offer full support to individuals or teams on self-management during the entire process from creation to entrepreneurship. Pitching workshops are provided for professional filmmaking projects. Workshop training ranges from skills of pitching, financing strategies, tips on facilitating production, distribution and film festival run. We also invite experienced producers to provide one-on-one coaching to help the next generation of filmmakers in the International Pitching Forum and win the funding and awards.
- [Our team](https://www.eyecatcherhk.com/our-team/)
- [RFHK Membership ](https://www.eyecatcherhk.com/rfhk-membership/)
- [Resources ](https://www.eyecatcherhk.com/resources/)
## UX Blocks
- [Industry Menu](https://www.eyecatcherhk.com/blocks/industry-menu/) - Pitching Incubation Pitching International Pitching Forum Network Clinic Representatives Resources Partners Platforms
- [footer](https://www.eyecatcherhk.com/blocks/footer/) - ABOUT US Eye Catcher explores new perspectives and possibilities in filmmaking, production and distribution. Read more EYE CATCHER GLOBAL 2025 2024 2023 CONTACT US
## Categories
- [Uncategorized](https://www.eyecatcherhk.com/category/uncategorized/)
- [Workshop](https://www.eyecatcherhk.com/category/self-production/workshop/) - Workshop
- [Sharing](https://www.eyecatcherhk.com/category/self-production/sharing/) - Sharing
- [Collective](https://www.eyecatcherhk.com/category/self-production/collective/) - Collective
- [Eye Catcher Award](https://www.eyecatcherhk.com/category/industry/eye-catcher-award/) - Eye Catcher Award
- [Clinic](https://www.eyecatcherhk.com/category/clinic/) - Clinic
- [Partners](https://www.eyecatcherhk.com/category/partners/) - Partners
- [Platforms](https://www.eyecatcherhk.com/category/platforms/) - Platforms
- [Self Production](https://www.eyecatcherhk.com/category/self-production/) - Self Production
- [Industry](https://www.eyecatcherhk.com/category/industry/) - Industry
- [Pitching Forum Projects 2022](https://www.eyecatcherhk.com/category/international-pitching-forum/pitching-forum-projects-2022/) - Pitching Forum 2022
- [What's New](https://www.eyecatcherhk.com/category/whatsnew/) - UPCOMING
- [Alumni](https://www.eyecatcherhk.com/category/filmmakers/alumni/) - Alumni
- [Camp](https://www.eyecatcherhk.com/category/filmmakers/camp/) - Camp 2021
- [Incubation](https://www.eyecatcherhk.com/category/filmmakers/incubation/) - Incubation Programme Participants
- [Director](https://www.eyecatcherhk.com/category/filmmakers/director/) - Director
- [Producer](https://www.eyecatcherhk.com/category/producer/) - Producer
- [Scriptwriter](https://www.eyecatcherhk.com/category/scriptwriter/) - Scriptwriter
- [Advisor](https://www.eyecatcherhk.com/category/filmmakers/advisor/) - Filmmakers
- [Creativity Camp](https://www.eyecatcherhk.com/category/creativity-camp/) - Creative Camp
- [21/22 Review on Creative Camp](https://www.eyecatcherhk.com/category/creativity-camp/21-22-review-on-creative-camp/) - 21/22 Review on Creative Camp 創作營回顧
- [22/23 Open Call for Entries 影像人年度大招募](https://www.eyecatcherhk.com/category/creativity-camp/22-23-open-call-for-entries/) - 22/23 Open Call for Entries 影像人年度大招募
- [Eye Catcher Incubation](https://www.eyecatcherhk.com/category/eye-catcher-incubation/) - Eye Catcher Incubation
- [21/22 Review on Incubation](https://www.eyecatcherhk.com/category/eye-catcher-incubation/21-22-review-on-incubation/) - 21/22 Review on Incubation
- [International Pitching Forum](https://www.eyecatcherhk.com/category/international-pitching-forum/) - International Pitching Forum
- [21/22 Review on International Pitching Forum](https://www.eyecatcherhk.com/category/international-pitching-forum/21-22-review-on-international-pitching-forum/) - Review on International Pitching Forum 21/22 21/22 國際提案大會回顧
- [22/23 International Pitching Forum: Call for Entries 國際提案大會公開招募](https://www.eyecatcherhk.com/category/international-pitching-forum/22-23-international-pitching-forum-call-for-entries/) - Open Call for International Pitching Forum 22/23 22/23 國際提案大會公開招募
- [Commissioned Films](https://www.eyecatcherhk.com/category/commissioned-films/)
- [Words from Eye Catcher](https://www.eyecatcherhk.com/category/words-from-eye-catcher/)
- [22/23 Review on Creative Camp](https://www.eyecatcherhk.com/category/creativity-camp/22-23-review-on-creative-camp-creativity-camp/)
- [Artist/Actor](https://www.eyecatcherhk.com/category/filmmakers/artist-actor/)
- [Sound Design](https://www.eyecatcherhk.com/category/filmmakers/sound-design/) - Sound Design
- [Cinematographer/Photographer](https://www.eyecatcherhk.com/category/filmmakers/cinematographer-photographer/) - Cinematographer/Photographer
- [Video Editor](https://www.eyecatcherhk.com/category/filmmakers/video-editor/)
- [Illustrator/Animator](https://www.eyecatcherhk.com/category/filmmakers/illustrator-animator/)
- [Incubation Projects 2021](https://www.eyecatcherhk.com/category/incubation-projects-2021/) - Incubation Projects 2021
- [Incubation Projects 2022](https://www.eyecatcherhk.com/category/incubation-projects-2022/) - Incubation Projects 2022
- [Pitching Forum Projects 2023](https://www.eyecatcherhk.com/category/international-pitching-forum/pitching-forum-projects-2023/) - Pitching Forum 2023
- [22/23 Review on Incubation](https://www.eyecatcherhk.com/category/eye-catcher-incubation/22-23-review-on-incubation/) - 22/23 Review on Incubation
- [Curator](https://www.eyecatcherhk.com/category/filmmakers/curator/)
- [Pitching Forum](https://www.eyecatcherhk.com/category/filmmakers/pitching-forum/)
- [Eye Catcher Global](https://www.eyecatcherhk.com/category/ecg/)
- [22/23 Review on Eye Catcher Global](https://www.eyecatcherhk.com/category/ecg/ecg-review/)
- [22/23 Review on International Pitching Forum](https://www.eyecatcherhk.com/category/international-pitching-forum/22-23-review-international-pitching-forum/)
- [Jury](https://www.eyecatcherhk.com/category/filmmakers/jury/)
- [Drama Director](https://www.eyecatcherhk.com/category/filmmakers/drama-director/)
- [Creative Consultant](https://www.eyecatcherhk.com/category/filmmakers/creative-consultant/)
- [Colorist](https://www.eyecatcherhk.com/category/filmmakers/colorist/)
- [Film Distributor](https://www.eyecatcherhk.com/category/filmmakers/film-distributor/)
- [23/24 Open Call for Eye Catcher Incubation 廠牌計劃公開招募](https://www.eyecatcherhk.com/category/eye-catcher-incubation/eye-catcher-23-24-open-call-for-eye-catcher-incubation/)
- [23/24 Review on Incubation](https://www.eyecatcherhk.com/category/eye-catcher-incubation/23-24-review-on-incubation/)
- [Eye Catcher Global 2024](https://www.eyecatcherhk.com/category/ecg/eye-catcher-global-2024/)
- [Industry Screening](https://www.eyecatcherhk.com/category/ecg/industry-screening/)
- [Asian New Director Awards](https://www.eyecatcherhk.com/category/ecg/asian-new-director-awards/)
- [Filmmakers](https://www.eyecatcherhk.com/category/filmmakers/)
- [Pitching Forum Projects 2024](https://www.eyecatcherhk.com/category/international-pitching-forum/pitching-forum-projects-2024/)
- [Eye Catcher Global 2025](https://www.eyecatcherhk.com/category/ecg/eye-catcher-global-2025/)
- [Eye Catcher Short Awards](https://www.eyecatcherhk.com/category/ecg/eye-catcher-short-awards/)
## Tags
- [fund](https://www.eyecatcherhk.com/tag/fund/)
- [award](https://www.eyecatcherhk.com/tag/award/)
- [software support](https://www.eyecatcherhk.com/tag/software-support/)
- [pitching forum](https://www.eyecatcherhk.com/tag/pitching-forum/)
- [promotion](https://www.eyecatcherhk.com/tag/promotion/)
- [screening](https://www.eyecatcherhk.com/tag/screening/)
- [workshop](https://www.eyecatcherhk.com/tag/workshop/)
- [co-production](https://www.eyecatcherhk.com/tag/co-production/)
- [mentorship](https://www.eyecatcherhk.com/tag/mentorship/)
- [filmmakers lab](https://www.eyecatcherhk.com/tag/filmmakers-lab/)
- [production](https://www.eyecatcherhk.com/tag/production/)
- [publishing](https://www.eyecatcherhk.com/tag/publishing/)
- [global connection](https://www.eyecatcherhk.com/tag/global-connection/)
- [fellowship](https://www.eyecatcherhk.com/tag/fellowship/)